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Sledge takes the reader with him as he joins the Marine Corp, goes through boot camp, and ends up with the grizzled combat veterans of the 1st Marine Division. He takes us through his initiation of combat on Peleliu, a coral island which had some of the worst fighting, up to that point, in the Pacific. Today, there is a general belief that the battle for Peleliu was unnecessary, owing to the advancement of the schedule for the invasion of the Philippines. If this was an unneeded battle, Sledge shows in full detail the horrible sacrifice young Americans suffered.
His account of the battle of Okinawa is even more devasting. Where Peleliu was a dry, parched hell, Okinawa is a hell of rain, mud, muck and decay. Sledge is unstinting in exposing the horror and ever-present danger facing those in the frontlines. He shows the casual brutality of combat, and does not turn away from showing the hatred most Marines had for the Japanese. He shows the close bonds that develop between the members of a combat unit, the terror of shell-shocked soldiers, dodging bullets & shells on stretcher bearer duty, the stench of fighting in the middle of human decay, and the loss that is felt when friends die.
"With the Old Breed" is mandatory reading for anyone interested in WWII.
Leckey's book ("Strong Men Armed") doesn't dwell on personal experiences, but gives the vast panorama of the Navy/Marine Corps island hopping campaign, and helps to put Sledge's personal memoir into the context of the whole war in the Pacific.
Manchester's book ("Goodbye Darkness") reads something like the out-loud ruminations of a mental patient working through unresolved issues on the psychiatrist's couch.
Leckey is a noted military historian who has written a number of very good books on the subject. Manchester is a noted author, and of the three has the most recognizable name. Sledge, however, although not a professional writer, is the First Division alumnus who has written the best book on the Pacific War. (Leckey runs a close second and Manchester a distant third).
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Alas, pride and treachery are rampant in the land bordering Annuvin, whence the dark lord of evil reigns and schemes. Our hot-tempered hero must use both his wits and his heart his to gradually acquire wisdom in this difficult and dangerous odyssey. The small company of adventurers are eager to prove their valor and gain honor, yet they experience the inevitable personality conflicts. How will the companions ward off attacks by The Hunstmen and the foul Cauldron-born who do Arawn's bidding? And who can defeat the black beast that travels on Ellidyr's tattered shoulders?
Yet there is much more to this book than a mere succession of adventures, traps and twists of fate. Many serious themes bubble up between the mayhem that Alexander has set in motion. One reminded me of a later book, THE GIVER: "Give us--the nicest summer day you can remember!" Ah, but is it easy to part with something intangible like a dream or a memory which has become a part of onesself? And this black Crochan, as it is called, emanates evil and possessiveness towards those who think they own it--reminiscent of the ring in THE HOBBIT. Evil can completely dominate one's neutral or natural personality. Just how much will Taran sacrifice or allow his friends to sacrifice for him, in order to obtain and destroy the Black Cauldron?
Alexander weaves a masterful tale of good versus evil, with Taran wedged between, forced to choose time and again between right and wrong, loyalty and self-preservation, or blind obedience and moral obligation. This second book notches up the excitement. The plot is more curvy and better-conceived than book one. Taran's burden grows as does his reputation. Taran is one of the strongest and most likeable characters of all time, and as readers we begin to question his true origins. --Christopher Bonn Jonnes
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It's one of those books I love--I never once thought I'd find a copy of it anywhere other than my grade-school reader. If you ever want to see what innocence and real fun are like, read "The Forgotten Door".
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It is a bit enormous, though, and there is no index. This means that if the reader has to hunt for some little reference or fact, he or she is in for a long trek through these pages. Although it is designed with many short chapters, each devoted to a design element, the sheer amount of data is somewhat daunting. Alexander does write clearly, and in an informal, second or first-person manner. But there is little summarizing. Probably an excellent book to read cover-to-cover as part of a large study project. So read this book and know it well BEFORE you talk to your architect, contractor, designer... don't do as I did and start speed reading it when the architect hands over the blue prints.
Note: Whereas feng shui is a little more mystical, Alexander's suggested design tactics make practical sense. (I gently encourage any reader trying to choose between feng shui and this book to go with the latter). Very useful concepts for anyone who wants to make the most of their living space.
The format of the book is effective in that it allows one to follow the connections between various design rules/patterns that might otherwise not be obvious. The use of these "links" within the book could have been a source of inspiration for web designers. This book will appeal just as much to the lay person as it does to the legions of architectural professionals who use it as a guide on a frequent basis.
This book is the dictionary for A Timeless Way of Building. The Oregon Experiment is a case study of the use of these ideas to plan a college campus.
This book is about functional design for humans rather than design for design's sake. It directly refutes the real estate industry's insistence on neutral design for quick sale (which is the industry's goal - not the goal of a homeowner!) It promotes design which fits the needs and desires of the user, not the developer or architect. The philosophy involves the users heavily in the process of design, permitting integrated design without requiring comprehensive knowledge of all interacting factors on the part of the designers, it is a way of modularizing the design process into smaller, comprehensible units which can be understood and discussed in a useful way.
