Perfect first book!! My son is 5 months old and loves this book. The bright colors and rhythmic flow of the silly words are just wonderful. Not too long, not too short. If he's fussy, we sit down and read Maurice the Hippo over and over and he is happy. I would recommend this as a first book for every baby.

I bought this book and put it with all the others. Recently my 11 month old girl has started to bring me books to read and she will bring this one 4 or 5 times in a row - it's her favorite. The book has a cheerful, irreverent feel with sing-song rhymes and bright illustrations.

We renewed this as a library book three times before we broke down and bought it. We are also giving copies to a few friends this Christmas. Our eight month old LOVES this book. The bright pictures and rhymes just mesmerize her. Another nice feature is that it is a board book, yet larger in size than most board books. She loves to turn the pages. She gets excited just LOOKING at this book. Highly recommended for little ones.

The first part of this album on ancient Egyptian art presents the author and his passion for Egyptology. The second part consists of plates, representing drawings and outlines of pillars, vases, portraits, columns, niches, plans, and patterns among many others. This is a good reference to the art and architecture of ancient Egypt.

Atlas Of Egyptian Art was originally authored and illustrated by Emile Prisse d'Avennes, one of the first and most mysterious modern pioneers of Egyptology, who lived during the 1800's. The informative text withstands the test of time, and the amazing 150 color reproductions of Egyptian art and artifacts are truly a wonder to behold. The artistic skill of Emile Prisse d'Avennes has preserved images even though some of the original works were later lost. These were the first reliable, accurate drawings of ancient Egyptian art made available to the non-specialist general readers in the West. A fascinating and beautiful book, and a "must" for anyone with an interest in the clean, classical simplicity of Egyptian art!

This book is gorgeous, I am surprised I am the first to review it! If you are looking for inspiration in your Egyptian studies, graphics, and art this is the book to purchase. There are hundreds of color plates depicting Egyptian rock art, columns, stone carvings, and other tidbits drawn by Prisse. If you always wanted to know what color a Lotus was depicted as, or other such items, this will help immensely. The plates are so beautiful they can be framed as wall art. Inspirational and more!

I'd definitely give this guide full marks. It's without doubt the most comprehensive of the guides I looked at for the area I was travelling to(the Virgin Islands). It had everything we could have wanted to know and it definitely meant we did some better diving than we'd have done without it. We particularly liked that it gave us information about the British and US Virgin Islands and as they are less than 5 miles apart it's simple to dive both areas. They have some really different types of diving and we'd have missed out on a lot without the guide. We bought the book before we went but we took it along with us and used it all the time. One of the things we enjoyed reading was the descriptions of the dives andthe sections about the marine life. We've been diving for over 10 years and I've learnt more from this book than I have in my previous years of diving.

The Complete Diving Guide (2) is a must for anyone diving the Netherlands Antilles. I used it while cruising in the area on my yacht in St. Maarten and dived in Saba, Statia and Anguilla on the strength of the information in the guide book. It tells you where the best dives are and how to dive them. The maps show you where the dives are and there is a lot of general background about what the diving will be like. I was surprised how much information the authors included and there's no woffle, it's all good value for money.

I am not a computer expert so a book needs to be very understandable. This one is. It's easy to find the topic you're looking for and easy to understand the directions it gives you. I think it's the best Windows 95 book I have.

about of sources of international law and unilateral ac

This book outstands for how the authors present the wide field of modal logics. In a unified framework where classic unimodal logic, dynamic logic and arrow logic are treated as case studies, the authors put forth their view on modal logics as instruments to speak about local properties of relation algebras. This view mandates a novel way to present the subject, a task that the authors perform wonderfully with a deep and rigorous yet truly understandable presentation of the main issues in modal logics. This is a book whose importance cannot be underestimated. Note however that the book does not treat topics as model checking, mu calculus or properties of a specific logic, be it a Kanything, C/LTL(*), a dynamic logic or whatever. Citing: "The reader looking for a catalogue of facts about his or her favorite modal system probably won't find it here. But such a reader may well find the technique needed to algebraize it, to analyze its expressive power, to prove a completeness result, or to establish its decidability or undecidability - and may even discover that the relevant results are a special case of something known".

grea

This is a terrific baby pleaser--my friend's three month-old is fascinated and mesmerized by the bright colors and bold shapes. The language is rhythmic and musical, perfect for infants and toddlers. Every baby I have given this book to has loved it.

Anton lives in a new neighbourhood near the Amstel river in Amsterdam in the 1930's. From his early childhood onwards, the river attracts him and when he is about 14 years' old he becomes a member of the rowing club on the other side of the Amstel. Anton is an outsider: the other member are from higher social classes, his father works in the public transport branch. He is also an outsider in other aspects: he observes the others and doubts himself.

