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Wilson has not attempted a comprehensive biography. Instead he hits the milestones and highlights what made Knox one of the most interesting figures in Western history. Wilson is very pastoral -- he makes contenporary, practical applications from Knox's that the reader will find very challenging.
After I read this book I bought three more copies.
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The first volume presents the scope, the second presents the methods and the third the practice of public health with a total of 101 chapters from close to 200 international contributors
Each chapter is extensive both in its research, details and scope with relevant references and suggested bibliography. It is truly comprehensive in its international scale and the editors must be congratulated for making a clear, consistent and easy read textbook. The subject of bioterrorism with reference to the antrax scare and other possibilities in the wake of the Twin Tower attack is reviewed from a public health aspect. The index extensive.
My own interests of child public health, adolescence, disability and mental retardation were well rewarded with fine chapters and a scholary discussions of even the current classifications of disability, handicap and intellectual disability. The chapter on adolescence had fine suggestions for health policies on a local and global basis.
This is an important book that should be found at every public health library and at the side of specialists in public health medicine.
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In great detail, Hegel explains why his concept of Spiritual Freedom is central to Art, just as it is central to Politics, to Religion, to Free Thinking and to Science. Fine Art is distinguished by its direct and personal appeal. A human hand fashions a single object with such care, devotion, skill and imagination that it may be treasured by millions for centuries. This is no act of conditioned reflexes, but an act of profound Freedom and awareness of Spiritual reality.
The key to Art, for Hegel, is always the Spirit. If the Spirit can shine through, then a work of Fine Art can be a great work. The more the Universal Spirit of humanity shows forth, the more attractive that work is to the millions. For that reason, Hegel suggested, the greatest Art is religious Art or any Art that rises to the level of the spiritually sublime, as in Tragedy.
Hegel considered that there is a hierarchy among the Arts. The Arts with the most matter are always a little bit lower than the Arts with less matter. For example, for Hegel, Architecture is the lowest form of Art, because the Original Idea can rarely be perfectly executed through coordinating and budgeting the large crowd of workers needed to complete it.
Sculpture is higher than Architecture, but the limitations of the large marble mass were considerable when compared with the relative Freedom offered by oil on a canvas exhibiting colors, shapes and light, said Hegel.
Higher than Painting are Dance and Music, Art forms that again require many people. However, the substance of these Art forms is not found simply as the human body or the musical instrument, rather, it is found within fleeting motions of the body, or the fleeting vibrations of the instrument. Music is ethereal, and when a musician stops playing, all Music itself stops. Further, Music is invisible to the eye, audible to the ear but also to the heart, and has the capability of manipulating human emotions in the most unique manner.
But the highest form of Art, said Hegel, is Poetry, and the highest form of Poetry is Tragic Drama. Drama is an imitation of Life - not just as in Comedy, the external vagaries of Life, but the inner Life of the human being who suffers and who dies.
Hegel remained a Christian all his life, although he was, as Cyril O'Regan aptly demonstrated, a Heterodox Christian. So we should not be surprised when we read that the Tragic Drama of Christ was, for Hegel, the highest expression of Fine Art, and a narrative that could not be repeated enough times by the Artists of each century.
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