Just finished this book and found it fascinating. Being from and living in the Pacific Northwest puts another perspective on the Lewis & Clark journey. It was particularly interesting that the author shed light on early 19th century medicine through the Lewis & Clark journey. Peck made both subjects very interesting, and I felt used a unique and humanistic style of writing in doing so. In reading the book, you feel like you can really identify with those that made the journey, almost as if you're traveling on the journey with them. I highly recommend the book to anyone interested in U.S. History, Adventure and/or Medicine.

The debut writing of Dr. Peck reveals the Lewis and Clark expedition in a new light. Not only do we learn about the route taken and what was discovered of the flora and fauna and landscape, we are taken into the Corps of Discovery. Having been given the omnipotent view of the trials and tribulations that went with this adventure, we learn about primitive wilderness medicine versus modern medicine. To read this is to become enriched about how far North Americans have come from the treatment of blood-letting! This book of high adventure in the untamed West will keep you enthralled until the last page is turned.

While the primary purpose of this book is to cover the medical aspects of the Lewis & Clark expedition, it is also a great overview of the expedition in general. It is a very readable book with a candid and refreshing viewpoint, and comes from the perspective of an author who is very familiar with life in the outdoors, as well as being a physician. While many history books read like a dull college lecture, this book is more like hearing the story told while sitting around a campfire in Montana. It is a great book for the Lewis & Clark beginner, as well as an essential reference for those interested in the medical details of the Lewis & Clark expedition.

Finally, a book written by insiders in regard to the Israeli/Palestinian conflict. Certainly a rare find. This book is actually a compilation of papers/essays/letters written by numerous authors all of Israeli Jewish decent. Noted authors include Uri Avnery who fought in the '48 war and served in the Knesset, Ishai Menuchin who is a Major the Israel Defense Forces reserves, Dr. Yigal Shochat who served as a fighter pilot in the Israeli Air Force during the War of Attrition, as well as numerous well-known and published professors of Political Science, all of whom teach at universities across Israel.

The book subverts many myths about Israeli politics in the OPT, but it does not do so in a black and white manner as so many other books do. It is a critical analyses of how certain decisions by those in power are creating a threat not only to Israeli citizens within Israel proper, but also a to Israel's democracy itself. This book criticizes key flaws in Israeli politics in regard to the Palestinian issue and provides solutions in their place; rather than simply attack Israel for all it's worth.

In addition to the logical, critical, thought-provoking, Jewish-perspective information this book provides, it also serves to effectively undermine anti-Semitic attitudes towards Israel. Many other books simply criticize Israel without providing alternate solutions given from Israeli Jewish perspectives.. those types of books end up in the hands of some anti-Semites who use the text (most often taken out of context) as metaphorical ammunition. This book is no such source for such idiocy.

To criticize one's own government is nothing new, but to do so in such a well-articulated manner, without ostracizing 1000s of years of Jewish culture, and all the while defending democracy while putting your public reputation on the line is not only genius; it's heroic. Read this book!

A book that challenges so much that one hears about the "justice" of Israel occupying Palestinian land is an important, necessary book. Although the title makes somewhat grandiloquent claims on the part of its individual writers (there is no risk whatsoever to these people, in terms of social position or even income, in writing these articles), it is important for Americans to hear other perspectives coming from Israel. Most of the articles are worth reading, although Anthony Lewis's contribution to the volume unfortunately shows his characteristic clunky prose and banality of polemic. But that is a minor quibble to make. This is a fine book.

I have read many great books that adequately cover the Israel-Palestine conflict, but this is one that achieves a high position on my list of books for those who also want an intro to the topic. Besides the fact that it thoroughly covers and exposes many myths, it also does it from an Israeli perspective, hence perhaps removing discomfort of anyone who might be tempted to read some truth but question it's source.

The book absoutely redefines Pro-Israel as something that is tied together with Pro-Palestine. The two are intertwined. What the American media projects as "Pro-Israeli" is really in the worst interest of both the Palestinians AND the Israelis and the book covers this quite well.

The book is split up into sections dealing with the rise of the conflict, escalation and so on. For example, a section is dedicated to purely military dissidents (very brave men) who speak out against crimes that they may have been forced to help once.

All in all, this book is recommended to the nth degree.

Highly readable for an academic work. A deep and uniquely insightful perspective on one of the last century's most complex writers. Even casual readers of C. S. Lewis will find this book captivating.

