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All of Frost's poems are here, plus his two dramatic Masques. When this book first appeared (in 1969) it caused a furor: the editor, it was angrily asserted, presumed too much. He dared to clarify - inserting a hyphen here, excising a comma there. That furor has since died down, as people realize that he did not do away with the sacred texts (any emendation was noted), but simply performed his job as editor. He regularized spelling and the use of single and double quotes (though not Capitalization, which can legitimately be thought of as integral to the poet's expression (think of e.e. cummings!)), and corrected other obvious errors. The notes give the published variants for each poem, so if you wish you may make your own call on some of these finicky issues.
I cannot emphasize enough: BUY THE HARDCOVER! After all, you will be reading this book for the rest of your life. It is a beautifully-built volume, of an easy size and heft for use, with understated appealing typefaces and an exemplary design. Put out by Frost's long-time publisher, this is one of the few essential books of American literature.
Robert Frost
I have to admit it! When I first met Robert Frost's poetry in Freshman English class I took an immortal wound-that I will never get over it. Perhaps the then recent memory of the white haired poet who inaugurated Camelot that cold, January day conditioned me to receive the wound. Maybe Fr. Sheridan's teaching opened these poems for me. Most of all, I think that it is the words themselves which have made the poetry of Robert Frost such an important part of my life for almost 35 years.
This complete collection complemented the high school text book to which I had so often referred over the years. Here is the source of lines which I have often quoted. Many family vacations have begun with: "I have promises to keep, and miles to go before I sleep" (Stopping by Woods on a Snowy Evening).
When my son tries to silence his sister's singing he is reminded that "Of course there must be something wrong In wanting to silence any song" (A Minor Bird).
Here we find philosophical reflections. "Good walls make good neighbors" counters "Something there is that doesn't like a wall" (Mending Wall).
Here "The Death of a Hired Man" challenges us to reflect upon how we value and treat others while "Christmas Trees" reminds us that not all things have prices. Here we are invited to follow the road of the poet who wrote "I took the one less traveled by, And that has made all the difference" (The Road Not Taken).
I have writen just a sampling of the treasures to be found in this collection, but I have written enough. It is now time to indulge again with words I have never forgotten. "I shan't be gone long-You come too." (The Pasture).
Lee paints an evocative picture of rural life as seen through a child's eyes: the everyday trials, the local characters, humerous and moving incidents, even the colours and smells are conveyed to the reader.
This type of writing is part of a powerful and enduring image in English popular culture - one of a pre-modern rural "ideal" England, now forever lost. I suppose you could read "Cider with Rosie" with that kind of romantic eye, but in truth this is a far more honest work: Lee states that "our village was no pagan paradise, neither were we conscious of showing tolerance". Crime, and other social problems, did exist. Infant mortality was high by modern standards (Lee's early life was punctuated by serious illnesses and one of his sisters died in early childhood). Education was barely minimal. Living conditions were often poor (I doubt that many people would think that finding a dead mouse inside their loaf of bread was a quaint event).
A very good read, not only for the delightful prose and insight into a child's life, but for the realities it reveals.
Yet there are places untouched by Americanisms, consumerism, electricity (and here I apologise, as this becomes less of a review, more an account of personal experience). But there are still rivers afloat with leaves, valleys deep that welcome sunsets. They frost the sky in winter, burn it by summer.
"There's beauty in decay," as someone said. Haven't got a clue who. But there you go. Although dying of shallow needs and commercial interests, snippets of the old way can be found. And in all their glory, too.
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I usually read this aloud to primary classes around a patriotic holidays. This year, because of our late school year, I read it for Flag Day. Since the words and historical setting are unfamiliar to most younger students, I have begun introducing this book with "The Story of 'The Star Spangled Banner,'" which can be found in "The Children's Book of America," edited by William J. Bennett. These two volumes make fine companions.
Even with this introduction, Key's text needs explaining, however with Spier's finely detailed illustrations, this task is much easier. Children love to examine the intricacies and they usually come up with some excellent comments and questions. On the page featuring Arlington National Cemetery, they ask about who died in battle, why some of the grave markers are stars instead of crosses, and why the flag is flying at half-mast.
Our copy of "The Star-Spangled Banner" is nearly worn out from heavy use. That should say something about the popularity of this excellent patriotic book.
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Will appeal to: survivors and their family and friends.
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Puerta Vallarta artist Lee Chapman is known for his colorful and whimsical style, and makes this book worthy of art collectors too!
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The old favorites are all here; Fireflies in the Garden, The Road Not Taken, Fire and Ice, Stopping by Woods on a Snowy Evening, and a hundred more. In my opinion this is the definitive volume on Frost.
I have always been awed by the number of poems Frost wrote about the stars. A Star on a Stoneboat, The Star Spitter, Stars, Canis Major and many others. Truly Robert Frost is the astronomers poet.
Also in this volume is perhaps my favorite Frost poem, Brown's Descent.
If you love reading Frost on a crispy fall evening, then you'll love reading him when the crickets chirp. You'll need to own this book.