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Lloyd covers this controversial topic beginning with his discovery that both his teenage son and ward have posed in the nude for a pornographer whom they first met while hitchiking to the beach. He covers the topics of boys consensually selling their bodies for money to older men, chickens and chickenhawks in his terminology.
He tells the story of 12 year old Jimmy who ran away from his abusive family in the Appalachians to make his way in New York. Befriended by a 15 year old pimp, he is introduced to gay sex and selling his body to older men. Lloyd gives the details of this seamy indoctrination.
He also tells the stories of some of the older men who pay for willing sex with these boys. Like the judge who had 18 boys that he had loved over his lifetime come to his funereal. He is unusual in that he puts real faces to these men, and does not demonize them. He even gives examples where boys have benefited from the caring given by older men, and have grown up to be good citizens.
Lloyd covers the faults in society, many of which still persist 20 years later, that cause boys to turn to prostitution. From abusive homelife, to child care institutions who provide abuse not care, to the juvenile justice system. Also he covers the problems of adoptions and fostering for openly gay boys.
He offers solutions ranging from new government bodies to speak for youth to liberalized adoption laws. Also the timely spending of money on youth in need of care before they become a criminal justic system problem.
While sensational in areas, even explicit in sexual details, this book is overall a sensible, rational study of the issues surrounding boys willingly sell themselves for sex. Many of the issues still persist today, and too many of the corrective actions remain to be implemented. All in all a good read for those interested in boys and their welfare.
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The layout of the portfolio is ingenious: bound loose-leaf and prefaced by a page of appreciation, the gatefolds on medium stock will lay flat to the right for examination, or can be wholly removed. The reverse side of each contains another page of discussion, a small plan by William Storrer, and colored photos of interior as well as exterior views. I suppose one could cut off and frame the long drawings. All the text can be read without opening the gatefolds. Text and headings are set in a most attractive, 1930-ish Wrightian typeface ("Eaglefeather," I believe). This is not an essential study of Wright, but for the price it is impossible to go wrong with this quick overview of his most spectacular works.
On the other side of this gatefold are full-color photos of the structure, as well as a floor plan. The accompanying text describes how the commission was obtained, the construction, etc.
The book includes some of Wright's most famous residences, religious buildings, and public structures.
While not a complete overview of Wright's work, I gave it 5 stars because of the uniqueness of its presentation. I was just fascinated by the book's design-- it is beautiful, elegant, and informative.
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Part One: "Essay"; this is the section where most of the text is, and consists of these topics: Background, The Prairie Houses, The Space Within, Materials, Nature, The Flow of the Work, and Human Values.
Part Two is "Selected Buildings and Projects".
The final pages are devoted to a chronological biography and list of executed works.
Mr. Pfeiffer writes that "His eloquence in the manner in which he wrote and spoke of nature is surpassed only by the buildings he set on the earth" (pg. 28). The way his work is an integral part of its surroundings is pure genius. The photograph on page 118 of the famous Fallingwater House, with the waterfall seeming to come from the structure is a perfect example of this.
The architect is quoted as saying "Nature is all the body of God we will ever know" (pg.26), and his creations reflect this reverence for the landscape.
Part Two is profusely illustrated in black and white and color, with only explanatory text. As magnificent as these photographs are, what I find the most thrilling are the drawings. They are reproduced in color, many are yellowed, torn and with little adhesive tape marks, but are of astounding beauty, and a glimpse into the mind of this unique and brilliant man.
Mr. Pfeiffer became Frank Lloyd Wright's student in the Taliesin Fellowship, and is the director of the Frank Lloyd Wright Archives in Scottsdale, Arizona. This is one of numerous books he has written on Wright's life and work, and it is a fitting tribute to one of America's creative giants.
Aparently the Reader from California has copied this review on to several of Mr. Heinz's book pages. This review does not seem to be appropriate to this book. This can easily be determined by simply looking at the three wonderful photos of the Hollyhock house. None of them are upside down. None of the 100 photos are mis-identified. These are wonderful photographs and this may be the first of Mr. Heinz's 20 some books, all are delight to have and look through.
Mr. Heinz, we want more of your work, keep at it.