You will not be disappointed in reading these books.
Yes, it's dated a bit, especially in it's language approach to social issues.
Yes, it's Utopian, but not impractical.
No, all of the patterns do not apply to all people in all places, but then, they are not intended to.
What is important is the basic premise: That physical environment design can either promote community or divide people. That there exist basic patterns of interaction between people, buildings, roads and environment.
No, you cannot just change your entire community overnight into a utopia (mores the shame) however, these books can help to redefine how your community grows and develops to improve the quality of life for everyone in the community.
All of the research is fairly old, but it is research into basic human actions and reactions to their surroundings - not something which is subject to a great deal of change - examples cover several thousand years.
If you're tired of strip malls, rampant development for development's sake, neighborhoods without character or community, irritating traffic patterns, multiple hour commutes, buildings which are uncomfortable to live and work in or just interested in improving your corner of the world, read these books and apply some of the principles wherever you feel they will fit your life.
I own multiple copies and recommend it highly.
You hear all the time how it is important for kids to read, but it is just a cliche, it has lost all meaning. It is when you stop and think about authors like Judith Viorst or Dr. Seuss and how I know for myself it wasn't for them, I wouldn't have such a deep love for the written word and its magic it brings that you see its true value. Alexander is a classic, just as much as Moby Dick or Oliver Twist and everyone with a sense of whimsy (and especially those without it) need to read it.
I was reading another book Mrs. Viorst wrote and when I found out she wrote my beloved Alexander book, my face lit up. That's the power of Alexander, he makes 33 year old women's faces light up as they recall his tale of plight. (And a note to Alexander: I talked to my cousins in Australia, and your mother was right, they do have those kind of days there too. LOL)
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Then I read Paradise by Judith McNaught and I have truly found an author equal to LH. The story of Meredith and Matt are imprinted in my mind because their love was so beautiful.
There were "magic" or poignant moments that will stick in my mind forever. From their first encounter in her father's library, to the moment Meredith revealed to Matt what really happened 11 years ago, to the moment Meredith realizes with clarity that it is Matt she wants and not her precious B&C.
This was definately an all-nighter. My head still aches because I had all but 4 hrs to sleep (good thing it was a Saturday evening). However, it was well worth it!!! I look forward to conquering the rest of JM's books.
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*In the Yearling edition of the book.
I've loved Lloyd Alexander's classic series ever since I read "The Book of Three" in elemantary school. A well-chosen Christmas gift from my parents ensured that I got my hands on the next four books, concluding with "The High King".
One of the strengths of this series is that the characters learn and grow from one book to the next; it's great to see Taran from "The Book of Three", who reminds me rather of myself at that age (*grin*) grow up to take the responsibilities he has earned by the end of "The High King".
Alexander's use of Welsh mythology is excellent and for the most part right on target, though Arawn isn't quite as malevolent a figure in myth as he is in the Chronicles of Prydain, and the Gwydion of the Mabinogion is as much a trickster as he is a hero. (This isn't really a criticism; these are books for children, and I know that making Arawn and Gwydion more ambiguous characters would have confused me when I was younger.) The Triple Goddess, the people of Twylyth Teg, the people of Llyr--they're all here, forming a seamless and very real-feeling backdrop to the main characters' adventures.
Older readers may be interested in checking out the Mabinogion, the main body of Welsh myth that has survived the ages, after finishing this series. Gwyn Thomas and Kevin Crossley-Holland's "Tales from the Mabinogion" is an excellent edition to try, with beautiful illustrations.
Overall, the Chronicles of Prydain remain among my favorite stories, with "The High King" the best of the lot. I highly recommend them.
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The content of "Gulag Archipelago" is quite extraordinary. Solzhenitsyn includes countless anecdotes of prisoners and their families in various phases of arrest, interrogation, imprisonment, slave labor, death, or release. He buttresses these stories with statistics, and with his own personal narrative of his years in the Gulag. The information in this book is simply staggering, not only for the cruelty and evil it describes but also the folly. The Soviet government murdered indiscriminately across all lines of race, class, and gender. In many cases, it murdered the most brilliant and productive members of its society--the very people who could have built it into something great.
Many people take umbrage with Solzhenitsyn's style, which involves a lot of ranting and run-on footnotes. Personally, I find his narrative interesting and invigorating. Solzhenitsyn's narrative is vigorous, untrammeled and loaded with sarcasm. While many find this gimmicky or uncultured, it helped buoy me through the unbearable sadness of the book's subject matter.
Obviously this book isn't for everybody and it requires a considerable degree of fortitude to get through it. But I think it is essential in all our lives to read this book or one similar to it.
Like other great men, Solzhenitsyn's early life gave little indication of the monumental importance he would one day achieve. But one day, while serving as an officer in the Soviet army during WWII, something happened to our author that happened to so many others under the Soviet regime: Solzhenitsyn was arrested for insubordination, sentenced to eight years, and thrown into the gaping maw of the Gulag prison system. Unfortunately for the memory of the 'Great Father' (read Joey Stalin), this obscure army officer lived to tell the tale of all he saw and heard during his imprisonment. The result is the voluminous three volume series presented here in translation. 'The Gulag Archipelago' serves as both an indictment of the evil Soviet regime and as a memorial for the untold millions who died in the camps.
