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I liked the chronological organization as the book traced the artist's development over the years. I always find this such an interesting perspective, seeing how an artist's vision changes and evolves. And I also liked the way that the relationship between Hockney's life and his art is explored.
The illustrations were grand too!
A worthwhile book and a good study of Hockney, his life, and his works.
I find it extremely interesting not just to see Hockney's work but also to read the details on the creative process leading up to the finished painting. A wonderful book!
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Clarence Glacken said in Traces on the Rhodian Shore, his magnum opus about the way nature and the environment have been viewed over the centuries, that there have always been three key ideas about the environment in the history of Western Thought. The editors of this anthology have taken a similar approach to the way they have organised their readings under general themes or concepts that have always been relevant to Geographers: Region, Nature, Culture, Time, Space, and Place. This allows them to gather extracts taken from fundamentally important essays in a way that is useful and informative, in ways that are both historical and practical. The chapters allow you to contrast different approaches that Geographers have taken to key concepts, producing an anthology that is supremely functional, as all great anthologies should be. The readings are challenging, but manageable, and have been selected carefully to provide a budding Historical or Theoretical Geographer with not only the most well known, but also the formally overlooked, providing a well-rounded and fairly un-biased collection. The different paradigms carry equal weighting, allowing you a sense of the struggle that has occured between quantitative and qualitative schools over the years.
There's something for everyone. Kropotkin, Mackinder, Sauer, Glacken, Haagerstrad, Tuan, Anne Buttimer, Aldo Leopold. The anthology also has helpful introductory pages for each thinker with well written, concise biographies outlining their contribution to the discipline, as well as theoretical influences and heirs. Anything but dry, and as useful as any social research methods handbook. Don't discount or neglect the theory when it's been presented in such a stimulating and accessible format as this!
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A fascinating life, well-told. A book to not only enjoy, but treasure.
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This book is chiefly known for its conclusion, *What is Darwinism? It is atheism.* This is unfortunate. He only condemns Darwinism after he has spent more than 100 pages closely defining it. It is not all change that he condemns, or even evolution, but a particular species of evolution -- naturalistic Darwinism.
Hodge rarely made hasty judgments. He wa sone of the first theologians to comment on Darwin's The Origin of Species (1859) in print -- 1861. Hodge spent many years studying all aspects of the theory. He identifies its strengths as well as its philosophical inconsistencies.
This book is of great value not only to those interested in theology and 19th century history and culture, but also to those interested in the contemporary debates over the merits of Neo-Darwinism (Hodge would have surely been fascinated by the exciting new Intelligent Design [ID] theorists -- like William Dembski, Jonathan Wells, Hugh Ross, Michael Behe, etc.).
"David Hockney: Paintings" is well written and organized to foster a greater understanding of how Hockney evolves over the course of his career. Moreover, you will be impressed by the outstanding quality of the the black & white and color illustrations.
Authors Paul Melia and Ulrich Luckhardt provide the reader an excellent insight to the artistic thoughts of David Hockney. It also studies and explains the tremendous global popularity of the artist. This is a great book to have in the house.