I ordered this book yesterday and couldn't put it down until I finished. Definitely a classic in the occult fiction genre. The metaphorical explanations of significant ideas were a highlight...imagine human two cells talking to each other, one claiming to believe in this thing called man, the other a scientific disbeliever. If you like stories like the Nine Faces of Christ, get this one.

"The Hunting of the Snark" is a brilliant nonsense-poem. Yet Gardner has seen fit to put pretentious, geeky, ...pedantic annotations all over it. Now I like nonsense, but the vulgarly rational "sense" of some of these annotations irritates me. Do we really need to know that the word "BOMB" begins and ends with B (thereby relating it to the Boojum) and that OM is the Hindu name of God??? Do we really need to know of a political cartoon in which Kruschev says "BOO", and does Gardner have to tell us that he was trying to say Boojum??

Annotations should be done in the manner of Gardner's own annotations of Alice in Wonderland. Now those were annotations that made *sense*. Annotations that simply explained out of date concepts, gave relevant details from Carroll's own life, or obscure humour. That's all! That is what annotations should be like.

The pedantic geekery of these annotations remind me of the...games of Star Trek fanatics (or Sherlock Holmes fanatics).

The poem is brilliant, though; and the illustrations were funny, before the annotations over-analysed them.

Lewis Carroll is brilliant in this piece. First of all the poetical music is perfect, absolutely perfect, and yet the words don't mean much. Many of these words are not even to be found in any dictionary. Be it only for the music, this piece is astonishingly good. But the piece has a meaning. I will not enter the numerical value of the numbers used in the poem : 3, 42, 6, 7, 20, 10, 992, 8, and I am inclined to say etc because some are more or less hidden here and there in the lines. Hunting for these numbers is like hunting for the snark, an illusion. But the general meaning of the poem is a great allegory to social and political life. A society, any society gives itself an aim, a target, a purpose and everyone is running after it without even knowing what it is. What is important in society is not what you are running after or striving for, but only the running and the striving. Lewis Carroll is thus extremely modern in this total lack of illusions about society, social life and politics : just wave a flag of any kind, or anything that can be used as a flag and can be waved, in front of the noses of people and they will run after it or run in the direction it indicates. They love roadsigns and social life is a set of roadsigns telling you where to go. Everyone goes there, except of course the roadsigns themselves who never go in the direction they indicate. Lewis Carroll is thus the first post-modern poet of the twenty-first century. He just lived a little bit too early.

Dr Jacques COULARDEAU

I am a fan of Lewis Carroll, but somehow was unaware of the existence of an edition of "The Hunting of the Snark" with annotations. As someone who tremendously enjoys Martin Gardner's "Annotated Alice," I heartily recommend this book to like-minded readers. Gardner's annotations and introduction set the stage for the reader, putting the composition of the poem in its proper context in Victorian England, and in Lewis Carroll's life. And as with "Annotated Alice" the annotations are fascinating and amusing in their own right. "The Hunting of the Snark" is one of Carroll's lesser-appreciated (or at least lesser-known) works, and this paperback is an excellent introduction.

I noticed some confusion in the Amazon listings for this book, so let me clarify that the edition with Gardner's annotations is the paperback, and for illustrations it contains reproductions of Henry Holiday's original woodcuts from the 1800's. There are only eight pictures, and these are in old-fashioned style which may turn off some modern readers. This edition does not contain the illustrations - listed in the review of the hardcover editions - by Jonathan Dixon, nor the illustrations by Mervyn Peake also listed as available in hardcover from Amazon.

To Snark fans, though, I would unhesitatingly recommend both those editions as well. Dixon's is little-known, but excellent, the most profusely illustrated Snark, with pictures on every page in lush, gorgeously detailed and humorous pen and ink. It may still be available through the website of the Lewis Carroll Society of North America, who published it in a small edition. Peake's drawings are also in beautiful black and white, and capture his own rather dark, quirky "Gormenghast" take on the poem. (A good companion, too, to the recently released editions of "Alice" with Peake's drawings.)