The overarching theme of this book is the process, from start to finish, of internment in the Gulag system. Starting with the dreaded 'knock in the middle of the night,' the author traces the nightmare of incarceration through the interrogation, the sentencing, the transportation to the prison camps, the grinding work conditions of the camps, and the eventual release into eternal exile or tentative freedom. Solzhenitsyn repeatedly delves into historical analysis, biography, journalism, philosophical musings, and literature to present his account. What emerges is page after page of heartrending suffering that is nearly incomprehensible to any sane human mind. The endless accounts of cruelty sicken the soul and should strike anyone who thinks communism is a great system of government deaf and dumb.
Volume one begins the harrowing odyssey into madness, outlining Solzhenitsyn's own arrest, the endless waves of people that fed the prison system, the interrogation procedures used to elicit false confessions to meaningless crimes, the dreaded Soviet criminal code containing the notorious 'Article 58' under which millions went to jail as political prisoners, the disintegration of the Soviet legal system to what basically amounted to a rubber stamp type of sentencing, and the transportation of prisoners via train to the eastern reaches of the Soviet empire.
Volume two deals mainly with camp life, with all of the trials and travails a person faced and how people struggled to survive. It is here we learn about Stalin's canal building projects and the thousands who died to fulfill the sick dreams of a ruthless sociopath. We see the horrible rations prisoners were forced to survive upon while having their ears filled with disgusting propaganda about how their work was important in helping to create the worker's paradise. The second volume also contains a history about how the gulag system emerged and how it spread, a discussion about loyal communists who so internalized the party belief system that they refused to believe Stalin sold them out, and chapters about the different types of people confined to the gulag (trusties, thieves, kids, women, and politicals).
Volume three focuses mostly on prisoner defiance of the terrible conditions in the prisons, discussing escape attempts (especially Georgi Tenno, a hero to the human race and indefatigable in his disobedience of the Soviet authorities), and outright prison revolts where the entire population of a prison banded together against the common evil. We then see Solzhenitsyn's release into exile and his ultimate 'rehabilitation' after the death of Stalin and the rise of Khrushchev and his 'moderate' reforms. The series ends with a call for more investigations into Soviet atrocities committed in the gulags.
No summary could completely outline the scope of this book; so enormous is the amount of detail held in these pages. The reader is tirelessly assailed with the names of those butchered under the hammer and sickle. Predictably, most of the blame for these murders falls on Comrade Stalin, author of the kulakization pogroms, the endless political purges, and the continuous sufferings inflicted on the various peoples under his control. Always referring to this beast in the most insolent and sarcastic tones imaginable, Solzhenitsyn rightly calls Stalin 'Satan.' Hitler was a mere schoolboy when held up to the unholy terror of the 'great' Dzhugashvili.
Still, one gets the sense of the majesty and power of the great Russian people in these accounts. Nothing will keep these people down for long. Everything the camps threw at these many of these wondrous creatures failed to break their spirit. They figured out how to lessen the back breaking labor of the camps, learned how to stay alive on rations barely fit for a dog, struggled to escape the chains that bound them to the death camps. Although the author laments the docility of those serving sentences, there are enough tales of bravery and defiance to warm the most cynical heart.
I highly recommend reading the unabridged version of 'The Gulag Archipelago.' There used to be an abridged version of some 900 pages floating around, but only the 2000-page edition brings home the full scope of the evils of communism. Accessibility is a problem, but stare into the eyes of Yelizaveta Yevgenyevna Anichkova on page 488 in the first volume and tell me her memory does not deserve an effort on your part to read every page of one of the most important books ever written.
The Cartoon History doesn't quite reach the level of social criticism of A People's History of the United States, nor will it tear down your current understanding of historic events, but it still manages to be very iconoclastic merely by pointing out the silliness of humans throughout history (illustrating how little we've changed!) and through its more 'common person's' perspective.
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Nothing could be farther from the truth! Edmond Dantes' adventures kept me fully engrossed from beginning to end. I was disappointed to turn the final page, left longing for more.
If you've seen a movie version of Count of Monte Cristo, expect surprises. I had seen both the Richard Chamberlain and Jim Caviezel versions before reading the book (mmmm . . . Jim Caviezel), but neither were entirely true to the storyline or the mood of the original.
Edmond himself is a thoroughly satisfying and seductive hero. (The reader must take with a grain of salt the numerous references to his drug habit; at the time, opium was unfortunatly de rigeur for a Romantic hero.) The secondary characters are equally engrossing, from the admirable Maximilian Morrel to the villainous Danglars; and the ingenious machinations by which Edmond contrives to reward the deserving and doom the guilty make the chapters fly by.
I would encourage everyone to be sure and get the unabridged version of this masterpiece. It is by no means slow or ponderous, and the thought of what must be left on the cutting room floor to reduce this book to half its size makes me wince.