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The narrative rattles along absorbingly and there are many poignant moments and home truths along the way. Toby Litt writes a female character so well I felt slightly duped that he is a man.
And it is, actually, a very cool book!
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Written in two sepparate forms, of retospective monologue, and storyteling with spotlight on one of the main characters (spotlight changes as novel progresses), with excellent language skills, and nostalgic sidenote, mixed with fury which cannot be witheld inside himself (author has integrated himself in his character), this is indeed example of good literature.
Though maybe not so hard to understand as some of the recent alegoric novels, this book keeps his reader constantly on the seat, not with the story but more with the growing feeling of discomfort, and perverse anticipation of "what will happen next and why at all would I want to know that?"
Masterpiece of it's own, everyone should try to read it and to understand it. It is not just plain writting without anything behind the words which became very popular in modern literature. But deffinitely it is not a book for summer vacation, or a light break from work. It is a book that needs to be enjoyed upon.
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Obviously adapted from his play without much attempt to disguise this fact, the novel is driven by the characters' sharp and often witty dialogue. The characters are well drawn, and the story is unusually straightforward for James. While there remain the usual elliptical phrases and circumlocutions we've come to expect in his later novels, these have been toned down in the interests of dramatic momentum and the book is actually an easy read.
While it is certainly not one of the great James novels, it is nevertheless recommended to those who enjoy reading this author.
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Though reasonably well written, Corpsing seems to be sometimes too world weary and cynical. Conrad Redman's work involves creating trailers for satellite/digital companies, and he's in a rut where he's almost given up his dream of becoming a filmmaker. We first meet him when he's putting together a promotion for yet another Shark Week, making his trailers by splicing bits of film together, disregarding linearity in order to collage the best shots. And this is how Corpsing is narrated... sort of bitty and full of jump cuts, flashbacks, slow mo, stops and starts. Above all, the flash-backs-forwards of the bullet entries. Litt spares no bruising detail as he describes how Conrad and his girlfriend, Lily, are literally blown apart. But he also cleverly places his narrator into a situation that most of his readers will have fantasized about in one way or another. So, although Conrad may not always be very likeable, the reader cannot help but identify with him.
There's a certain amount of wit in Conrad's narration (Litt's writing), like Conrad admitting his shame at being shot by a bicycle courier in shockingly bright Lycra. However, there are faults too. Too many of the characters are lifeless - the notable exception being Lily, Conrad's dead actress girlfriend, who seems to get a far better role than many of the living. Unfortunately, good characterization is what this book needed, and in that respect Litt failed to fulfil. Otherwise, not a bad read.
While it is a fun story, the ending is less than satisfying. Some of the red herrings tend to be barracudas.
Used price: $125.50
Thank you,
Marion Boyars Publishers