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Karen Nichols is a very pretty young lady who has a problem with a stalker, so she turns to Boston P.I. Patrick Kenzie to solve her problem. Kenzie and his sociopathic sidekick and guardian angel, Bubba Ragowski, solve Karen's problem very quickly and he figures that he has heard the end of Karen Nichols. But six months later he hears that she has jumped naked off the observation deck of Boston's Custom House and that she was drugged up when she jumped. The fact that this did not fit in with his impression of Karen and that she had called him shortly before her death and he never returned her call made Kenzie feel compelled to look into what went wrong in the last few months of her life. With the help of Bubba and Angie Gennaro, they uncover that Karen was into drugs, prostitution, had some dreadful family secrets, and a madman that knows how to manipulate the minds and lives of his victims until suicide was a welcome relief. As the plot twists through layers of old deceit and current corruption, the victims multiply while the killer remains elusive, protected by the terror he inspires.
Prayers For Rain is well written with dialogue that is gritty and true to life. The scenes are so vivid that the hair on the back of your neck will stand straight on end--a real page-turner from the beginning to the outstanding ending. This book has graphic violence and the darkest of dark humor. The villain in this book is one of the slipperiest and most evil characters you will ever read about.
Pam Stone
The first book in the series, A Drink Before the War, really sucked me in, being in the same vein as the Elvis Cole series by Robert Crais which I also recommend. Both series are consistently well-written, a clear step (or two) above pop/trash/beach fiction, funny, intelligent stories where the plot make sense, and the characters seem frighteningly real. It turned out that the first Kinzie/Gennaro yarn was the lightest. Each one after has ratcheted up the twists and turns, but kept the personality of the characters growing and building. The stories definitely got blacker and bleaker in the depraved actions of the bad guys. By Prayers for Rain, the villain is a hardcore-fulltime psychopath, and Patrick and Angie are a-little-further-than-borderline vigilantes.
After racing through five of the books in so short a period, I am struck with a sense of vulnerability. If some bad dude makes it their career to mess with you, and if they have no normal limits to their behavior, you're just screwed. How can a normal, follow the rules type of citizen even comprehend the introduction of aggression and violence into their regular lives? Unless you have friends to help you out like Kenzie and Gennaro you might as well move out of the country and hope you're never found. Read these, you'll like them.
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I read a lot of books, and Lehane's Kenzie/Gennaro series have earned my ultimate accolade: I'm not waiting for his titles to come out in paperback! The hard cover first editions of his first two novels are already selling for $50; two weeks ago, they were selling for $35. He has joined the ranks of the very best, and the collectors are valuing him accordingly.
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Still, I'm debating if I'll continue reading this series as a matter of my personal taste. Foremost, this is very gritty, hard-boiled stuff and I found it pretty depressing. Also, I really struggled with the character of Patrick's partner Angie. I found it hard to empathize with her abusive relationship with her husband. She also plays second fiddle to Patrick in a way that left me cold.
Bottom-line: A top-notch read for fans of the hard-boiled school of mysteries. Those of us with more of a taste for cozy mysteries should read with caution.
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So, when I heard that his new book, "Mystic River," was NOT going to feature my two favorite detectives, I thought "Okay. That's great. Let's meet some NEW people!" And I gotta tell you, I wouldn't want to know ANY of these people. Lehane has written a book peopled with the most miserable, unhappy, and in more than one case, sick bunch of characters you're likely to meet this side of Elmore Leonard. Wait... Elmore Leonard's characters are at least AMUSING! That's one of the things I loved about his other books. They were FUNNY! You read all the time reviews or blurbs that say "a wise-cracking" detective. Well, in Lehane's case, they were ACTUALLY funny. I laughed out loud. As I said, they were people I would LOVE to know in real life. The plot of this new book is about suffering, as far as I can tell. It's about the murder of a teenage girl, a man who can't seem to get past sexual abuse that occured when he was young, a nasty cop who thinks nothing of framing a suspect he belives is guilty, a cop who sits by the phone waiting for his ex-wife to call him, and when she does stays silent and lets him pour his heart out to her without saying a word. NOT a happy bunch. Well..enough about the plot. If you are new to the books of Dennis Lehane, DON'T START HERE! Start with "Darkness Take My Hand," or the first one, "A Drink Before the War." I hope that Mr. Lehane has gotten this "side-track" out of his system, and can quickly get back to writing the characters he writes best. Don't get me wrong; I can practically hear all you hardcore fans (of which i would consider myself) RACING to hit that "not helpful" button. belive me, I LOVE Dennis Lehane. I am a HUGE fan. I waited for 6 hours to meet him at a bookstore in a Chicago suburb, only to have him not make it due to a snowstorm. Bitter? NOT AT ALL! It's just that this nook makes me want to take a shower. Perhaps now I'll go back and reread "Sacred," my all-time FAVORITE Lehane book.
