The words of 1998 MacArthur Fellow Charles Johnson's ccoupled with the poignant photographs of Bob Adelman climax in this excellent literary work that chronicles the life and legacy of the late Dr. Martin Luther King, Jr. The wonderful photographs and literary prose compliment each other beautifully throughout this masterpiece, detailing the life and democratic stuggles of King. Beginning from the early childhood of Mr. King to his untimely death,
Adelman's photographs depict a very young King with his family. It provides insight into his his upbringing and illustrates the foundation that culminates into the life of the great civil rights leader. It continues to depict his educational pursuits and ultimate marriage to the lovely Coretta Scott.

The books carries the reader through the voyage as a young King rises to prominence as a preacher, his continued quest for racial equality, and mainly
his persistent call for agapic love in conjunction with nonviolence. Also, shared in this tome is intimate photographs of King's time spent with his loving family and information about King's life that may not be well-known.

Although nearly 300-pages, this book capitvates the reader from cover to cover. All in all, Johnson and Adelman are to be commended for their efforts! This liteary piece is nothing short of superb!

Reviewed by Nedine Hunter
...

I have many photography books in my personal collection, and I have several on the civil rights movement, but this book is by far the best I have seen. The book combines the work of several photographers - including Alfred Eisenstadt, Charles Moore, Henri Cartier Bresson, plus some lesser knowns - who have been individually recognized for their own work. The photographs are a true documentary of Martin Luther King's life and death with many photos I have never seen before.

In this splendid volume historian Robert B. Partridge has done a wonderful service for students of the life of King Charles, martyr; particularly for those who continue to lament the impropriety of the dearth of appropriate memorials to Charles's memory. 'O Horrable Murder' serves to refresh the memory of experts, and provides useful background and context for those beginning to study his life and martyrdom.
Partridge begins with an accurate and compressed recounting of King Charles's life, then focuses on his imprisonment, last days, trial, execution, and burial. He is adept at synthesizing familiar material from secondary sources, but goes the extra mile correcting errors that have crept into the record by consulting primary sources. For those efforts alone Partridge is to be commended. But this book's primary strengths are the organization of familiar and new details about Charles's final resting place, and the stunning examples of the neglect he has suffered in death. This book provides valuable information for those who argue today for a more appropriate and larger shrine to his memory.
Partridge throughout keeps his sympathies well in check: his factual work is scrupulously accurate and fair. Not every detail selected or featured will please Royalists, and some of Partridge's historical analysis might be discussed with alternate views, but by and large he is an author that defends the martyr case and the cause of Charles's memory because he doesn't argue: he presents the facts.
Partridge's writing style is brief, clear, and clean, but most commendably he is a master of selecting details that give focus to the argument of the neglect of King Charles. Yet, the argument is not made explicitly, but rather by allusion. Partridge carefully details the initial actions of the interested parties in Charles's day that had neither the resources, nor the power, to provide him with a more suitable burial. He continues to recount the processes and delays for a Restoration memorial through the reigns of Charles II and James II. He then provides the most ironic section of the book, "1649 to 1813," detailing the long period of ignoring Charles. Partridge furthers the unstated argument by providing details of Charles's relics being displayed without piety but as a "curiosity." He then carefully and fully describes the standard treatment dead English Royalty ordinarily would be served. The contrast with Charles's treatment cries out from the vault of Saint George's Chapel at Windsor castle.
Partridge's strengths as a historian are evident throughout, but his work with neglected primary sources is the volume's real contribution. Chapter twelve for example is a transcription and comments on Sir Henry Halford's account of the exhumation of Charles in 1813, unearthed when workmen accidentally broke through the unmarked vault in St George's Chapel. The exhumation revealed how the body of the King had been prepared for burial, which enables a comparison to be made between his and other royal burials of this period and furthers the case for Charles's neglect. Halford discusses medical evidence from the king's body, and strikes a fine balance on including thorough pathological detail without descending to the ghoulish, however, this chapter safely can be skipped by those whose piety or other proclivities would prevent review.
Chapter thirteen contains perhaps the one disappointment of this book: Partridge provides information of how the martyred King's resting place finally came to be marked with a slab of black granite in 1837 by King William IV. The information, but not the story; as Partridge notes "Exactly why William IV decided to have the site marked may never be known." Well, readers want to know the story, and Partridge has done such an excellent job teasing out the telling detail, correcting the misleading error, and synthesizing the available information so far the reader is left curious as to why he stops on this subject.
'O Horrable Murder' includes for the first time in print a transcription of the Tuesday, December 13th, 1888 account "REPLACING OF RELICS in THE GRAVE OF CHARLES I."
In a sadly annoying conclusion he lauds as a fitting epitaph for the Martyr King the Puritan poet Andrew Marvell's well-known lines about Charles, in a poem otherwise glorifying Oliver Cromwell. Well it is not a fitting epitaph, not nearly adequate enough, as Partridge's whole own book makes all too clear.

