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The plot's sort of complicated, for all that takes place over two days. Donald, the ex-child-prodigy-turned-choral-conductor, apparently discovered a lost Mozart Mass. His track record for conducting orchestras is extremely poor, so they ask someone else to conduct the premiere: his ex-best friend from conservatory, who also happens to be married to Donald's ex-fiancee. Add to this mix the ex-best friend's ex-fiancee, a mint-green tuxedo, security problems, and Leonard Bernstein, and you get some interesting reading.
The stereotypes about musicians are fairly . . . well, fairly stereotypical, but the author contrives to explain everything that it makes sense. Honestly, most of the stereotypes are those that non-musicians are somewhat familiar with: the soprano who's trying to sleep her way to the top, the fruity choir director . . . just the usual.
It's worth it for the first chapter of the book (a choral rehearsal) alone.
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