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Be warned: this tale is done well. Fast paced, well balanced, and completely absorbing, this hard-boiled detective's confrontation with questions of faith, while racing to save the girl, (what else?), challenges every reader without detracting from the entertainment. And when Boneless Chuck grins, you really can feel the ice pierce your heart.
The good news is that this is the first book in a series. Don't be surprised if Joe Box becomes the new icon in Christian fiction.
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"The Murder of Roger Ackroyd" was Christie's fourth Poirot novel, while "Murder on the Links" was her second. In both Christie adopts the motif of narrating the story from the point of view of someone who undertakes to assist Poirot in the solution of the mystery. Christie introduces the cast of suspects, gives each of them a dark secret and a motive to lie, and piles up the circumstances in such a way that the flying fickle finger of suspicion points to every one of them at some time or another. She compounds the confusion by supplying false leads and deliberatly glossing over hot clues.
In each case Poirot holds his cards close to his vest, tantalizes the reader/listener with cryptic comments, and finds the most inconsequential-appearing facts to be highly significant. Eventually Poirot airs everyone's dirty laundry, explains his chain of deductive reasoning, reconstructs the crime in all its improbable complexity, and gets a confession. The stories are less mysteries than they are sliding block puzzles. Though extremely short on realism, they are long on entertainment value.
Although the BBC radio play had excellent production values, audio cassette may not be the best way to enjoy a Poirot mystery. I listen to radio plays as I drive on business, and I find the Poirot plays hard to follow because of the large cast of characters and the complexities of plotting. Poirot could probably be enjoyed more readily in print. You could then read, re-read, take time out to mull over the complexities, and follow the story much better. Probably the best way to enjoy Poirot would be to read the story first, and then listen to the radio play.
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The second printing of Shakespeare as Political Thinker gives hope to those interested in relearning ancient wisdom and pays tribute to its inspiration, Shakespeare's Politics (Allan Bloom).
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The last quarter of the book covers Laurence's 1970 tour, spent largely with C Company, 2nd of the 7th Cavalry. It is during this time that the writing splits between war coverage and political criticism, but this is largely because Laurence became embroiled in a bureaucratic argument with the Army over his participation directly with C Company. Laurence presents this argument more even handedly than you would expect, but I personally still had mixed feelings after reading the book. Indeed, the narrative falters a little at the end. Some of the last parts of the book spent a little too much time on Laurence's relationship with his future wife, and his personal problems during and after the war. This makes the story more personal but it also detracts a little from the impact of the real story. This IS a very personal book for the author.
The book reads quite quickly despite its lengthy size. At almost 850 pages, the book does not appear to be an easy read but is, largely due to the informal writing style of the author and the first person presentation. In the end, I wasn't sure if I really liked Laurence or not, and I can understand why some readers would be put off after pushing through the book: this is a very personal account, more so the farther into the story you get. Nevertheless, The Cat from Hue is an excellent account of one man's journey through the Vietnam War, and at its best gives the reader a front row view of the horrors of the war and some of the real heroes who fought and survived it.
In 1968, during the Tet Offensive in the city of Hue, amidst the bombing and destruction, he found an abandoned kitten with a feisty personality. To him, this symbolized the strong will of the North Vietnamese enemies. He adopted the kitten who then shows up sporadically during the long narrative, always getting into trouble, attacking other cats and generally being a nuisance. The author came to love this cat however, and the reader can sense the author's humanity in the way he cared for his pet.
The book is filled with hundreds of direct quotes from the men in the field, descriptions of day-to-day life in a war zone, the challenges of filming the war "up close" and getting the film to CBS on time for broadcast, the camaraderie and competition among the journalists, the physical discomfort of life in the field, compassion for the horrors experienced by both the soldiers and the Vietnamese people and the sharpened senses of knowing your life is always in danger. There were several incidents of conflict between the journalists and military brass and an incident captured on film when some soldiers made their own choices rather than accept an unwise command. There were also descriptions of drug and alcohol use, both among the men and the journalists, and some wild plane rides. Underlying all this, the question of "why" was always there.
I felt I was right there with Mr. Laurence, throughout the book - observing the carnage and meeting the people, enjoying brief respites from the violence, and, most of all, bringing the story to the people back home as a witness to his times. I learned facts in this book. And felt emotion. But, most of all, it made me think, and that is where the strength of this writing lies. I give this book an extremely high recommendation. It's a slow read. But definitely worthwhile.
As I served my tours, I saw the war change and of course at the time attitudes at home changed. I didn't understand it much then, and now 30+ years later, I find myself trying to understand the truth of what was going on at the time.
When I left the service in 1973, I saw old friends who had served in the Army, Marines and Navy at various times from 1964 until the conclusion. We had all been changed by the experience at some level.
John Laurence, in his book "The Cat From Hue" records changes in himself, those he worked with, and those he accompanied into battle in amazing detail. His record of changes, and the circumstances that brought them about, is something we can all learn from, whether we were fighting the war in the field, protesting, or simply catching it on the news.
The physical size of the book (845 pages) was a bit daunting to me at first. Simply stated it is the story of a young man who went to Vietnam to gather truths and tried to share them with the America of the 1960's. The book had to be long enough to capture his experience as fully as possible. It did. The lives of the soldiers were beautifully interlinked with the life of the author. The military and political leadership, the good and the bad, are painted with remarkable clarity.
