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At first I was uncertain that I would like the author's style. I find that some writers of historical fiction, of which this is a form, are somewhat pedantic in their efforts to get their readers up to speed with respect to their chosen period. Whether this is to lend verisimilitude to their work, or because they can't bear to waste even a scrap of their hard won research, I can't say. I needn't have worried, though. Most of the author's descriptions of the medieval environment, of the various occupations, of clothing and speech were smoothly introduced, and the meanings of unfamiliar words were easily taken from their context. In checking Ms Robb's vita, I discovered that she had prepared for a PhD dissertation in medieval history and literature. Having done thesis for at least Master's level in two different areas myself, I can honestly say that one lives with these hard won scraps of information day in and day out until they become part of one. For Ms Robb, the 14th Century is "home," and it shows!
I enjoy the work of Ellis Peters and her Brother Cadfael series very much. Spending time with her delightful characters is a satisfying way to "get away from it all." In fact, I find that when I read fiction-when I read it at all-I do so at least as much for the company of the characters as for the story. Creating this type of ambiance is a difficult task, so I expected to find myself unimpressed with Robb's sense of character and personal history. Again I was mistaken. She peoples her 14th Century city of York with individuals with whom the reader is pleased to spend time. Owen Archer and his wife, the apothecary Lucie Wilton, are wonderful people, and their household is a delight to visit. Owen's "boss" the Archbishop of York, with whom Owen has an uneasy relationship, is a complex and interesting person. The other families have at least as much of a history as the central characters, giving the book an ambiance similar in many ways to the charming Barsetshire stories of Angela Thirkell.
The mystery itself was well penned. It begins almost at once with an attack on Wykeham, the new Bishop of Winchester, and progresses to the murder of a midwife, keeping the reader guessing at every paragraph. Like Colin Dexter and the Morse mysteries, The Cross-Legged Knight takes several twists before the guilty individual is brought to justice.
I enjoyed the book enough to look for all the others.
neither the author nor the character seems to be slowing down.
Archer, the trusted one-eyed spy for the Archbishop of York, is once again thrust into the
maelstrom of deadly struggles between the Lancasters and the Church. What is a spy,
married to York's only female apothecary, to do?
Whatever direction he choose, he's bound to find a puzzle. For one, the Bishop of
Winchester has created a situation that could plunge the country into a civil war. Through
the bishop's apparent bungling, a trusted friend to King Edward III and knight of the
realm has been captured by the French and before a ransom could be negotiated, he dies in
prison. His widow, the Lady Pagnell, holds the bishop fully responsible and wishes to
extract her own pound of flesh (to borrow from Shakespeare some two hundred years
later).
While in York to try to smooth things over with the Pagnell family, the bishop finds his
own life in danger. Coupled with what appears to be attempts to assassinate him, murder
is discovered when a fire goes up in flames, leaving the victim inside. Thus, Owen Archer's
sleuthing skills are called in. Owen's wife Lucy, the co-protagonists of Robb's series, has
recently had a miscarriage and her recovery, both mentally and physically, is taking its toll
on the Archer household. The woman murdered had been responsible for helping Lucy in
her recovery and both Lucy and Owen feel driven to find her murderer.
And, of course, the hunt is afoot and with Robb's usual good skill, York is eventually given
the solution. But before the murderer is revealed, Robb has a story to tell and, once again,
she does it with exciting readability. Weaving quite effectively history with fiction, the
Robb stories appeal to both historians and whodunit readers. Her ability to capture the
landscape and atmosphere of 14th century England is noteworthy and her plot designs well
worth the time.
It is a pleasure to have Owen back in York with Lucy by his side. The mystery is serpentine and clues are there for the careful reader. Robb brings medieval York to life with intriguing characters and multi-layered plot.
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But, it does have good pictures.
The scope of this book covers the Hundred Years War to the aftermath of the Wars of the Roses . . . expect to cover mostly French and English History, as these were the two cultures who began the chivalric code and were the main players during that era.
While it's true that there were knights in other areas of western and eastern Europe, they all emulated the French and the English. That's why Turnbull spent his time with these two countries.
If you want a similar example to THE MEDIEVAL KNIGHT but hate anglocentric History, check out his THE BOOK OF THE SAMURAI or even THE MONGOLS. Just stop whining! :D
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Ed King- Anti-Masonry: Points of View http://www.masonicinfo.com
The Illuminati Manifesto makes public the secret of the Craft for the first time ever!