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Lamar's vision of an imminent quasi-fascist regime with wildly popular support is not very off-center; the wild-eyed rantings of the Right, the harsh political correctness of the more fascist wing of the Left, and the growing racial separatism within the African-American population all point to just such a destruction of the American Dream. The novel provides no real answers; perhaps we as a society can.
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So states Clay Robinette, the protagonist of Jake Lamar's latest novel. Unlike BOURGEIOS BLUES, I do not think this putative mystery is at all autobiographical but I did get the feeling a great deal of Jake could be found in the character of Clay. Try as he might, Mr. Lamar has far too much talent to sink into the bathyal depths of commonality; a number of passages reflect true brilliance in this otherwise pedestrian offering. Mr. Lamar seems to be a writer in search of a genre, and as with his "contemporary black folk" story, CLOSE TO THE BONE, I hope mystery/thriller is merely another pit stop on the raceway to non-fiction.
I'm somewhat of a cynic myself so Mr. Lamar's style is generally appealing. In this story of a sometimes philandering, "victimized," college professor, who formerly was a latent philandering, run-of-the-mill, "victimized" New York Times journalist, everyone has an ulterior motive that periodically intersects their hidden agendas. These characters afford the author ample opportunity to express his cultural and political views. Unmasking the murderer of a manipulative, nubile white coed is the mystery, but that part of the story serves only as backdrop to a stream of sardonic social commentary. Trust no one, believe even fewer, and never, under any circumstance, accept what you observe as valid.
If Mr. Lamar had opted to write a book on the condition of race and relationship in America, sans the translucent vestments of a mystery, I would have rated it at the highest level. As it is, his problematic spavined development of that component cannot be overlooked. There are a number of gaffes no mystery novelist, regardless of seasoning, should have allowed to pass.
Comparatively speaking, fiction is an insulated category. Criticism is generally directed at the storyline as opposed to the writer's personal leanings. I tend to believe Mr. Lamar has the fortitude to withstand the heat of provocative non-fiction. I, for one, am hoping he decides to step out from behind the shield.
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Nevertheless the author manages to discuss significant racial issues, and particularly inter-racial relationships, in a powerful manner. Well worth reading in spite of the unlikely premise.