Unlike most literary criticism this book is very rich, perceptive and readable. Anyone who likes C. S. Lewis should get their hands on this book. I look forward to more books by this author.

Tha author has read Lewis extensively, and reads the Space Trilogy in the light of Lewis the man. He sheds new light on the sources of inspiration, and comments on the criticism that has been raised against the trilogy. I have read the trilogy several times, and this study deepened my understanding of it. It is well written and highly readable. I could have wished for a deeper assessment of the "pagan" influences of the trilogy. However, the study is well worth reading for anyone who likes reading Lewis, esp. his fiction.

For anyone who has a modist size Zeppelin collection of live recordings this book is a must, It has an incredible breakdown of hundreds of shows including track lists and commentary on the play quality as well as remarks on Robert Plants witty comentary between songs. I found myself going back and listening to many of my bootlegs to see how the author's opinion of concerts compared to mine. It was also nice because It helped straighten out some of the songs from the compelation discs I have, correcting the perpatraitors generally incorrect slipsheets and liner notes.

Dave Lewis and Simon Pallett have provided readers with a treasure: a look at every known live performance of the world's greatest rock band, Led Zeppelin. The book is full of reports of what, where, and when the band played, how good the concert was, concert facts, and many samples of the wisdom of Robert Plant. They even recommend the best bootlegs, perfect for us die-hard Zepp fans. The authors also include innumerable concert photos, many of which don't appear in other books. Any Zeppelin collection is incomplete without this book.

This book is a dream come true for any Zep fan. The set lists and descriptions of every Led Zeppelin performance are great. If you are not sure exactly when or where you saw that Zep concert, this book has the information you need. Loads of pictures of the band, venue posters, backstage passes and more. Looks great on the coffee table too.

The portrayal of our defense industry in this story is unfortunately accurate. We have placed so much emphasis on "smart weapons", that we have forgotten the real effectiveness of our military. The action and pace of this book will keep the reader enthralled and they will not want to put it down.

I've read almost all of Ralph Peters' novels, and this is probably my favorite to date. I passed it over in hardcover--frankly it didn't sound very interesting. I couldn't have been more wrong: it's one of the best written, engrossing novels I've read in a long time. Peters is one of the few military thriller writers that can name drop Thomas Hardy novels and actually make us believe his characters read them. I know what a cliche this sounds, but I couldn' t put it down. Peters has within him his best novel yet--some day he'll write the Once An Eagle of his generation of officers.

After 25 years in the defense industry, watching the Services buy big things they don't need while neglecting small things they do (like enough pay so the troops don't have to be on food stamps), it continues to disturb me that the American taxpayer continues to allow Congress to sell out to what Ike Eisenhower called the "military-industrial complex". TRAITOR could have been a documentary. This is a great novel, thrilling and unpredictable, but it is also based on the real world and all the more gripping because of this.

The story of a girl with a gift. Set in a bleak future where a toxic jungle is slowly engulfing whole countries, Nausicaa tries to prevent her kingdom from being destroyed in the war ensuing between the largest remaining empires. I cannot say enough to praise Hayao Miyazaki. I first saw his work in the animated film "Warriors of the Wind" back in the 80's. It turns out this is a badly edited version from Topcraft who bought the rights. I was still hooked, though. After searching for quite a while I found the comics. Hayao had continued the story of Nausicaa well beyond the scope of the movie. I found in enthralling. I still read it every so often and suggest it to anyone who loves epic stories of fantasy and adventure. Disney recently bought the rights to the movie, and apparently plans to re-release it sometime in the future. See also: Kiki's Delivery Service, and Princess Mononoke.

From the best known animator outside the US. Miyazaki is never a comic artist, in fact, Nausicaa is his only work in graphic novel format. While the backdrop of the story, a post-appocolyptic portrayal of a world very much like our own but not quite exactly earth, is hardly original, Miyazaki has a lot of surprises in store for his readers. I don't want to spoil the fun for any potential readers. Nevertheless, this is something I can say. Nausicaa is a serious science fiction work, with very rich and engrossing details. The characters are well developed and very likable in ways you won't find in many post-appocolyptic stories. Despite a rather moody background, the story is not as dark as you might expect from a book of this type. Finally, true to his origin, Miyazaki delivers top quality art in his books.