Partridge includes several excellent additions to his main subject matter that further illuminate his focus and provide useful guides. "Principal Players" for example, is a collection of sketches of the figures involved in Charles's life, imprisonment, trial, execution and burial. "The Banqueting House and the Window Leading to the Scaffold" is the best treatment ever regarding the specific window Charles's used to ascend the scaffold and meet his maker. "Signatories to The Death Warrant of King Charles I" collects all the usual suspects in one quick reference, but sadly does not come as a perforated detachable page for use as a darts target.
"The Death of A Monarch" provides detail on English royal burial customs that preceded and followed the death of King Charles, martyr, and serves to accentuate the level of neglect and impropriety he suffered. Those who wish to avoid technical, medical, and clinical treatments of the dead would be advised to skip the first 23 paragraphs (until the middle of page 162) of this appendix, and then continue on with the fascinating details about coffin ornamentation for royalty, the construction of life-like funeral effigies, and elaborate temporary monuments.
Appendix IV provides an introduction to the activities of The Sealed Knot, of which Partridge is a leading member. "The Society stages a wide variety of seventeenth century historical military reenactments, throughout the length and breadth of Great Britain." Partridge notes that the modern society of The Sealed Knot is "non-political...and includes both Royalists and Parliamentarians within its ranks." Of course the members of the original society of The Sealed Knot were loyal Royalists who eventually succeeded in restoring Charles II to the throne, although not without their own martyrs along the way.
The book includes 58 rare and seldom available illustrations that contribute helpful detail, many the author's own competently executed pen and ink sketches made to amplify historical points in the text. Most startling is the cover, which on first glance appears to be a close up photograph of the face of King Charles. It isn't of course, but rather a "soft-focus" photograph of his wax likeness at the famous Madame Tussaud's of London.

