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The design of this volume is great. Have any of you ever looked at a book's layout? This masterpiece should be studied in a graphics design course.
I specialize in scientific illustration (black & white technical stuff). Much of my work has been published in Dr. Balon's: Environmental Biology of Fishes and I dare say I have an eye for what's good within this field. While Tomelleri's early salmonids (see Fishes of the South central USA) are okay at best, the ones featured in this book are out of this world. Strangely, he includes some of his earliest works(p.71, p.261). These must have been added for sentimental reasons and have little value being included with the otherwise superb lateral views.
I find it strange to see the reaction of people when I show them particular pictures from this book. They seem to get equal enjoyment from all the illustrations, mainly because of the flamboyent salmonid colors. No one picks up on the astounding progression in style/technique that Tomellerri has gone through over the years. Yet it is very evident indeed. No one has pointed out that while all the renderings are lovely, stuff like the pink salmon on p.43-45 represent the technical limit of what can be achieved with color pencil realism. My favorite? The Presidio trout on p. 121. I hate to say it, but the pictures (and book overall) are too good. Anyone can pick up a leica and enjoy its smooth mechanical functions but how many of us can appreciate the beauty of German industrial design and fine craftsmanship? This book suffers a similar fate. It will sell because we all love pretty trout, end of story.
I can't stop reading and looking at this book. I fall asleep next to it and in the morning, look through it some more. Our family collects antique books and my love for books extends into other fields as well. This is the greatest of all my prize posessions.
I enjoyed Dr. Benke's text. He is able to convey scientific information in a style that appeals to naturalists, fishermen and those of us within the sciences. I first came across his writings in the magazine Trout and like many of you, I fell in love with his AFS book on trout of western North America. Maybe the fact that I am fascinated by phenotypic plasticity and morphological variation within species has placed me in a situation to better appreciate what this book has tried to accomplish, but I hope not. I only wish that some of you can feel what I experienced when I first received my copy of Trout & Salmon of North America. This book beautifully articulates the complex and fascinating world of salmonids through stunning pictures and wonderful text.
Professional biologists, such as myself, may have wished for a little more technical information than the book contains, such as was available in his 1965 PhD Thesis, A Systematic Study of the Family Salmonidae with Special Reference to the Genus Salmo or his 1992 mongraph, Native Trout of Western North America. Dr. Behnke has published a continuing series of articles on salmonid taxonomy, distribution, and life histories in Trout, the journal of the Trout Unlimited organization. He has used these articles to bring the importance of preserving the diversity of life histories present in each species to the attention of anglers and managers throughout North America. Whether a population is a species, subspecies, 'race,' or 'stock' has little meaning from a management standpoint, if it displays unique life history traits that enable it to exploit habitat extremes or niches that are inaccessible to other populations or hatchery stocks. As with agricultural crops, the loss of wild genotypes can never be fully compensated for and adaptations to local environments make many of these stocks the only fish that can successfully maintain naturally reproducing populations adapted to local disease organisms and environmental conditions.
I was hoping the book would include appendices that described all of the new technical information available about the family Salmonidae. Instead the book is a wonderful publication for the general public, containing a though and highly readable description of the wonderful diversity of form and life history represented by North American salmonids. Combined with Joseph Tomelleri's incredibly detailed and lifelike representative illustrations, this is a welcome addition to the library of any angler or biologist.
In addition to his contributions to the establishment of saner management policies for native fish, Dr. Behnke described or collaborated in describing literally dozens of distinctive populations of salmonids. Many of these fish; such as the Sheepheaven Creek Redband, Humbolt River cutthroat, fine-spotted Snake River cutthroat, and Whitehorse cutthroat; were simply described as a new subspecies without assigning a subspecies name to them. Dr. Behnke generally only assigned new scientific names, where a species or subspecies designation was incorrect, and a prior name already existed. Hence, the Yellowstone cutthroat became Oncorhynchus clarki bouvieri instead of O. c. lewisi and the interior Columbia/Fraser River rainbow became O. mykiss gairdneri, rather than O. gairdneri. This brings me to one of my few quibbles about the book.
