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The book starts off with Stephen King's "Lunch at the Gotham Cafe, where a man and his soon-to-be-ex-wife find themselves confronted with a demented Maitre d'. The story is good (As most King stories are), but I found it more comedic than it seems to have been intended to be. (The way the Maitre d' keeps screaming "EEEEEEE!!!!" just struck me as funny...)
From there, the late, great Michael O'Donaghue contributes "The Psycho", a crazed Gunman on the loose story with a great twist ending.
Next is Kathe Koja's "Pas de Deux", probably the most realistic story in the book. It wasn't really my cup of tea, but it was well-written, and it had its moments.
Basil Copper's "Bright Blades Gleaming" is waaaay too long, and I saw the end coming a mile off, but again, it was a well-told tale. It could have been better if it was shorter, though.
John Lutz offers "Hanson's Radio", a tale of urban neighbors getting on each others nerves that I, a former Bronx apartment dweller, totally related to.
David J. Schow's "Refrigerator Heaven" is a chilling (Pun intended) tale of Mob torture gone HORRIBLY wrong. This story stuck with me for a long time after I finished reading it.
Ro Erg, by Robert Weinberg, starts as a bit of credit-card fraud whimsey, and goes off into totally unexpected territory.
Ramsey Campbell's "Going Under" quite frankly reeked, and I won't devote any of my time to describing it. (I guess there WAS one dud...)
Stuart Kaminsky's "Hidden" is an absolute gem; One of the best short stories I've ever read. It concerns a young boy who slaughters his family and devises an ingenious method of hiding from the law. The ending revelation is an absolute stunner.
"Prism", by Wendy Webb, is a short about Multiple-Personality Disorder that puts you in the head of the narrator. Short, but well-done.
The late Richard Laymon contributes "The Maiden", a dark tale of teenage lust, revenge, and the Supernatural. After reading this story, I've become a Laymon fan, and I'm hard at work collecting all of his books. The Maiden was THAT good....
Flaming Carrot/Mystery Men creator Bob Burden pens the hilariously demented "You've Got Your Troubles, I've Got Mine"; I felt dirty for laughing, but it was just so damned funny...Who knew Burden could write prose? Good job, Bob! More fun than a Spider in diapers!
George C. Chesbro offers "Waco", a creepy look at the inside of the Koresh Compound in it's last moments, as they're visited by a sardonic Vulture claiming to be God himself...
John Peyton Cooke's "The Penitent" is an S&M story that strong-stomached readers will find enjoyable. (I loved it.)
Kathryn Ptacek takes road-rage to a new level in "Driven"; I didn't really care for the ending, though...
John Shirley's "Barbara" is an interesting heist-gone-bad tale.
"Hymenoptera", by Michael Blumlein, features a Fashion Designer becoming obsessed aith an 8-Foot long Wasp (!). Weird and pointless, but I liked it nonetheless....
"The End of It All", by Ed Gorman, is a tale of Lust, Incest, Murder, & Revenge. Would make a GREAT movie...
"Heat", by Lucy Taylor, is forgettable, but short, so at least she makes her sick point quickly.
Nancy A. Collins' "Thin Walls" will resonate with apartment dwellers everywhere.
Karl Edward Wagner's "Locked Away" is a fun psuedo-porn fantasy that made me chuckle more than a few times.
The book closes with Douglas E. Winter's "Loop", a tale of obsession taken to a WHOLE other level.
Dark Love is probably the BEST anthology I've even read. I highly recommend it.
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It's published by White Wolf, which also is responsible for highly successful and intricately detailed RPGs such as Vampire: The Masquerade and Werewolf: The Apocalypse. (One of the weaker stories in the collection is by Steward von Allmen, who appears to be a key White Wolf founder.) I believe I picked this book up at GenCon; it's now out of print.
The anthology starts off very unpromisingly, with an embarrassing little number from beloved sci-fi/fantasy/horror fan Forrest J. Ackerman. This is the lowest point of the book, but luckily it rebounds from there. Ben Bova offers a story that has a perfect "Twilight Zone" twist, and Michael Moorcock tosses in an excursion to his Eternal Champion milieu in a tale that has a bit of an "English Patient" flavor to it. Ian McDonald in "The Time Garden" gives us an enchanting and lyrical exploration along the border of Faerie in a story that is reminiscent of the works of Robert Holdstock. (I believe, in fact, this may be why the basic Amazon review shown above claims that Holdstock is a contributor to the anthology, when in fact he is not.)
Jeremy Dyson's "City Deep" is another macabre tale with a dark cinematic flair such as would be found in one of the TV anthology shows. Two other stories are almost poetically elegant yet starkly simple: Charles de Lint's "Heartfires", about wandering Native American spirits losing their way in the present-day U.S., and Stephen Gallagher's "God's Bright Little Engine", with its beautiful and haunting ending. The story provided by Storm Constantine, "Blue Flame of a Candle", while not entirely successful, is nonetheless packed with intricate detail and manages to create a rich history with merely a few suggestions.
Other stories are much less powerful. The joint effort by Kathe Koja and Barry Malzberg is frankly unreadable, while that of Larry Bond and Chris Carlson is at best workmanlike and much more suited for a military-themed collection. Other stories are plain silly or sadly bland. The one by William F. Buckley (!) can only be considered an interesting experiment. Ian Watson's "The Amber Room" never comes together, and Christopher Fowler's "Tales of Britannica Castle" reads like a pointless pastiche of "Gormenghast".
While there is indeed good material to be found here, the lesser works really drag down the overall level of quality. A few of them should just have been jettisoned to save the rest.
Still, this is a suitable sampler for some authors who are rarely seen, and it definitely shows that some, such as Gallagher and McDonald, are worth following.
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"Loop" is crisp, concise writing--yet passionate. Winter tells the story of a lawyer who develops over the years an infatuation with an adult film actress. His intense details of American culture really bring to life this doomed "love story."
"The End of It All" reads like an NBC TV Movie of the Week--but with a more focused story and a much sharper edge; the writing is so economical I compare it to a newspaper article. Gorman's impartial and blunt matter-of-fact writing style really got me excited about the short story medium again. Reading this will shock you, and impress.
On a Saturday night this summer, or any summer, staying home and reading these two stories will be much more rewarding than even going to a movie. They are that entertaining, not to mention provocative.