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an enormous contribution to the world of art and this two-volume
set captures nearly every aspect of it in an absolutely beautiful
fashion... owning this set is an honor. Open either volume ANYWHERE
and it becomes immediately clear that the authors and publisher have
done their work well. To have us understand at the outset that
the artist operated far beyond the scope of the ordinary and into a
full grasp of all sorts of levels of abstraction is quite an
accomplishment in and of itself. These books do it. To be able to see
all the known paintings, drawings and sketches is great. To also read
about the life of such a brilliant person, the background for his
works, his long and
"without-whom-it-wouldn't-have-been-possible"marriage to his
equally-talented and beautiful wife Gwen, along with the history of the
styles and media pushes the palette into the soul of the reader!
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This was written and rewritten when Victorian erudition was in the making. Some authors in the long series of its well parsed institutional writing would still like to see it continuing in THAT well established tradition.
Alas, the times have changed. Recent anatomy texts are dwarfs not even climbing on the shoulders of the likes of Gray, Braus and Testut. Those authors professed ideals of "seeing through the skin structures", "synmorphy" and "mentally reconstructing the living". Today we do all this with machines...
I stopped reading the huge text linearly at the complicated review of angiogenesis, but still browse dedicated chapters for standard, if somewhat elaborate descriptions. Comprehensive knowledge parsing seems to have lived a fruitful life and then exit the scene to enrich scientific obituaries. But if Gibbon were still an example of style, the fifth star would be added when that clarity, in my view mandatory for monuments, will be eventually reached.