But then one day the eccentric Dr. Schneiderhahn chooses anton and David for the coxless two. In Anton's view David is his very antipole: he is self-confident and outgoing. Slowly but surely the two boys become a perfect team. In the summer of 1939 they start competition rowing and they win one race after another. It becomes more and more apparent that they have a chance to participate in the 1940 Olympics in Finland. At the end of the year they promise each other to go on as a team in the next year.

The book is written as a oppressive retrospective of Anton who finds himself on the pier of the derelict rowing club in 1944. the reader knows what has happened between 1939 and 1944 and the typically Jewish name David strongly suggests that history has not been kind to him. A beautiful book in sensitive prose.

When an author can create a completely absorbing novel, peopled with finely tuned characters that stir us with tension and competition and longing, a novel that uses as its base a sport that few readers know enough about to connect, then that author has displayed credentials of an impressive talent. ON THE WATER spends alomst every page in the preparation, practice and execution of a two man crew boat. He gradually pulls us into that boat with an understanding of the rules of the game and the rigors of the men who row. Then, subtly and with great tenderness he unveils his two young men of polar diferences and weaves a story of the power of sporting competion and the greater power of finding a soulmate. This bonding between lower class gentile Anton and upper class Jew David is engineered by a German Doctor in 1939. This beautiful story of an exploration of place and love is set in the last summer before Hitler destroys Europe. We are left to guess the fate of David while we discover the solitary wandering Anton who tells the story five years later along the banks of the river where they spent the most beautiful time of their lives. This novel gleams with magical poetry and introduces an author (and translator) who seems destined to find an important role in the 21st Century of literature. Read this book!

This is a debut novel and a very fine one at that. Hans Maarten van den Brink has written a lyric story of athleticism and the body, of a love of water and rowing, of how a young man grows to be a friend, a teammate, a champion. The author is observant of nature, the body and humanity, he knows the challenge and joy of sports and can communicate that experience as far as it can be done even to the couch potato. He has a sure choice for words and felicitous phrasing (the translator, Paul Vincent, deserves much credit and praise as well). I look forward to reading more of him

Granted this is pretty dry reading. Erasmus may not be the greatest writer. This does make for a turgid evening if one plans or desires to read it from cover to cover in one sitting. That said, Erasmus rode (if not found himself starting) the beginning wave of the great reformation. In his writings (which bear a not so slight foreshadowing to the great C.S. Lewis) Erasmus gives hope for all of us sinners in the guise of wit. An important addition to any library of classical literature.

Sorry, I tried several times to read this book. I hunted for passages that might interest me. Unfortunately, all I found was [the author] blowing his own horn. But then fantasy and science is about all that interests me. I'm sure someone with a historical bent would find this tale exhilarating.

To say the book has less than perfect unity in tone, as was written in the introduction, pg xv, is an understatement. The reader is never sure whether it is Folly or Erasmus who is talking. Perhaps for the goddess of Folly, contradictions and inconsistencies are the very follies desired - how are we mortals to tell?

And that is what we have here - all the inconsistencies, as, for example, mentioned in pages xiv-xv of the introduction again, that Erasmus wrote with the learned sophistry he denied schoolmen, philosophers, courtiers, theologians and monks. It's almost like Lao-Tzu and his Tao-Te Ching which includes the famous "The name that can be named is not the eternal name; the Tao that can be named is not the eternal Tao," only to have a later poet, Po Chi-Yi, quip about the 10,000 word effort to say what cannot be said in the first place. Yes, he did say at the end that 'I hate an audience that won't forget,' but that's not a courtesy he proffered to his opponents, of whom the criticism by Erasmus seems caviling, carping and nitpicking. He should have emulated his inpiration, Lucian with his 'philosophers for sale,' and made points simple like that here. It would be unfair, though tempting, to think that Erasmus took Quitillian to heart (pg. 81, 'what can't be refuted can often be parried in laughter') and disguised his voice in silly chaos for what has not been thought out cogently.

So, one is not quite sure whether wasting away a life in idleness, corruption or avarice as priests, bishops and monks are wont to do is the same kind of folly as the folly that comes from the innocence of the simple minded people or children, since Erasmus never quite made it crystal clear. Do we praise folly here but condemn it otherwise - without unity of tone and consistency of the vantage point of the writer, the whole thing just becomes a mess of confusion.

What Erasmus wanted to say does deserve our attention, but one wishes that he could have done it in a more fluid style and without all that pretentious classical references, for unlike Lucian, he lived not in that period. And certainly it could be better organized into chapters and sections, and used some editing to eliminate the endless repetitions, ensure consistency and unity of tone. Casson's 'Selected Satires of Lucian' is a much better read and is highly recommended over this one.