Then there was the "Cat", Meo, the dreaded cat who hated Americans. Always stalking and studying its enemy, attacking with stealth and fury, retreating from a superior force to regroup and wait for a better time to strike, Meo seems the perfect metaphor of the relentless and dedicated warrior. Laurence's description of the life and actions of this unusual cat helps the reader gain a better understanding of our enemy in the field. Unconquerable, never truly "pacified", involved with Americans only at arm's length (paws in this case); Meo inflicted much pain on the Americans he encountered.
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I docked one star off because starting in volume seven some of the chapters really get off track (to the point where I didn't know what he was talking about at all) as if Sterne wasn't sure where he wanted to take the book at that point and the reader has to read his thoughts as he tries to sort it out. It soon gets back on track again and moves along nicely until the end (or was it?).
You didn't like this book? Well maybe Sterne didn't want you to like it. Maybe likeability should not be the primary project of a text. One of the meta-statements Sterne seems to be making is he has no respect for your time, nor your desire for narrative cohesion -- and why should he? Defiant, Sterne is. Very defiant. Cool.
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The book also fails to give a complete picture of any of the men by failing to explaing the relationship that occurred with Rose. We are shown that she tolerated her husband's indiscretions, but we see hardly any interplay with her sons at all. Any decent psychologist will tell you that you can't understand a man without understanding his relationship with his mother. We never see it at all.
Although I found the information delivered to be interesting, I also found it to be quite one-sided, as though it had been written by a strong fan. It gave a good amount of information into the events the Kennedy men lived (and died) through, yet left out much of the day to day information that would have filled out the image. Bottom line; interesting read, but not a detailed analysis...not by a long shot.
I eagerly awaited the Kennedy Men. If I had not read his previous work, this probably would have seemed better. I felt that the Kennedy Women had a broader scope dealing with a longer (and earlier!) time frame and more individuals. This started, really with Joe Kennedy and didn't focus on too many others. A very minor complaint, is that the Kennedy women had a comrehensive time line in the beginning. It would have been useful to include one here as well.
Otherwise, this is an extaordinarily well rearched volume. What I enjoyed most was the conversational approach taken by Leamer. It is a pleasure to read. I wish that the final chapter "Requiem for a President" was slightly more detailed, but this was a chance to learn not about invididuals, but about complex family relationships and bonds.
I am glad that I read it and look forward to volume 2!
Leamer put this family into context with grit and courage. The book does not mince words. He did not just give us the bad and the ugly; he also gave us the good. And even the bad and the ugly are in a context where the actions are understandable, unlike the Seymour Hirsch book, "The Dark Side of Camelot," where it was all seamy and skewed.
When Joe Kennedy had the lobotomy done on his daughter, Rosemary, one could understand his motives, even the hubris that made him do it. In his own way, he was being protective of her, but his suffering after the disastrous results that left her a mere shadow of her former self -- was some of Leamer's finest writing.
It was as if the author were inside Joe Kennedy's head and had become omnipotent. That is the part of the book that was the most tragic and deeply sorrowful. The fact that he never spoke of her again, and the rest of the family followed suit -- all parched by their unspeakable grief at her loss -- gave more insight into the human condition than I have ever seen in a book, bar none. I believe the lamentation today is still borne by the Kennedy family and that is the demon that drove Eunice to work so hard for the handicapped; she was doing penance for the entire family. This one section could be pulled out alone and made into a morality play; Albert Camus and the existentialists have nothing on Leamer here.
The dossier of facts in this book will stay with the reader, who will not be the same after reading the book. Your heart breaks for this family, what they suffered through -- even if much of the catastrophic consequences they endured were their fault. One can clearly see the motives.
Leamer is sans judgmental hostility. He doesn't lean on the Kennedys for their faults -- rather he puts them into this a historical frame of reference without blue-sky illusions.
Who knew how much John F. Kennedy suffered his entire life? His transition to adulthood was inevitably painful emotionally but also physically. He bore upon his frail shoulders the burden of his older brother's death. His drug habit, scary as it appeared, could also be understood in this book's context. Leamer neither softens nor sentimentalizes it. Kennedy's lifetime of pain makes the reader wince with a lump in their throat. One leaves the book admiring what he accomplished rather than judging him harshly. He was trying to find an even keel for himself. He was looking for an even playing field. One must remember, he was taking the injections wearing 1960s glasses. No one knew the dangers of amphetamines back then. They were the "smart" drug of the day.
I was rather surprised that Rose was as cavalier as she was toward the end, after Joe's stroke -- with cruel indulgence, showing him gowns she would wear to parties she attended without him. She appeared to enjoy her "last-laugh" status her continued health gave her.
Even more surprisingly, Rose was rather cruel to the children as they grew. She wrote letters to their schools but she never visited. She expected the children to be "little men" and "little women" from the time they were babies, another fragment in the mosaic of their shattered lives. To justify this shoddy behavior, she opined that she thought it was best if the children were not dependent on her.
This was one of the big surprises for me of the book: Rose's distance from the children. You were either with her or you were gone. Witness what happened to eldest daughter Kathleen, who died in a plane crash in Europe. She wasn't even brought back for burial, rather, she was buried in England. That fact will stick in one's craw. "Kick," as she was called, was divorced and having an affair, so she was banished, even in death.
Of course, affairs were de rigueur for the Kennedy men. I'm looking forward to Leamer's next volume and hope he explores the relationship of Bobby Kennedy with Jackie after Jack's death when both were .
Would I recommend this book? Absolutely. It's one of the truly great books I have ever read. Henry Kissinger once said of an argument, "It had the added advantage of being true." That is The Kennedy Men.