In this splendid volume historian Robert B. Partridge has done a wonderful service for students of the life of King Charles, martyr; particularly for those who continue to lament the impropriety of the dearth of appropriate memorials to Charles's memory. 'O Horrable Murder' serves to refresh the memory of experts, and provides useful background and context for those beginning to study his life and martyrdom.
Partridge begins with an accurate and compressed recounting of King Charles's life, then focuses on his imprisonment, last days, trial, execution, and burial. He is adept at synthesizing familiar material from secondary sources, but goes the extra mile correcting errors that have crept into the record by consulting primary sources. For those efforts alone Partridge is to be commended. But this book's primary strengths are the organization of familiar and new details about Charles's final resting place, and the stunning examples of the neglect he has suffered in death. This book provides valuable information for those who argue today for a more appropriate and larger shrine to his memory.
Partridge throughout keeps his sympathies well in check: his factual work is scrupulously accurate and fair. Not every detail selected or featured will please Royalists, and some of Partridge's historical analysis might be discussed with alternate views, but by and large he is an author that defends the martyr case and the cause of Charles's memory because he doesn't argue: he presents the facts.
Partridge's writing style is brief, clear, and clean, but most commendably he is a master of selecting details that give focus to the argument of the neglect of King Charles. Yet, the argument is not made explicitly, but rather by allusion. Partridge carefully details the initial actions of the interested parties in Charles's day that had neither the resources, nor the power, to provide him with a more suitable burial. He continues to recount the processes and delays for a Restoration memorial through the reigns of Charles II and James II. He then provides the most ironic section of the book, "1649 to 1813," detailing the long period of ignoring Charles. Partridge furthers the unstated argument by providing details of Charles's relics being displayed without piety but as a "curiosity." He then carefully and fully describes the standard treatment dead English Royalty ordinarily would be served. The contrast with Charles's treatment cries out from the vault of Saint George's Chapel at Windsor castle.
Partridge's strengths as a historian are evident throughout, but his work with neglected primary sources is the volume's real contribution. Chapter twelve for example is a transcription and comments on Sir Henry Halford's account of the exhumation of Charles in 1813, unearthed when workmen accidentally broke through the unmarked vault in St George's Chapel. The exhumation revealed how the body of the King had been prepared for burial, which enables a comparison to be made between his and other royal burials of this period and furthers the case for Charles's neglect. Halford discusses medical evidence from the king's body, and strikes a fine balance on including thorough pathological detail without descending to the ghoulish, however, this chapter safely can be skipped by those whose piety or other proclivities would prevent review.
Chapter thirteen contains perhaps the one disappointment of this book: Partridge provides information of how the martyred King's resting place finally came to be marked with a slab of black granite in 1837 by King William IV. The information, but not the story; as Partridge notes "Exactly why William IV decided to have the site marked may never be known." Well, readers want to know the story, and Partridge has done such an excellent job teasing out the telling detail, correcting the misleading error, and synthesizing the available information so far the reader is left curious as to why he stops on this subject.
'O Horrable Murder' includes for the first time in print a transcription of the Tuesday, December 13th, 1888 account "REPLACING OF RELICS in THE GRAVE OF CHARLES I."
In a sadly annoying conclusion he lauds as a fitting epitaph for the Martyr King the Puritan poet Andrew Marvell's well-known lines about Charles, in a poem otherwise glorifying Oliver Cromwell. Well it is not a fitting epitaph, not nearly adequate enough, as Partridge's whole own book makes all too clear.
Partridge includes several excellent additions to his main subject matter that further illuminate his focus and provide useful guides. "Principal Players" for example, is a collection of sketches of the figures involved in Charles's life, imprisonment, trial, execution and burial. "The Banqueting House and the Window Leading to the Scaffold" is the best treatment ever regarding the specific window Charles's used to ascend the scaffold and meet his maker. "Signatories to The Death Warrant of King Charles I" collects all the usual suspects in one quick reference, but sadly does not come as a perforated detachable page for use as a darts target.
"The Death of A Monarch" provides detail on English royal burial customs that preceded and followed the death of King Charles, martyr, and serves to accentuate the level of neglect and impropriety he suffered. Those who wish to avoid technical, medical, and clinical treatments of the dead would be advised to skip the first 23 paragraphs (until the middle of page 162) of this appendix, and then continue on with the fascinating details about coffin ornamentation for royalty, the construction of life-like funeral effigies, and elaborate temporary monuments.
Appendix IV provides an introduction to the activities of The Sealed Knot, of which Partridge is a leading member. "The Society stages a wide variety of seventeenth century historical military reenactments, throughout the length and breadth of Great Britain." Partridge notes that the modern society of The Sealed Knot is "non-political...and includes both Royalists and Parliamentarians within its ranks." Of course the members of the original society of The Sealed Knot were loyal Royalists who eventually succeeded in restoring Charles II to the throne, although not without their own martyrs along the way.
The book includes 58 rare and seldom available illustrations that contribute helpful detail, many the author's own competently executed pen and ink sketches made to amplify historical points in the text. Most startling is the cover, which on first glance appears to be a close up photograph of the face of King Charles. It isn't of course, but rather a "soft-focus" photograph of his wax likeness at the famous Madame Tussaud's of London.
The Bibliography contains the usual secondary sources familiar to students of the English Civil Wars, however he also includes primary source surprises such as King Charles I, his Death, his Funeral, his Relics, by Edmund H. Fellows (Windsor Castle, 1950), and Essays and Orations, including An account of the opening of the Tomb of King Charles I, by Sir Henry Halford (John Murray, 1831). The index is quite good, but not exhaustive, and further editions would need improvement as it covers proper names only and excludes topics and subjects.
'O Horrable Murder' is printed by a very small London-based press, which no doubt accounts for its rather dear price. However, the material Partridge has sifted through, the detail he provides, and his particular focus makes it worthwhile to acquire.

