Joel Lane, you have amazed me. From the moment I began reading this rare tale of strange love, emotional corruption, and rock music, the prose seemed to find its way into my thoughts during my non-reading moments. This is one of those books that takes you fully through the gamut of every feeling and reaction the human psyche can conceive. The title serves as an excellent overview, those who have read may agree; from a blue sadness, to a black endlessness. I don't care whether you are gay, straight, goth, whatever: there is something in here that will find ways to pleasantly haunt you long after you finish the last page.

This book had me wrapped up from the very beginning. The characters were colorful and three dimensional, while still being realistic. The knowledge and factoids about the bands and music scene mentioned were impeccable and drew in an eerie sense of realism. Even when I wasn't reading this book I was thinking about it. The story is hauntingly beautiful without being over the top or garish. Throw in some tears and you've got a great relaxing read. I really enjoyed this book and recommend it to you to read.

Coming out of RazorBlade Press, Hideous Progeny is one monstrously beautiful anthology that explores the world as it would have been if Dr. Victor Frankenstein's gruesome experiments had not gone awry. Writers such as Tim Lebbon, Peter Crowther, Steven Volk, Steve Rasnic Tem, and Rhys Hughes (to name just a few) each donate a small literary organ to the mix, and everything is skilfully stitched together into a marvellous book by first-time editor Brian Willis.

Cosmetically, the book is a two-face: while cover design by Chris Nurse is nothing short of outstanding, the internal layout is not without blemish. For example, outside margins are too wide, story titles are not always at the same height in the page, and the author's name is italicised in some but not all of the instances. Another gripe I have is that page numbers on the right-hand pages are left-aligned; plus, headers have no indication about the stories presented below them: these will give you a bad time if you want to riffle through the book to look up a specific something. There are a few extra typesetting warts and moles as well, as I noticed some characters showing up in a different size than the rest of the text, uneven spacing between words, typos derived from bad OCR, and so on. I sincerely encourage RazorBlade Press to pay more attention to internal design in the future, and run a few spell checks as well. Still, don't let appearances fool you, because the writing on these pages is top-notch.

In the whole, I was not in the least disappointed by Hideous Progeny while expecting quality work. Many short stories surprised me by their original angles, and all are very well written. The subjects are quite varied too, although some do overlap a little - it seems inevitable given the limitations inherent to their collective premise. I have my favourites, of course: Peter Crowther's piece is shocking yet touching at the same time, and the idea behind "Mad Jack" is a simple but nevertheless brilliant one. "The Banker of Ingolstadt" is perhaps the funniest in the book, and I found Steven Volk's "Blitzenstein" to rank among the best.

Whatever shortcomings the book has, they're quickly overwhelmed by the superb fiction it it, not to mention a downright gorgeous cover. For £6.99, it's well worth getting Hideous Progeny: not only will you be adding a fine specimen of a book to your library, you'll also be helping small press business to thrive. Because I want to see more from RazorBlade Press. Oh yeah.

Two things struck me while reading this book, the first is that I doubt there is a book out there that is truly balanced and not somewhat biased. The second thing was that Gore really got the shaft, not so much by the recount wars, but by the election official that came up with the Butterfly Ballot. In the history of the USA this decision ranks up there with new Coke and the XFL, what a mistake. As far as the reporting in the book it was not bad for a review of all the articles they had in the paper, but it did not really dig into the particular issues very deeply. I wanted more detail and behind the scenes with both the candidates. I also wanted more details on the court cases; I felt like the sky-high overview of the issues of the cases did not do such an important issue justice.

In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.

This book, by the editors of the Washington Post, does a good job of describing the events which led to the deadlocked 2000 Presidential election. In addition to detailing the paths which led to the deadlock, the book discusses all the post-election issues in a very readable format. Surprisingly, the books editors seem only slightly tilted towards Gore (especially considering it is the Washington Post, which is noted for its liberal bias), so no matter who you voted for, there is much to be found here for anyone with an interest in contemporary politics.

I personally think the Washington Post and NY Times are liberal rags that are generally not worth the paper they are printed on. However, in fairness, when they do well I think they should be commended. I read the NY Times "36 Days" and still think that book was not worth the paper it was printed on. It was nothing more than a reprint of their articles.

Conversely, though, Deadlock was a well-written book. Two passages are worth noting. The first is about the book itself. About one-third of the way into the first chapter the book says: "These are the ... decisions, alliances, power plays, snap judgments and personality flaws revealed when a flukishly close election is played out for staggering high stakes. Both sides were nimble and brilliant and occasionally shady; both sides were also capable of miscalculations, divisions and blame. The best and worst of politics were on displayed in those 36 days, and both sides trafficked in each. This is how it happened." Although the Post endorsed Al Gore (no surprise) they tried to be equal in their appraisal of how the two campaigns sought resolution in their favor.

As for the two sides' strategy one only has to look within the first three pages of Chapter 2 where the Post records that the Democrats enlisted the services of three authors who wrote "The Recount Primer". The book reads: "Anyone who read and heeded the booklet could predict how the two sides would play America's closest president election -- at least in the broad outlines. Gore would gamble; Bush would stall. Gore would preach a doctrine of uncounted ballots; Bush would extol the dependability of machines. Gore needed more: more counting, more examination, more weighing and pondering of more ballots. Bush needed it over while he was still ahead." The only trouble for the Gore forces with this gospel was that the Republicans knew the same gospel. The book attempted to show how the two sides played out the roles assigned them.

For a behind the scenes objective look at the two sides, I think the Post did a very decent job. This could have been a... job on the Republicans and conservatives, but generally it was not (though I expected it). It could have been a... job on the Democrats and liberals, but it was not (nor did I expect it). I am not accustomed to this degree of fairness from the liberal Washington Post nor do I expect to see it very often in the future.