Master of Japanese animation Hayao Miyazaki found himself without any film prospects on the horizon in 1982 and so agreed to begin work on a manga (comic) story to be serialized in the popular Japanese animation magazine, "Animage." After going on for thirteen years, in 1995 the beautiful and moving epic "Nausicaä of the Valley of Wind" finally came to an end. Now collected into four compact trade paperback volumes, at 1,060 pages long, in terms of scope, grandeur and emotional impact, this science fiction/fantasy saga it is to comics what "Lord of the Rings" is to books and what "Star Wars" is to movies. I have not been this enraptured by a work of graphic literature in a long time, if ever, and the experience was one of the most engaging and moving I have ever had in any form of fiction.

Nausicaä is a Princess in the Valley of Winds, located near the borders of the Sea of Corruption, a dense jungle of fungus that constantly releases a miasma of poisonous spores deadly to anyone but the giant insects who live there. The environment has been devastated by a global war, the Seven Days of Fire, that took place in the distant past, and now the few remaining human settlements vie for what little inhabitable land is left.

Nausicaä is a remarkable character in a story filled with remarkable characters. She is a pacifist in the truest sense of the word, not only rejecting violence and war as a means of solving problems, but having a calming effect on both the animals and people she encounters. She possesses an uncanny psychic ability to communicate with animals from her faithful fox-squirrel companion, Teto, to the whale-sized armored caterpillars known as the Ohmu. Her powerful charisma gains her the unwavering devotion of friends and the admiration of her enemies. Despite her commitment to peace, she is also an accomplished fighter, which is evident on the rare occasions when her rage overpowers her compassion. Lastly, she is an expert wind rider, sailing through the clouds in her jet-powered glider and performing aerial acrobatics no other pilot would dare to attempt.

When her beloved Valley faces invasion by the imperial forces of Torumekia, lead by Princess Kushana (sort of the "shadow" Nausicaä, although not without many redeeming qualities), Nausicaä and Teto embark on a journey to save not only her people, but also the world. The adventures that follow form an eco-feminist fantasy about courage, honor, compassion, the folly of tampering with nature, and the power of love and friendship. Storytelling does not get any better than this.

St. Teresa's autobiography records her life up to the age of fifty. She is a simple woman, her writing not being anything more that the thoughts that come to her mind. She states in the letter that accompanied this work to Friar Garcia De Toledo that "Some things...may be badly expressed, and others put down twice, for I have had so little time for the task that I have not been able to reread what I have written." In spite of this, St. Teresa reveals mystical and spiritual wonders in beautiful description. Rather than a history of her works and the events that determine her worldly life, this book is more of a spiritual autobiography. She recounts her childhood desires and the early yearning of her soul to be with God. She talks of her illnesses and how she came closer to God through them. St. Teresa gives her description of different levels of prayer, which appear in both the Way of Perfection and the Interior Castle. She tells of the ways in which God spoke to her, at first in subtle manners to more salient ones later in her life. She received an increased number of visions as she advanced spiritually. God also begins to speak to her more directly. All this comforted her and guided her as she established the convent of St. Joseph's at Avila. In the convent's establishment, St. Teresa describes the opposition that she faced and her financial worries. Endowed with a will to reject the things of this world, she pressed on, setting a rule of poverty for her Avilan sisters. Throughout The Life, she wanders from her main point to give her understanding of several spiritual matters. The book is also permeated with her humility and self-abasement. Reading through this autobiography will benefit anyone wishing to read the Way of Perfection or the Interior Castle, her two other most notable works.

This book will introduce you to St. Teresa through passages such as her visions of angels, her vision of Christ, and the stages of contemplative prayer. Her writing is simple and easy to follow, but has great depth to it. The person beginning a life of prayer is presented as a gardener who must care for his or her garden so that it will bloom with flowers and good scents. Once the garden is well cared for, God will come to enjoy the garden. Eventually, a life of contemplative prayer, she writes, will climax to union and then ecstasy . Of remarkable beauty is her first vision of Christ, which is a vision of just His hands. The next vision is of His face. Even if you do not believe in such things or want to follow a path as intense as hers, her story is still incredible and worth the read. It is also an exhilarating read if you enjoy autobiographies.

Let me say right off that this was my first experience reading any of the writings of Teresa de Jesus (her chosen name) so I can't compare it to others.

