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Those who enjoyed the popular movie starring Timothy Hutton and Sean Penn based on this book will particularly enjoy the details that the movie had to leave out. Of the two, Boyce's story is the most tragic. He was highly intellegent with a potentially bright future, and secured a position at defense contractor TRW with a Top Secret security clearance because of his retired FBI agent father's connections. Lee, on the other hand, was a dropout and a drug dealer whose life was spiraling downward toward the inevitable bad conclusion. One of the astonishing facts revealed in the book is just how many second chances Lee squandered along the way. A child of less affluence would have ended up in prison long before he even had the chance to join Boyce in his spying.
Author/journalist Robert Lindsey is an excellent writer and he tells the story in such a way that it reads like a fiction thriller. Lindsey reports astonishing facts such as the incredibly lax security at TRW without editorial comment, letting the events speak for themselves. Lindsey's extensive interviews with all of the principals, including Boyce in particular, make for particularly compelling reading.
Overall, a well-written journalistic account of one of the most unfortunate of America's spy cases.
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Inger Edelfeldt: 7 paintings
Tony Galuidi: 2 paintings
Roger Garland: 10 paintings
Robert Goldsmith: 2 paintings
Michael Hague: 7 paintings
John Howe:10 paintings
Alan Lee: 10 paintings
Ted Nasmith: 10 paintings
Caro Emery Phenix: 2 paintings
My personal favorite is John Howe. He brings out a lot of dark imagery. I don't know why, but Hague's stuff just does not appeal to me. I have seen him do Lewis's Pilgrim's Regress, and some other stuff, and I just don't like his style (also saw his illustrations for WIZARD OF OX). His are of THE HOBBIT. Galuidi has almost a computer generated quality, and his work is especially intriguing, although there are only 2 of his paintings in this collection. Lee is good. All in all, this is a fair book, collecting the paintings of artisits brining about their own vision of Tolkien's classic saga. Over all, a four star book (bumped up one star because of Howe's supreme quality).
The quality of the paintings are uneven, and each one has its favorite. Like many people, I find Hague lacking, but also Edelfeldt, who isn't bad but whose style is not unique enough in my opinion.
My favorites, on the other hand, are Howe, Garland, Nasmith, Lee and Galuidi. Garland, my favorite, has a unique and glowing, almost 'mystical' style that does the book justice. Howe's pictures are also intriguing and beautiful, and feel true to the book (and thankfully, he seems to dominate the book in terms of the number of contributions). Nasmith has some splendid landscape pictures, though his vision of the characters leave something to be desired (especially of a fat, distorted Boromir!) Galuidi's sci-fi, computerized style may not appeal to some, but I find them interesting. Finally, Lee's soft watercolors are very appealing, and his vision of the characters is near-perfect (especially Galadriel and Gandalf).
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The bad thing about thing about this book is the interviews with the interviewers; these are nothing more than opinions about Bruce by men who, in my book, didn't know Bruce long enough to warrant their opinions to be worth printing in a book. I think these were included to give volume to the book. Because I was only interested in Bruce's own words, I learned nothing from these bits. (It is because of these wasteful bits I only given 3 stars)
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The author did a wonderful job displaying the war and allowing children to understand the concept on a very neutral level. I also liked the outline at the end of the book on his life. It helped children really visualize the order of events.
I like this book for all the above reasons also for the ease of reading. I found it so easy to understand and I think that this book will allow the children to gain interest into biographies and the war. Maybe even lead them into reading all Adler's other biographies.
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This book is great for the coffee table as people WILL pick it up and WILL have great fun discussing it. Just be careful what kinds of words a picture can put into your mouth. Bob, I'd love to hear from you.
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In a welcome departure from the short-shrift methods of other recent Osprey campaign titles, Dr. Langellier actually puts some meat on the bone concerning opposing commanders. A full 9 excellent pages are spent discussing Generals Pope, Halleck, Banks, McDowell, Sigel, Lee, Longstreet, and Jackson. The section on opposing plans is a bit short at two pages, but adequate. Likewise, the section on opposing armies is somewhat brief at three pages, but covers aspects specific to the campaign, like Duryee's Zouaves and the Iron Brigade. The campaign narrative begins with two short chapters on the preliminary actions at Cedar Mountain and Brawner's Farm. The actual Battle of Second Manassas is covered in 25 pages, followed by a short postscript and notes on the battlefield today. An excellent order of battle is provided for both armies in the final appendix. There are five 2-D maps (Virginia in July 1862, the Battle of Cedar Mountain, the road to Second Manassas, the Battle of Groveton, and Lee's flanking movement to Chantilly) and three 3-D "Bird's Eye View" maps of the Battle of Second Manassas. Three battle scenes depict the truce at Cedar Mountain, the Iron Brigade at Brawner's Farm and the stand of Starke's Louisiana brigade at the Railroad cut. The photographs are decent - particularly if one likes portraits of civil war generals and scenes of torn-up railroads - but rather bland, given the level of civil war illustrations and artwork available.
Dr. Langellier's campaign narrative is solid and hits all the main points. Certainly, the inept performance of Union General John Pope was clearly the proximate cause of the Federal defeat at Second Manassas. There is no attempt at analysis in this account, although certainly not necessary from the command angle. In terms of the principles of war, the Confederates enjoyed the virtues of the offensive, maneuver, security and surprise, while the Union leaders seemed content to ignore the threat until too late. However, a bit more analysis on the role of supporting units, particularly artillery, would have been helpful. Overall, Second Manassas provides a decent overview of this often-neglected campaign.