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Creative Genius -- What Makes the Difference?
Innovation, Change, and the Creative Personality Ten Reasons Why Traditional Management Types Are Inept at Innovation
The Paradox of Innovation
The Inno-visionary Personality
Inno-visionary and Creative Behavior
These five chapters and the final chapter alone are well worth the price of the book. Landrum devotes a separate chapter to each of 13 men, beginning with Steven Jobs (Apple) and concluding with Ted Turner (CNN). To each he assigns a dominant characteristic. For example, for Jobs "autocratic" and for Turner "risk-taking." According to which criteria did Landrum make his selections? He explains in his Preface: Father of the Industry, Five-Year Market Dominance, Technology or Market Created by the Entrepreneur, Mass-Market Appeal, and Contemporary Development (ie since 1950). I rate this book as highly as I do for three reasons. First, Landrum defines his standards of measurement with meticulous care. Second, he resists the obvious temptation to manipulate his subjects to achieve a snug fit with those standards of measurement. Finally, he provides a wealth of information about each of the 13 which reveals their personal qualities as well as their extraordinary achievements.
In the final chapter, Landrum suggests that "The inno-visionary personality is necessary for the making of the consummate entrepreneur and change master. This personal style is available to anyone inclined to pursue it. These visionary leaders had it, which gave them an ability to focus on goals and dreams, a macro vision to see their dreams through to fruition, and the passionate energy to persevere when all seemed lost." These are indeed men with exceptional vision and courage, determination and self-assurance, charisma and intuition, passion and persuasiveness. How easy it is to list such descriptives. How difficult it is to be worthy of them. As Landrum makes abundantly clear, the 13 "creative men" are certainly worthy. Buy the book, read the first five chapters with an open-mind, and then join the company of those who have helped to create a world we are only now beginning to understand.
If you admire this book as much as I do, you are encouraged to read another of Landrum's books, Profiles of Female Genius. These 13 "creative women" can not only hold their own with Steve Jobs, Fred Smith, Tom Monaghan, Nolan Bushnell, Bill Gates, Marcel Bich, Solomon Price, Howard Head, William Lear, Soichiro Honda, Akio Morita, Arthur Jones, and Ted Turner....they can hold their own with anyone.
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Self-Esteem, Self-Image, and Self-Confidence
Birth Order, Childhood Transience, Role Models, and Mentors
Education, Intelligence, and Knowledge
Creative Renegades Go Where Others Fear to Tread!
Professional versus Personal Dichotomy
Crisis, Mania, and Creativity
Personality Traits and Temperament
As he did in another book (Profiles of Genius), Landrum's strategy is to create a cohesive and comprehensive frame-of-reference within which to discuss his selections. (These first seven chapters, all by themselves, are well worth the cost of the book.) He assigns to each a dominant characteristic. For example, Mary Kay Ash is "A Confident Charismatic"), Madonna is "Psychosexually Driven", and Linda Wachner is a "Type A Workaholic." All 13 are peak performers within their respective careers. All have exceptional intelligence, talent, energy, determination, and (perhaps most important of all) clearly defined goals and objectives. All had to overcome all manner of obstacles, many of them gender-specific. Also, as Landrum explains very well, each has a unique, indeed compelling personality. As each overcomes obstacles, her unique personality is most evident.
Some readers may disagree with the selections and/or with Landrum's definition of "genius" as applied to each of his selections. I rate this book so highly because it is well written, because it provides so much information of which I was not previously aware, and because (with great skill) Landrum allows each of these remarkable women to reveal herself through what she has said and done. After you read the 13 "profiles", I suggest that you re-read Chapters 1-7 to gain even more value from what those introductory chapters offer.
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I found this book to be very inspiring in pointing out the various personality traits that enables one to become successful. The author's use of various personality type theories (Myers-Briggs, Farley's Personality Types,etc) to explain what makes these individuals "tick" was very helpful. His survey of each individuals' imprint for success and summary for them gives an excellent snap shot on what success entailed for these individuals.
Although the work is intriguing many questions abound. For example of the thirteen profiled (Oprah Winfrey, Bill Cosby, Berry Gordy, etc.) the vast majority are in the field of entertainment/sports.Why? Is it because the society only opened opportunities for Blacks in those areas? His dominant traits for these subjects success are not anything new. Many other Blacks have possessed them but never made it to "the top". Why? Our author fails to point out what is it in Black culture that nurtured these people to success inspite of the obstacles.
Profiles of Black Success is a good starting point in studying how African Americans survive against the odds. I would hope that other African-American writers specialized in behavior theory could present us with a more incompassing and complete work on how Black culture plays its part in success. Until then this book will do.
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