Imaginative and serious is how I would describe this man's art, two words which rarely dance with each other in the realm of science fiction art these days.

This isn't the usual science fiction art you see; it is more based on the realistically possible than the utterly impossible (exceptions being a few paintings for Star Trek and such), lying somewhere in between the strange imagery of Wayne Barlowe and the illustrations of space shuttles and planets from your childhood school textbooks.

This includes various murals for NASA, science conventions, Disney's EPCOT, and even a church. Also included are some of his concept sketches and cover art for Arthur C. Clarke's 2001: Space Odyssey. While his art isn't as detailed as that of, for example, Frank Frazetta's or Richard Corben's--some of McCall's paintings seem almost possible to file under "impressionism"--he proves more imagination and dedication to the genre than either of the other two forementioned talents combined.

What I like most about Robert McCall's science fiction art is, as stated earlier, it being closer to what's actually possible, while still retaining the imaginative aspects. It only makes me eager for a future which will probably come decades after my generation becomes as old as our parents, one we will never live but our children might. Another plus is the introductory paragraphs by Ray Bradbury, basically interesting musings and anecdotes about Robert McCall and science/science fiction in general.

Excuse me while I go to the moon...