Teresa's writing style was a mixture of the style of the time (full of disclaimers and self-deprecation) and the romantic language of the books of chivalry she loved as a child (she referred to God as "His Majesty", and used images such as castles and jewels). The result, flowing from her pen in an often (I should say usually) disorganized fashion, is fresh and touching. I particularly enjoyed her description of the soul as a garden: the Lord plants it, but we are to cultivate it in order that our Lord may take His delight in walking in it. She describes prayer as the water that nourishes that garden: first through great labor drawn from a well, but later as a free gift from God showering down from heaven. Her more developed description, covering four stages of prayer, is remarkable. HOWEVER, this does not make it the best starting place for beginners who want to learn how to approach contemplative prayer (they might do better with Brother Lawrence, Thomas Keating, or some of Thomas Merton's work).

I respect this translator, who included an excellent description on the decision-making process used in producing the translation, along with many footnotes referring to alternate interpretations and original Spanish text for concepts difficult to translate.

A personal quirk of mine which should influence no one (but I have to say it) -- I hated the cover art. While it communicates Teresa's vivacious personality, it is frankly ugly, and all who knew Teresa agreed that she was in fact physically beautiful. I know we shouldn't judge by physical appearance, but if God gives someone the gift of physical beauty why portray them as ugly? Again, my personal quirk meaning nothing.

Approach this read less as an educational experience and more as an opportunity to draw inspiration, hope and solace from the heart of Teresa: a woman who, weak and human as we all are, allowed God to transform her because of her hunger for communion with Him.

"The Hunting of the Snark" is a brilliant nonsense-poem. Yet Gardner has seen fit to put pretentious, geeky, ...pedantic annotations all over it. Now I like nonsense, but the vulgarly rational "sense" of some of these annotations irritates me. Do we really need to know that the word "BOMB" begins and ends with B (thereby relating it to the Boojum) and that OM is the Hindu name of God??? Do we really need to know of a political cartoon in which Kruschev says "BOO", and does Gardner have to tell us that he was trying to say Boojum??

Annotations should be done in the manner of Gardner's own annotations of Alice in Wonderland. Now those were annotations that made *sense*. Annotations that simply explained out of date concepts, gave relevant details from Carroll's own life, or obscure humour. That's all! That is what annotations should be like.

The pedantic geekery of these annotations remind me of the...games of Star Trek fanatics (or Sherlock Holmes fanatics).

The poem is brilliant, though; and the illustrations were funny, before the annotations over-analysed them.

Lewis Carroll is brilliant in this piece. First of all the poetical music is perfect, absolutely perfect, and yet the words don't mean much. Many of these words are not even to be found in any dictionary. Be it only for the music, this piece is astonishingly good. But the piece has a meaning. I will not enter the numerical value of the numbers used in the poem : 3, 42, 6, 7, 20, 10, 992, 8, and I am inclined to say etc because some are more or less hidden here and there in the lines. Hunting for these numbers is like hunting for the snark, an illusion. But the general meaning of the poem is a great allegory to social and political life. A society, any society gives itself an aim, a target, a purpose and everyone is running after it without even knowing what it is. What is important in society is not what you are running after or striving for, but only the running and the striving. Lewis Carroll is thus extremely modern in this total lack of illusions about society, social life and politics : just wave a flag of any kind, or anything that can be used as a flag and can be waved, in front of the noses of people and they will run after it or run in the direction it indicates. They love roadsigns and social life is a set of roadsigns telling you where to go. Everyone goes there, except of course the roadsigns themselves who never go in the direction they indicate. Lewis Carroll is thus the first post-modern poet of the twenty-first century. He just lived a little bit too early.

Dr Jacques COULARDEAU

I am a fan of Lewis Carroll, but somehow was unaware of the existence of an edition of "The Hunting of the Snark" with annotations. As someone who tremendously enjoys Martin Gardner's "Annotated Alice," I heartily recommend this book to like-minded readers. Gardner's annotations and introduction set the stage for the reader, putting the composition of the poem in its proper context in Victorian England, and in Lewis Carroll's life. And as with "Annotated Alice" the annotations are fascinating and amusing in their own right. "The Hunting of the Snark" is one of Carroll's lesser-appreciated (or at least lesser-known) works, and this paperback is an excellent introduction.

I noticed some confusion in the Amazon listings for this book, so let me clarify that the edition with Gardner's annotations is the paperback, and for illustrations it contains reproductions of Henry Holiday's original woodcuts from the 1800's. There are only eight pictures, and these are in old-fashioned style which may turn off some modern readers. This edition does not contain the illustrations - listed in the review of the hardcover editions - by Jonathan Dixon, nor the illustrations by Mervyn Peake also listed as available in hardcover from Amazon.