Filled with teachings of peacefully protesting fair laws for all people, David
Adler gives us a picture book of Martin Luther King, Jr. In it, he shares the
early life of MLK Jr, his young experiences with racism and segregation and on
to his dreams as well as highlights some of his well-known protests. In these
protests, he speaks of a world free of hate, prejudice and violence.

This book is a great lesson in history for our children and also covers a few
other events in the plight for civil rights. Casilla's illustrations do a
decent job of giving us a pictorial view of the events chronicling King's life.

Reviewed by Tee C. Royal
...

The entire "A picture book of..." biography series byDavid Adler is outstanding. Perfect for lower elementary studentsdoing their first real report. Makes a great read-aloud for non-readers as they are easily completed in one sitting. They are loaded with information including a timeline of important dates. The illustrations in this book are not cartoon-like as in his other biographies of Washington or Lincoln, but are appealing to young children.

The animals around the misty Isles of Scotland get to tell this tale of adventure as escape of Bonnie Prince Charley through the Highlands in 1746. He's now a Scottish deerhound, beholding to Skye terrier Fora MacDonald. Robert Hutchinson and Rob Brown join forces to tell and illustrate the story beautifully. I especially liked the way Flora communicates with "free" animals who bravely come to her aid. Such a talented lady--she speaks otter, owl, porpoise, marten, and deer! A lovely, lyrical journey sure to delight parents and children alike.

This book has good stories and bad stories. No, there is no bad written story. There are some stories very difficult to believe, like "Death to the Easter Bunny!" By Alan Ryan. At least, I can read another Stephen King, "Nona". But it is not enough to get a 10. Paulo Sunao

Well this book is a mixed bag. Some of the stories I really liked and were really well written, yet others I just didn't like at all. I loved the chilling story of "Canavan's Back Yard," and I thought "The Rubber Room" was an interesting tale of a paranoid man thinking Jewish people had a conspiracy against him. Also, "Out Of Sorts" is a clever werewolf story. And as other have mentioned, "Down Among The Dead Man" is an excellent WWII vampire story (while that may sound bizarre, it is written so well you won't even notice just how odd this seems). However, like I said, I did not like some of the other stories. Like "Death To The Easter Bunny," for example. I just found this story repulsive (if you've read the book, you'll know what part I'm talking about.) And "The Crazy Chinaman" also seemed very out of place in this book. But in this book, the good outweighs the bad. I would recommend this book to fans of horror in general or fans of any of the authors.

This is a reprint of the Dodd, Mead Gallery of Horror from the early 1980's. There are a number of stories which stand out but "Down Among the Dead Men" by Gardner Dozois and Jack Dann in particular. This is a story you will not soon purge from your subconscious. There is also the classic "Canavan's Back Yard" by Joseph Payne Brennan which is one of the master's best. Seek out other collections from Jospeh Payne Brennan, he is one of the unknown masters. This is a collection which deserved to be reprinted although they marketed it as if it was a new collection. Highest marks!