A MUST BOOK FOR ANYONE WHO WONDERS WHY BOOKS BECAME A FUNCTION OF CORPORATE INTEGRATION.Klebanoff lays it all out there- the branding of names , integrated ties ins with every corporaste entity from the vatican to golf gear makers,the integration of book reviewing with book publishing and corporate promotion .Just as the meat business was transformed by total integration ( from the beast to McDonalds)Klebanoff describes why every book is part of the corporate process of integrated
content .

Arthur Klebanoff is one of today's most formidable and well known literary agents and a key figure in a front-page, technology-centric legal battle with publishing giant Random House in a case focusing on the question of who owns the electronic rights to the great books of the 20th Century. In The Agent: Personalities, Politics, And Publishing, Klebanoff vividly recounts all the lessons he's learned as a professional, ranging from his early days in politics to his current position at the center of the book rights corporate and judicial maelstrom. Klebanoff asserts that these days every author is an agent of their own future and shows how to create multiple opportunities for success in a constantly-changing literary marketplace. The Agent is much more than just another publishing tell-all autobiography. It is an insider's report on publishing industry transitions and challenges. Here also is a compelling and informative account of Random House's initial charges of copyright violation and reactions by major publishing players and the first legal case to directly focus on the vital question of who owns electronic rights in book publishing. If you are an author, literary agent, publisher, marketing director, or publicist, then you need to read Arthur Klebanoff's The Agent.

This idiosynchratic and highly personnal memoir by Arthur Klebanoff, one of the nation's premier literary agents, is chock full of fascinating tidbits about the worlds of publishing and politics, and how they came to intersect in Mr. Klebanoff's high-power career. Not nearly as polished, perhaps, as Michael Korda's volume on his years in publishing, and Mr.Klebanoff's name-dropping is excessive. But overall, the book has a quirky charm that makes it hard to put down.