In 1835, an extraordinary series of articles appeared in the New York "Sun," one of the city's newspapers. The articles told how astronomer John Herschel, with the aid of an advanced new telescope, had discovered life on earth's moon. Of course, the articles were pure fiction, and the story has become known as the Moon Hoax. The articles, written by Richard Adams Locke, were published in book form under the title "The Moon Hoax; Or, A Discovery That the Moon Has a Vast Population of Human Beings." A reproduction of an 1859 New York edition, with a new introduction by Ormond Seavey, was published by Gregg Press in 1975.

Locke's Moon Hoax is one of the most remarkable works of 19th century U.S. literature. Ormond Seavey's intro to the 1975 edition does a good job of placing the hoax in literary and cultural perspective. Seavey notes, for example, that the hoax appeared at "a time when the tall tale was first recognized as a characteristically American narrative" (p. xxiv). Seavey also makes note of the reaction of showman P.T. Barnum to the hoax, and draws a parallel between the Moon Hoax and Edgar Allan Poe's 1844 "Balloon Hoax."

The text of the hoax itself is a charming piece of literature; it could be seen as a pioneering work of science fiction. The text's flavor of authenticity is enhanced by the many technical details about the new telescope; Locke even names the glassmaking firm that allegedly created the lens for the device! Locke's descriptions of Herschel's bogus discoveries are delightful. We learn about the lunar oceans; trees; gigantic, obelisk-like amethysts; unicorn-like creatures; tailless beaver-like humanoids; and most wonderfully, "Vespertilio-homo," the winged human-like species alluded to in the book's title. "The Moon Hoax" is a marvelous book that deserves to be rediscovered by new generations of readers.

Yvain is a beautiful tale of love and courtly society by the greatest storyteller of medieval France, presented here in a very clear (and relatively cheap) translation. Particularly fine is the way this fantasy presents 12th-century aristocratic values, especially as the title character is torn between love of a woman and love of honor in his very masculine society. I have used this translation several times in undergraduate history classes on the Middle Ages--it works extremely well.