Without having the benefit of perusing his other offerings, its difficult for me to know whether his story cadence and sentence structure is the same from book-to-book. Regardless, his style may take some readers by surprise. He has a tendency to utilize fragmented sentences in a noir style to accentuate a scene or description of a character. Slang and geographic innuendo is also used quite well in this book.
In MYSTIC RIVER, Lehane sets the stage for the main characters and allows the reader to 'grow up' with them into adulthood. This lays the foundation for the main theme and the ultimate backdrop of intense intrigue. Lehane does an outstanding job of keeping the clues close to the vest throughout the story so as not to give away the answer to our mystery. Further, he will lead the reader down a path of ostensible righteousness only to foil the answer with the next chapter. This methodology keeps the reader turning pages; something any good author should strive for.
The setting for the story is working-class Boston. To give proper affect to the geography, the aforementioned speech patterns can only be described as ethnic slang (Irish/Italian perhaps). The story begins by introducing three childhood friends, Sean Devine, Jimmy Marcus, and Dave Boyle. (Lehane describes the socioeconomic situations relative to each character in great detail, which plays a role in our mystery.) The three are "fighting" (as kids do) in the street when a strange car rolls up and two men, claiming to be cops, take Dave into "custody." After the car drives off, Sean and Jimmy are totally freaked out and become worried about what might happen to Dave. Four days later, Dave reappears after having escaped from the "cops." Well, as one might imagine, these weren't cops. Dave is now emotionally scarred and grows up with external and internal battles associated with his four-day absence.
Twenty-five years pass and Lehane presents Sean as a state homicide detective, Jimmy as an ex-con turned heart-of-gold businessman, and Dave as a transient worker but with a loving wife and son. The story takes on weight when Katie, Jimmy's oldest daughter, is found brutally murdered and Sean, who has been estranged from Jimmy for literally twenty years, is assigned the task of finding Katie's killer. This provides the impetus of drawing the three former friends back together.
Sean's investigation provides the fodder for conflict with Jimmy and ultimately, Dave. Jimmy, an ex-gangster in his own right, has his own idea of how justice should be doled out and Dave must explain to his wife (who happens to be the cousin of Jimmy's wife) why he came home the night of the murder covered in blood.
Lehane has an excellent knack for stretching the story just enough to make it a bit nerve-wracking. An outstanding quality to be sure for a mystery writer. The amazing conundrum for me was as I felt I was being stretched out in certain spots, the pages were flying by.
I won't go into the climax except to say that this is perhaps the only weak part of the book. Not weak from the standpoint of easy clues and obvious killer(s) but weak from a credibility point-of-view (i.e. is this really possible?). This fact is the only reason this book did not receive 5 stars. Definitely worth the read.
I picked this book up because I'd heard great things about Dennis Lehane, and also that Clint Eastwood has just made a movie of this novel starring Sean Penn playing the character of Jimmy. In fact, he's being tipped to win the Oscar for Best Actor next year for his role in this film. What a slick and well-oiled piece of writing this is. I think that the characterizations of the three main protagonists - Jimmy, Sean and Dave - are just "spot-on." Lehane really takes us into the psyches of these men and shows us their strengths and insecurities. When Dave gets into that car with those men, Lehane is showing that just one mistake, just one wrong move, and just one lapse of judgment can have such far reaching consequences. His writing is just gorgeously fluid and roles across the page - such accomplished command of the language! The story is generally very tightly plotted, and moves along at a brisk pace.
There are lots of universal themes at work here - love, loyalty, betrayal, small town life, family relationships and the criminal justice system, and I see this book as far more than just a slick mystery thriller. The story is all about the ties that bind men and the expected loyalties that come with these ties.
I'm looking forward to the movie, and I'm also looking forward to reading more of Lehane's work. Good stuff!
Michael
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An isolated island, a raging hurricane, a locked room, secret codes, a mental hospital, rumors of mysterious medical experiments frame the story.
It is a scary, deceptive, disorienting, complex story grounded in the reality of the times...cold war USA in 1954 ("I like Ike").
