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The Changeling Sea is at heart a fairy tale: two princes gets swapped at birth and none of them is happy with the situation, until a young girl starts meddling. It displays all of McKillip's strengths: strong characterization (every character from Carey and Mare at the inn to the sea-woman herself are wonderfully drawn, and behave convincingly), a plot that, while being vaguely familiar, is still fresh enough to make you read on, and finally, McKillip's hallmark, her style, as ethereal and beautiful as the sea itself.
Buy it, read it, and then go and buy all of McKillip's other books.

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This is a charming story about a mouse who discovers he can sing, in the process saving his sibling mice from the cat in the house and becoming the companion of elderly Mrs. Honeybee who teaches Wolf new songs on her piano.
It's a simple and appealing story line, but I applaud Dick King-Smith for tackling two subjects not usually found in children's literature. On the one hand he skillfully interweaves musical terms and concepts, and on the other hand he paints a sympathetic portrait of the life of an elderly widow living alone.
This delightful tale should be welcome in the home of musical families or where children need a glimpse into the life of a lonely senior citizen. The adult readers of this story will have many private chuckles over the tunes Mrs. Honeybee chooses to teach her singing mouse: everything from the Beatles' "Help!" to showtunes such as "Oh, What a Beautiful Mornin'."

A Mouse Called Wolf is a great story! Wolf's real name is Wolfgang Amadeus. Wolf lives with his mother and twelve other children in a mouse hole in the house of Mrs. Honeybee. In the book he learns how to sing, the songs are really cute. I would recommend this book to anyone who likes animal stories and funny stories. In the book Wolf composes a song. The book is easy to read. I really liked reading this book! By: Laura

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Now, just let me say, I LOVE THIS SERIES! I especially love the character of Taliesin. He is my favorite from all of Morrison's books and possibly from any others I have ever read. His voice is exceptionally distinctive in the telling and very consistent. He is a very unassuming character, terrified out of his wits most of the time and sure that everyone knows it, yet is completely honest about this fact. I love the style of these books too. The prose is perhaps a bit cumbersome when you first begin reading but it is defiantly an epic tale, every event fraught with dan from now 'till nevermass, and all the characters with the seeds of greatness in them, Arthur most of all. I love this particular universe because it is so imaginative, Celtic legend mixed with sciencficiton in a successful blending.
Now, the Kirkus reviewer has a point when he says that Patricia Kennealy-Morrison has a "general air of self-importance". He hits the nail right on the head. She is continually prating on the virtues of the Kelts. How they are so much more evolved than "other societies I could name" in that they have magical arts, no rape, varying marriage laws, and women are considered equals. It is an attitude hard to avoid throughout her books, but this is the only detraction I will make and, you will admit, not a very serious one.

If you have read the Copper Crown and its counterparts you will be intrigued when you discover that the writing style is completely different from the first triology. This is writen in first rather than third person. It is rare that an author has such talent as to switch styles. The style change means that you will never tire of the Keltiad. Instead of boresdom you will find love for the lore as past history links all the books together.


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"Seventeen kings and fourty-two elephants
Going on a journey on a wild wet night"
meet all sorts of wonderful creatures in their travels through the lush jungle inhabitting these pages. There are white-toothed crocodiles, green-eyed dragons, small crabs, ponderous hippoptomums, dancing "to the music that the marchers made," not to mention tigers, cranes, pelicans, peacocks, and twangling trillicans. They go off into the night as raindrops glisten on the elephants' backs and the deep dark jungle devours their tracks. Altogether a delightful journey into word play and magical illustrations. Alyssa A. Lappen






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Daystar, the son of Cimorene and Mendanbar, embarks on a quest to...find out what he's supposed to be doing! Along the way he meets a fire-witch named Shiara, a baby dragon, a talking lizard, and may familiar characters along the way. Daystar is a likeable hero, very quirky, uncertain of himself, and an all-around sweetie.
The book drags a bit, in part because there aren't as many skewed fairy tale references as in the past books. But it's forgivable, because of all the great characters. My favorite, Telemain, made a return appeareance, so I was content. ;)
This is worth your money, if only to see the end of the cliffhanger in "Calling on Dragons." Read the book. I guarantee there are worse ways to spend your time, and this is a pretty darn good one.

Once in the Enchanted Forest, Daystar discovers something interesting: Everything leaves him alone except for wizards. Then he finds a fire-witch stuck in a clearing surrounded by a bad-tempered hedge that won't let her out. (Fire-witches have powerful magic and are immune to spells and fire.) When Daystar is with her, the hedge lets both of them out, but it won't let her (the fire-witch) out by herself!
He gains many companions other than the fire-witch along his journey, including a dragon, a magician (magicians are good, wizards are bad), and a cat. Daystar's mission comes to a great climax at the end. All in all, it is a great book.

The Changling Sea is an excellent combination of fantasy and reality - the balance of hard working villagers and magical beings from another world make this story not only enchanting, but lovely in its realism.
Fans of McKillip will of course love this story. For children and adults who have never read her: this is a great place to start.