To Snark fans, though, I would unhesitatingly recommend both those editions as well. Dixon's is little-known, but excellent, the most profusely illustrated Snark, with pictures on every page in lush, gorgeously detailed and humorous pen and ink. It may still be available through the website of the Lewis Carroll Society of North America, who published it in a small edition. Peake's drawings are also in beautiful black and white, and capture his own rather dark, quirky "Gormenghast" take on the poem. (A good companion, too, to the recently released editions of "Alice" with Peake's drawings.)

The Yagyu letter continues to gnaw at Yagyu Retsudo who gives ample proof in Volume 13 of the Lone Wolf & Cub saga, "The Moon in the East, the Sun in the West," that he will go to any length to get his revenge on Ogami Itto. In the five chapters of the manga epic included in this volume is the most shocking act of violence we have yet wetness in this bloody saga:

(64) "The Moon in the East, the Sun in the West" has Retsudo ruminating on how he has sent all of his legitimate sons to be slaughtered by Ogami Itto. But the old man has an illegitimate son and daughter, and horrible plans for them both.

(65) "'Marohoshi' Mamesho" is another one of the fascinating characters created by Kazuo Koike and Goseki Kojima. This time around the title character is an old policeman from the capital on the verge of retirement who stumbles across Ogami Itto being commissioned for his next act of assassination. "Marohoshi" has spent his life protecting people and he is not going to let this ronin continue on the assassin's road.

(66) "Spoiling Daigoro" is an offbeat story where the family that hires Ogami Itto persuades him to let Daigoro stay with them while he goes off to do his job. They have a son who is a coward and a weakling with no friends, and the boy's father thinks that having Daigoro around might be good for Suzunosuke. Ogami Itto agrees and thinks go well for a while, but Suzunosuke soon grows tired of hearing his parents praise Daigoro day and night.

(67) "The Hojiro Yaguy" finds Retsudo's illegitimate son planning on using poison darts that can stop a charging horse to slay Lone Wolf. It looks like there is no way on earth Ogami Itto can escape, but, of course, he always has something up his sleeve. Warning: The ending of this one is unexpectedly brutual and shocking.

(68) "The Bird Catchers," is another episode where Lone Wolf and Cub are spectators for the most part as they come across a group of female falconers preserving a dying way of life. But what makes this tale of some significance, especially as the last one in this volume, is that in the eyes of his son, it seems Ogami Itto might have finally gone too far.

"The Moon in the East, the Sun in the West" is another superb collection of stories in the Lone Wolf & Cub saga. Koike and Kojima still manage to provide a new twist and turn in every volume while stringing us out as long as possible with both the short term mystery of the Yagyu letter and the long term quest of Ogami Itto to get his vengeance on the entire Yagyu clan. I read one episode a night right before bed and am almost always surprised to see what new direction each night's story might take. This has to be one of the ten greatest comic epics of all time.

The mystery of the Yagyu letter is apparently forgotten in the five Lone Wolf and Cub tales told in Volume 12, "Shattered Stones." However, one thing that really stood out in these stories is that since he was reunited with his father after they were separated by circumstances, Daigoro has been smiling a lot more:

(59) "Nameless, Penniless, Lifeless" is one of the most disturbing stories in the Lone Wolf and Cub saga. It begins with a woman putting on a sex show for peasants. But what is even more shocking is that the woman has lost her mind and that her husband, whose face is half scared by terrible burns, is the one who talks her into her displays. There is more here than meets the eye, as is often the case in these stories, and the way in which the truth is revealed might remind you of part of Shakespeare's "Hamlet."

(60) "Body Check" is another one of those tales in which Ogami Itto has to use his brains to put himself in a position to use his sword for his next assassination.

(61) "Shattered Stones" begins with one of the most different ways that Ogami Itto has met someone who wanted to hire him for an assassination. On top of that the rules of the assassination are quite different (again, I am reminded of a Western parallel in the novel "Sophie's Choice").

(62) "A Promise of Potatoes" is an amusing little change of pace story for this series. Daigoro is off by himself again, being beaten up by a group of kids, when he is rescued by a con artist who teaches the boy to sit by a bowl looking pitiful as a way of making money. But where there is Cub can Lone Wolf be far behind...

