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I can't judge the adaptation of Brad Lineaweaver's short story as such, not having read the original, but I enjoyed the play based on it.
My review of the original Lovecraft novel is at
[website]
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"AND THE BIGGEST GOD DAMNED BOOT YOU CAN FIND!"
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This book is very cool. It makes sense that it departs from the Doom game and enters it's own story-line, since the first two books in the series were about the first two Doom games.
In this book, Fly, Arlene, Albert, and Hidalgo (a new character) have to leave the Earth as they know it behind to travel through a Gate in an attempt to meet alien good-guys. They are successful. The aliens speak broken English and don't understand the concept of individuality. That is why they pick such wierd names for themselves (Sears and Roebuck). Now they must all go to an enemy alien military base and implant a virus in their computers.
I think this is a very fine set of books. They add so much to they story line of the game; I'd say you need to read these to understand Doom and Doom II. I must warn you, though, the 3rd book has a lot of really sad stuff, like when everyone has to leave Jill, or when they think of the effects of Relativity, when Arlene has to leave albert, when Captain Hidalgo dies, when Hidalgo thinks about his child,etc.
One has to be a really open minded reader to really consume this whole series and like every bit of it. This book is completly different from KNEE-DEEP IN THE DEAD. It has been criticized for having nothing to do with DOOM. Like I said before, you can only stretch DOOM'S paper-thin story into so many pages before it gets repetitive. This book bridges the gap between the 2nd and 4th books. The 4th book, which I will review later, is one wild trip.
INFERNAL SKY drops a huge bombshell on the reader: Fly and Arlene must travel to the Aliens homeworld to destroy them. When they get back, however, 200 years will have passed on Earth. Wow. If you are into this series and really sympathize with these characters, this is a huge and mind-bending developement. The latter half of the book is genuine sci-fi adventure, and for readers who originally picked up the series, this is just too much to digest: it's so different from the original book.
But personally, I like it. I like it A LOT. There isn't much to say about the wit or humor in this book; it takes itself quite a bit more seriously than the originals. Again, my star review is misleading. I doubt most people enjoyed this book as much as I did, so although I am awarding it 5 stars, I only modestly recommend it. Although, if you have made it this far into the series, it would be a shame to stop. If you read book 1 and 2, and liked book 2, read this and ENDGAME. I recommend finding ENDGAME first, however.. It's torture if you can't get it to find out what happens after this one!
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It is not a bad book. In fact, the bulk of it is a rather good alternate history based on the premise that Germany won WWII. The frustration lies in the jarring lack of cohesion or integration.
There is a prologue which is not explained, and is brutal and cryptic at once. The meaning and context of the prologue are largely hidden until the final chapter, when it is revealed that they have no bearing on the main plot, but are merely a future (and rather arbitrary) consequence of it.
Then there is the first chapter, in which the consequences of the alternate history on the US are hinted at. This is a mixed bag, but drew me in. In essence, rather than creeping socialism taking control of all aspects of civilian life, the consequence of WWII in this time track was a creeping libertarianism and decreasing size of the federal government.
This is handled both well (the consequence of privately owned roads is that some roads are not owned or maintained, leading to moon crater potholes and the market solution of tires that can handle anything, but give a bone-jarring ride -- a concession to reality that few other libertarian novels ever make) and not so well (if a customer tips a waitress exceedingly well, she will serve him in the nude -- something I just don't buy at a posh restaurant in America, since the Puritan strain of our culture predates WWII by centuries).
But the various awkwardnesses are made up for in the fascinating background.
Then Mr. Linaweaver gives us many pages of autobiography from Joseph Goebbels's daughter, Hilda, which provide interesting insight into life in Germany after the victory. But it goes on too long. And then, the meat!
The daring conceit of this novel is that the bulk of it consists of the last entries in the diary of Joseph Goebbels himself, circa 1966. Whatever quibbles one may take with this portion of the novel, it is gripping, grotesque, and for the most part entirely believable. The only misstep, one that Linaweaver is quite conscious of and acknowledges, is the use of the hoary old cliche of the mad super-scientist who wants to destroy the world. The science he employs is simply not believable in the context presented, even for a super-genius.
That, however, is more than made up for in the scenes describing a Nazi propaganda film, and it's director, which turns out to be an exact analog of a very popular American film, right down to the racial stereotypes. And the American director, by implication, is skewered beautifully in the presentation of his alternate self.
So then the diary ends, and we are back in the mid 1970s with Goebbels's daughter and her publisher, and this is quite good too, living up to the diary. Until.
The.
Last.
Chapter.
The final chapter is an epistle written in the year 2000, and clears up the "mystery" of the prologue. Once that is done, the letter then details events that would have been well-known to the recipient, and proceeds to semi-coherently relate the theme of the novel over and over and over again in a feeble attempt to bludgeon it into the reader's head. Then it does it again. And still again. It is so poorly written that one wonders if the author fell ill and somebody else filled in.
If I give the impression here of disliking the book, that is only because the last chapter was so incomprehensibly awful that it eclipses the considerable merits of the rest. Even without the ending, it is far from perfect, as noted. However, on the whole, I am glad to have read it.
Highly original vision of "what if" the Nazis won WW 2 (author predicts they would have ended up much like the USSR -- a corrupt and declining totalitarian state, whose Party leaders only give lip service to their early "ideals," and whose children are spoiled Party brats).
The heroine is a libertarian revolutionary.
This book won a Prometheus award.
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