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There is a scene which Liu describes in his essay, "The Chinatown Idea", which particularly struck me and which illustrates Liu's view of ethnicity and the claims of tradition. When Liu was a young boy, he and his family took a day trip to Lancaster County, Pennsylvania, a trip which Liu remembers vividly. "[W]hat I remember most is meeting the eyes of an Amish boy about my age. He stared back at me, pale and expressionless, as if from a history book. To me, this was a boy already dead, consigned to live out his days in someone else's past."
This memory, like many others, form the ground for Liu's compelling arguments for individual choice and against the claustrophobic, lock-step claims of ethnic and cultural traditions. Since "[e]very identity is a social construction, a drawing of arbitrary lines," each generation (indeed, each individual within each generation), must establish his or her own cultural identity, drawing on traditions of the past, but ultimately deriving authenticity from the exercise of freedom. As Liu writes, with thinly veiled gratitude to his parents, "[i]t just happens that I was raised with great latitude--to preserve, discard, combine, and create." Thus, Liu proffers a kind of existential argument for assimilation, or at least for having the freedom to choose the degree of one's ethnic identity. As Liu notes, "Chineseness isn't a mystical, more authentic way of being; it's just a decision to act Chinese."
In arguing for "omniculturalism" or "assimiliation", Liu provides a particularly insightful discussion and analysis of the development, since the 1970's, of the so-called "Asian American" identity, an imagined community that has sought to unify the interests and cultures of the polyglot Asian ethnic groups. He also notes the compelling demographic trends which establish, "that America is white no longer, and it will never be white again." Thus assimilation in America no longer has the same meaning, and rejecting the past in favor of a future in an omnicultural society "is an act of creation, as much as destruction."
While you may disagree with Liu's ultimate position, "The Accidental Asian" is a lucidly written, thoughtful examination of the issues raised by ethnicity and the claims of tradition, a memoir which deeply mirrors the cultural and social turmoil of America at the dawn of this new millenium.
Liu brightly and candidly explores ethical, racial and societal questions that are often not addressed outright by the Asian community or others. His essays are intelligent, inquisitive, and thought provoking, and his writing style is clean and elegant. He manages to delve deep into racial ethics without coming off as preachy, whiney or defensive. This book must have been very cathartic for Liu to write - he explores and discusses issues of race that have shaped how others perceive him, and he seems at peace with his multi-cultural roles. I got the sense that a lifetime of thought had gone into Liu's essays, and that by publishing this book he was sharing his most private and candid views on race, his own ethnicity, and his one-time desire to assimilate into "white" culture. He is unafraid to share his thoughts on all sides of racial issues, and it is refreshing to have an author be so up front about race and culture. I am not of Asian descent, and I feel that "The Accidental Asian" is a powerful and though-provoking read for people of all cultural backgrounds.
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The companion CD-ROM is useless.
If the authors would like to publish the new version for JDK 1.2, there will be a lot of works they need to get accomplished.
Simple words from me.... Don't buy this book.
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