(63) "Wife Killer" is a wonderfully ironic title, which we learn is used to describe somebody who gives away the tricks of magicians, who are known as "hand wives." Noronji Hoya, the Princess of Magicians, who has been using a delighted Daigoro as her "assistant," is about the encounter the "wife killer," an old saki-sotted magician who travels with two thugs who extort money from magicians: pay up or have your secrets revealed. But Noronji Hoya has a better proposition: she will perform a trick and if the old man can reveal her secret she will kill herself; if not, then she will take the old man's eyes.

Kazuo Koike and Goseki Kojima are back to telling tales in which Ogami Itto is more often than not more of a spectator to the action in which other characters carry the stories. One of the testaments to the greatness of this manga epic is that the title character can be almost incidental to the story and it is still completely riveting. Here we are, not even halfway through this saga, and they are still coming up with new and intriguing variations on the basic themes they established early on. The fact that they can maintain this high level certainly justifies the exalted status Lone Wolf & Cub has in the international world of comics.

"Talisman of Hades" is a nice title, but "Thirteen Strings" is the one you are not going to forget of the four stories collected in Volume 11 of the "Lone Wolf & Cub" magna epic. We had been confronted with a major development in the story as Ogami Itto stole the Yagyu letter. All pretenses were dropped as Reshido Yagyu declared open war on Ogami Itto, but Kazuo Koike and Goseki Kojima were showing the same sort of audacious subterfuge as their heroic creation, for as Ogami and Reshido crossed blades, Daigoro lost is hold on his father's shoulders and literally fell over a cliff. Suddenly the mystery of the Yagyu letter has become secondary because father and son have become separated. Their search for one another continues in these stories and for the first time we see Ogami Itto express emotion for his son:

(55) "Talisman of Hades" finds Ogami Itto is now putting up pictures of a baby cart where once he had pasted the talismans of meifunado to invite clients of death and assassination. A group of young students on their way to an academy stumble upon the mystery of the signs and when they see the strange ronin slay a "priest" (another Yagyu assassin in disguise of course), they decide they must intervene, forcing Lone Wolf to teach them a valuable lesson.

(56) "Ailing Star" has Daigoro finding a place to stay with an old granny who lives under a rotted bridge in danger of collapse. The locals keep trying to convince the old lady to leave, but she refuses. "Ailing Star" forms an interesting counterpart to "Talisman of Hades" as Daigoro has his own little lesson to impart.

(57) "Thirteen Strings" is an 118-page story where Koike and Kojima come up with their own version of a Kurosawa film experience (the rain during the last acts of the story is a clue). When we come to end of this epic tale, surely "Thirteen Strings" will be one of the most memorable episodes. A runaway horse is about to trample a child in the road when Ogami Itto intervenes. The horsewoman turns out to be the Lady Kanae, Daughter of the Go-Jodai of Odawara Han, and a spoiled brat who fancies herself a samurai. Ogami also learns of a larger conflict between the Go-Jodai and the farmers. Drought has blighted the harvest for four years and the Go-Jodai has tightened the screws on the farmers, who "hire" Ogami to attend a meeting between the two sides (because if anything happens to Chosuke, the leader of the farmers, Lone Wolf will bring word back to the farmers). Go-Jodai has his own agenda for implementing fundamental agricultural reform. Meanwhile, his headstrong daughter seeks revenge on the ronin who has insulted her. But then the rains bring a sudden flood that changes absolutely everything. This is a memorable story of surprising depth, showing that Koike and Kojima are absolute masters of their craft.

(58) "A Poem for the Grave" has Ogami Itto seeking help in finding the secret of the Yagyu letter. This turns into another assassination job, which results in an encounter with another honorable soul who seeks to turn Lone Wolf from the Assassin's Road. The question is whether things might be different this time because of Ogami Itto's separation from Diagoro.

I am in awe of Koike and Kojima maintain this level of excellence through a story that is not even halfway over by this point in the telling of the tale. I continue to savor one story each night at bedtime so that I can think about how it fits into the big picture and the ebb and flow of the story. An absolute masterpiece, not just as a comic book, but as an epic narrative.

I have been reluctant to undertake the reviewing of this series for two reasons. For one thing, there are some 24 volumes, which mean a considerable commitment in reading and writing. Second, one of my favorite reviewers is also reading through the series, and it is no small effort to find ways to bring further insights to the reader.