In the 1995 book, Many Rivers to Cross by M.R. Montgomery (a Boston Globe columnist), the author included the descriptive information from Dr. Behnke's monograph, Native Trout of Western North America, under the name Oncorhynchus clarki behnkei. I'm a fisheries biologist, rather than a taxonomist, but as I understand the process of naming a new species (or subspecies), the name should accompany a species account that includes a description of the species and information on the collection where the type (type specimen) is or will be deposited (perhaps Mr. Montgomery included all of Dr. Behnke's original description in his book and this is sufficient). This information is usually published in a journal or book (but I'm not sure if it has to be published by a professional taxonomist in a professional publication). The first name assigned has priority. If a non-professional can assign a name in any form of publication, then I believe that Ernest Schwiebert beat Mr. Montgomery to the punch by a couple of decades in his 1978 book, Trout, when he assigned the name Salmo carmichaeli (after a Wyoming tackle shop owner) to the Jackson Hole cutthroat and included an excellent illustration of a fine-spotted cutthroat from Blacktail Spring Creek in Wyoming. While its true that Schwiebert gave it species status, the same can be said of the rainbow trout, which was originally named Salmo gairdneri before it was reassigned the name Oncorhynchus mykiss gairdneri (gairdneri was assigned to the interior Columbia/Fraser River subspecies). Will some taxonomist please name a trout after Dr. Behnke?!! He certainly deserves the honor. It would be a nice gesture if a committee of taxonomists would decide which of Dr. Behnke's many unnamed subspecies of Oncorhynchus most deserves subspecies status and assign it the subspecies name, behnkei. The fine-spotted Snake River cutthroat seems like a fine fish to name after Dr. Behnke, but I'm sure any of the salmonids he has described over his long career would serve as a fine honor.
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Osterbrock points out that the Ritchey-Chretien reflector model, so ignored and disparaged during his lifetime, eventually won out and now nearly all large telescopes are built using this model.
Ritchey was a genius and well ahead of his time in many respects. It was simply his misfortune to have lived opposite the likes of George Hale, who because of money, position, and success, was able to overshadow and dominate his accomplishments. If Ritchey could have adapted to his position as optician, he could have had a sparkling career at Mt. Wilson, and later, Mt. Palomar. Instead, his hard-headedness met the immovable object of George Hale's ambition and momentum, and Ritchey ultimately lost.
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The additional chapters in this update are indeed helpful. The only distracting thing in this 2nd edition is the remarks made at times by the editor, who at points seems to be trying to explain away some of Ladd's theology. This is unfortunate, because in all of these occasions I find Ladd's exegesis more convincing than his.
But Ladd's Theology of the Kingdom, and his development of Salvation History are both exemplary. Systematic Theologians will be uncomfortable with the way he leaves tension between author's of Scripture at points. But Biblical Theology would resist the urge to "flatten" the distinctions that each individual author makes. If that is sometimes uncomfortable, so be it.
This is Biblical Theology at its finest, and needs to be in every serious scholar's library.
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On the whole, Sources of Japanese Tradition, Vol. 1 is a reference book on intellectual development in traditional Japan. It is essential for anyone interested in developing a deeper understanding of Japan over a period of time, which means it is not intended as a quick read.
Volume I is mostly an overview of traditional literature, poetry, aesthetics, religion and philosophy from the earliest written works until the end of the Tokugawa Shogunate in the mid nineteenth century. The chapters are chronological and thematic, and each is prefaced with historical context for better understanding. The chapter bodies consist of translations of some of the most representative works from Japan, including excerpts from Japan's most famous novel, "The Tale of Genji" (early 11th century), as well as numerous samples from the spectrum of Japanese Buddhism (not just Zen), and plenty on the philosophy of neo-Confucianism and other Chinese influences on Japan. On the downside, although there is some discussion of Haiku poetry, there is not enough. And unfortunately, Kabuki, Japan's most popular form of theater, and Japanese painting, which has greatly influenced modern artists in the West, are hardly mentioned, and Japanese music is not even addressed. This makes the book somewhat of a companion to political, social and economic history - which is outstanding if that is what you are looking for.
The book represents the yardstick of compilations on Japanese intellectual history and should not be intimidating to readers who have some knowledge of Japan, nor too simplistic for the more informed. Because it is the old standard bearer, there is a definite need for an updated version that includes more for contemporary audiences, such as better discussions of Kabuki, Haiku and scroll painting. However, the volume is organized well enough for readers to concentrate only on sections they have immediate interest, making the book accessible to a variety of readers who seek a broader understanding of traditional Japanese culture and intellectual history.