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I believe Lakeland has correctly classified the three streams of thought in postmodern philosophy and insofar as his book engages in descriptive analysis of these three groups, it excels. Lakeland goes wrong when he enters the normative realm and attempts to lay out a role for the church and Christianity in the postmodern world. It becomes apparent that Lakeland has no real solutions to offer other than radical pluralism under the guise of avoiding the totalizing tendency of metanarratives. His plan for apologetics entails nothing less than the total compromise of the uniqueness of the Christian faith. What use is apologetics if you have no faith to defend? Thus Lakeland demonstrates the self-destructive tendencies of postmodernism when it becomes nothing more than a code word for relativism.
Nonetheless, this slim volume (120 pgs.) does provide a good introduction to postmodern philosophy, culture, and theology. It is also well written and easy to read.
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The title of Lakeland's book suggests that he will attempt two different, though related, objectives. First is the identification of postmodernity. Second is the discovery of a Christian identity in postmodernity, this "fragmented age." He begins the book with a very interesting, though inadequate, look at popular culture in contemporary times. He postulates that contemporary attitudes toward technology, design, and ways of life have contributed toward a "breakdown of givens: time, space, and order" (2). His arguments are fascinating, from the hotel with its spacious lobbies sans clocks (4), to the computer in a globally connected age (5). They suggest that his original assertion concerning the collapsing of givens is correct. However, he has not fully developed these examples, nor does he give himself the chance to do so. Assuming that the reader will agree with his arguments, he moves on.
The next two segments, it would seem to me, are invaluable toward the development of his overall argument. Postmodern "sensibilities," and the philosophical thought that reflects the times are at the crux of any possible analysis to be made on postmodernity itself. Unfortunately Lakeland makes broad, sweeping statements with only rudimentary evidence to support them. He states, "the emotional range is narrow, between mild depression at one end and a whimsical insouciance at the other," (8-9) and while he may have accurately depicted the postmodern sentimental scale, he does little to provide examples of such a generalization. Here begins Lakeland's tireless objective of categorization. He attempts to simplify the complexities of postmodern identity by assigning tendencies to categories. For example, the first distinction he makes is between those in the postmodern culture who are given the task of subjective value-giving, but loathe the responsibility and instead allow themselves to succumb to the will of the many (10), and those in postmodern culture who recognize their predicament, enjoy it to some extent, but ultimately wish to return to an earlier time (11). Lakeland also identifies a third group as amorphous and unidentifiable (11). Here lies the problem with his categorization. When he attempts to identify the unidentifiable, he falls into the Sartrian dilemma; without an objective place from which to view the postmodern world, the author cannot hope to evaluate accurately and without prejudice.
In dealing with thought in postmodernity, he seems to accurately depict the landscape as a post-enlightenment reaction to Kant's critique of reason and placement of emphasis on the subject. To deal with the topic in such cursory fashion, however, is in many ways a crime unto itself. In order to briefly summarize the entirety of postmodern thought, Lakeland resorts to more categorizations, and oftentimes they appear to be flawed or woefully incomplete ones at that. He places Martin Heidegger, for instance, within the umbrella group of a "postmodernism of nostalgia" (17). This is unfair - Heidegger's project may have been to remind man of his being as Da-sein but it is in a new way, not by way of nostalgia. This iniquitous classification of Heidegger is but one instance of a larger problem of unmerited categorization within the realm of postmodern thought.
The second section of Lakeland's short work is titled "Religion," and it looks at postmodern attitudes toward the philosophy of religion itself. Again, Lakeland begins with four groupings within this section - the groupings seem fair at the outset but still fall short of their intended goal of bringing the reader to some understanding of the distinctions and similarities of the individual thinkers. He makes two strong points in this section; first, that a decentering within the world has taken place and irrevocably this decentering affects all people, Christians and non-Christians alike, and second, that there has not yet been a completely successful non-anthropomorphic view of God in the postmodern world, when one is sorely needed (at least in his view). The decentering, or self-alienation, of humanity in the world is a very common theme in postmodern deconstructionalism, and Lakeland does an excellent job summarizing this characteristic. The anthropocentricism which Lakeland uncovers as a problem in the human dialogue about God does present a problem - but it is an unsolvable one, humanity must analogically apply human characteristics to anything in order to communicate about it, even God.. Though Lakeland wishes to speak in non-anthropomorphic terms, he does not present a clear way to completely do away with the language of humanizing God.
When this discussion enters the final section of the book - an attempt at a postmodern Christian apologetics - Lakeland asks the question, "is there a place any longer in postmodern Christianity for God, Christ, and the church?" (85). However, from a Christian standpoint, this is the wrong question. To ask if there is a place for God in postmodern thought is to, in some way, do what Lakeland protests against - to make God a thing in the world, as opposed to a transcendent creator. Finally, Lakeland introduces a Christology of Otherness at the end of "Postmodernity" that fascinates the reader, though he does not develop it far enough for it to leave a lasting impression. In all fairness to Lakeland, his project is extremely ambitious. As a survey of postmodernity, particularly Christian postmodern thought, it serves as a partially adequate introduction, though ultimately an unsuccessful attempt at objective analysis of this postmodern era. Sartre may be hard-pressed not to say, "I told you so."