Because I am also reading the Blade of the Immortal series, there is a natural tendency to compare these to manga, which are both similar, and quite different. Kazuo Koike is perhaps the more inventive writer. Since thus far the Lone Wolf series lacks the grand theme of revenge that knits Hiroaki Samura's work together, the Lone Wolf plots are limited to the individual stories. This is not a flaw at all, just an explanation of one of the key differences. Koike is a master of minimalist story telling, ironic devices, and plots that take surprising turns when least expected.

Both series have more than their fair share of violence, although Blade of the Immortal stands out for its depictions of fighting and dismemberment. Lone Wolf's violence is sudden and swift - less choreographed. Goseki Kojima, the artist also has a strong sense of the sweep and motion of a scene, while Samura's clean, balanced graphics produce a lighter, less congested style. Of course, the fact that Lone Wolf's page size is half that of Blade of the Immortal makes direct comparison more difficult.

There are several changes between the stories of volume one of this series and this second volume. For one thing, the tales are twice as long, allowing for better building of tension and plot, as well as more depictions of life in the world of Edo-period Japan. In addition, Daigoro, Lone Wolf's son (the cub of the series title) gets much better parts than he does in the first volume. He is no longer just a plot device, but a living character. Finally, there is an inner sense of the 'romance' and tragedy of a ronin seeking a life of honor.

That last two stories, 'The Gateless Barrier,' and 'Winter Flower' are perfect examples of the breadth of Koike's talent. Both are stories of murders that must be done, but one is a cautionary Buddhist tale, and the other is a finely honed recreation of the classic forms of Japanese tragic drama. Completely different from each other they are two strong arguments for pursuing this series.

There is an obvious shift in what is going on in "The Gateless Barrier," the second volume in the Lone Wolf and Cub epic. When I started this saga I decided I would read one story each night. In the first volume, "The Assassin's Road," there were nine stories, while "The Gateless Barrier" offers up only five tales as the stories take on more depth. You would think that the key story in this transition was "The Assassin's Road," the last story in the first volume and the one where we find out the backstory on Ogami Itto, the Kaishakunin executioner for the Shogun, who has turned Ronin. But there is nothing in this second volume that really follows up on that origin.

Instead, Lone Wolf continues to work as a hired assassin in four of these five stories. The change of pace tale is (12) "Tragic O-Sue," where it is actually young Diagoro who causes trouble; but even then everyone assumes this is just another one of those convoluted ploys used by Lone Wolf to assassin his impervious victim. Diagoro is certainly up to more in that episode in all the others to this point combined and I find some of it farfetched, but I also appreciate the twist on the standard story line.

There are subtler twists in the other stories from writer Kazuo Koike and artist Goseki Kojima as well as the Lone Wolf continues to earn his pay. In (10) "Red Cat" we see the familiar ploy of Ogami Itto allowing himself to be captured to gain access to his target, yet there is still a surprise ending. Then in (11) "The Coming of the Cold" finds the assassin acting in concert with others rather than going it alone to achieve his goal. I know (13) "The Gateless Barrier" is the key story in this volume, with its introspective look into the psyche of the main character, but once again the best story is the last one in the volume, (14) "Winter Flower."

Much is made of the cinematic artwork of Goseki Kojima, which makes a lot of sense because "Winter Flower" looks like an illustrated movie. In a brothel a samurai is killed while making love to a prostitute, while another prostitute commits seppuku immediately afterwards. The official investigating the deaths is troubled by what he finds, especially since it is clear the second prostitute was the daughter of a samurai, who allowed herself to live a degrading life and then killed herself. The reader knows who can make the connection between the two incidents, but the why remains the big mystery. I even appreciate the irony that this story, the best in the series to this point in the saga, is probably the one in which the Lone Wolf appears the least. It is tempting to read more than one story a night, but the road is long and patience is a necessity.

Kazuo Koike & Goseki Kojima began their "Kozure Okami" (Lone Wolf & Cub) in 1970, serialized in Manga Action. The result is one of the bloodiest, most vicious series in history. The Lone Wolf is an assassin for hire, charging 500 gold per job, and taking assignments only after hearing the reason for the hit. He started out as the Shogun's personal assassin, but was betrayed by the powers behind the Shogun. This is an adult comic, and will not appeal to everyone. But, if you like detailed artwork, sweeping stories, intense acton, and plot twists at every corner, Lone Wolf is for you.