Mr. Lehane weaves many threads throughout the unpredictable plot. The set up is thorough and the characters are fully developed. The twists and turns play havoc with your mind.
The unexpected is the norm...a couple of times I was able to figure something out a page and a half before it was revealed, but that was rare. The ending is unguessable.
Immediately upon finishing, I reread the prolog and final chapter...and will read this book again. I have not been so dumbfounded by an ending since William Diehl's "Primal Fear."
"Shutter Island" is etched in my memory.
U.S. Marshall Teddy Daniels and his partner Chuck Aule are sent to Ashecliffe Hospital for the Criminally Insane to find escaped patient Rachael Solando, who is a murderess. They run into problems, however, like the hurricane that hits the island their first night there and they begin to find that a lot of strange things are going on in the hospital as well. However, nothing is as it seems at Ashecliffe, and that made the story even more intriguing. As a result, I found I had to keep reading to find out the real truth while also trying to figure out how it will end. My advice to anyone who chooses to read this novel is to NOT try to figure out the ending because the odds are that you won't.
I really loved this story and highly recommend it to anyone who is a fan of thrillers. Add it to your MUST READ list today!
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Feeling as if she is not ready for the big leagues that Jeffrey swims in, Nina asks Winston Reynolds to assist her. Ultimately, the case goes to court where Nina and her cohorts find twists and turns, some caused by her own client. Still, the intrepid Nina and her crack staff give their client the best representation an attorney can provide.
BREACH OF PROMISE is a fabulous legal thriller because of the adept writing of Perri O'Shaughnessy to microscopically look at a male's mid-life crisis from various perspectives without placing blame. Though the story line bogs down a bit during the jury deliberations, the overall plot is action-packed and fast-paced with numerous twists. Still, this series is made great by the eccentric characters (Nina, her assistant Sandy, and her lover Paul) who bring real personalities to a sub-genre normally populated by Herculean individuals. This gripping novel and Ms. O'Shaughnessy's previous tales (see OBSTRUCTION OF JUSTICE, etc.) are all fun to read because the morality is not so clear cut.
Harriet Klausner
A page-turner from start to finish, BREACH OF PROMISE shines as O'Shaughnessy's best mystery to date. As in the three earlier novels, O'Shaughnessy skillfully weaves together a fast-paced, multi-layered plot that never feels forced or contrived. With enough intrigue and surprise to keep any reader guessing, BREACH OF PROMISE cuts to the heart of the basic dichotomy between men and women without bogging down in sentiment or cliché.
Surrounded by a fascinating cast of characters, all wonderfully distinctive and deftly drawn, Nina Reilly remains refreshingly appealing and real. Both tough and vulnerable, she soldiers on through triumph and adversity alike without ever surrendering her values to expedience. And her droll self-deprecations, her wariness of commitment, and her insecurities about parenthood only render her all the more endearing.
A wonderful story and a compelling mystery, BREACH OF PROMISE should be on everyone's summer reading list.
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At the beginning private detective Kenzie helps Karen Nichols discourage a stalker. Six months later, she's dead, having jumped from the top of Boston's Custom House. Several weeks before she'd died, Kenzie had neglected to return her phone call, and he feels guilty. He can't believe the same girl (A fifties type with the personality of a Barbie Doll) had become a drug-addicted prostitute.
I always like to reread the blurbs when I finish with a novel, just to see if the reviewers actually read the novel. One mentions the "wonderfully rounded characters." Bubba Rogowski, a former special forces operative, is about as rounded as Rambo, and Angela and Patrick aren't much better. They're former partners at the beginning (she's working for a security company), but it doesn't take much foresight to know they'll be back together shortly. The dialogue also bothered me quite a bit; it's supposed to be snappy, but Lehane doesn't know when to quit, and the characters all have the same voice (Lehane's).
There are some pretty good fight scenes in the beginning, but I was disappointed by the climax. One thing about series novels: you always know nothing too bad is going to happen to the main character. We also have, count them, three villains. Lehane had me really hating Cody Falk, the original stalker, but he's soon replaced by Karen's step brother and then by this postal clerk who seems to be impersonating the step brother.
I was really amazed at the difference between this novel and MYSTIC RIVER, which is darn near perfect. At first I thought this might be an early work, but Lehane actually wrote A DRINK BEFORE THE WAR, DARKNESS TAKE MY HAND, SACRED, and GONE, BABY, GONE before this one, so I guess you have to blame it on the genre.