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At the time of writing this, there are just a handful of reviews of Dunsany's "The King of Elfland's Daughter", which was first published in 1924 and which is one of the true classic fantasies of all time. And I doubt a great number will follow.
That's fashion for you.
Still, in about twenty or thirty years from now, I very much doubt if a lot of fantasy afficianados will be able to remember Terry Goodkind at all (let alone "Soul of the Fire"). But I do know that they'll remember Dunsany. As they will William Morris, E.R. Eddison, C.S. Lewis, and - of course - J.R.R. Tolkien.
You see, these are the original masters of fantasy. A lot of good - at times great - fantasy has been written since then (writers like Patricia McKillip, Stephen Donaldson, Ursula LeGuin, Guy Gavriel Kay come to mind), but these are the Old Ones. The ones, if you like, Who Knew What They Were Talking About.
To explain (in the case of Dunsany): a few years back, when in Ireland, I tried to visit the Dunsany ancestral home (yes, this is real aristocracy). I remember asking a local farmer for directions; then, after a little searching, I found a secluded gateway. I drove up the lane, crowded with trees, turned right - and there it was. One of the most beautiful and hospitable - and very real - castles you could imagine. And it suddenly dawned on me: if you lived in such a place - if your family had, for generations, lived in such a place, in such a troubled country, with so much pain and turmoil - you probably couldn't help but turn to some sort of fantasy. And that fantasy couldn't help but be more true than what all of us could come up with, munching our microwaved Internet dinners before flickering monitors and filing billion dollar law suits against any company that produces potentially harmful products.
Not knowing where it came from, it's easy for us to try to decide what good fantasy is - it seems we don't even need to read to book to review it - but we might do well do realise, every now and then, that some of it was written with a far greater perspective than we could aspire to.
In the end, "The King of Elfland's Daughter" is one of the masterpieces of early fantasy. It takes a little getting used to - like Henry James, for example - but if you like fantasy fiction at all, you must read this book. It is one of the very few fantasy books that if worth just about any price you pay for it.
One final remark: an absolutely excellent collection of Dunsany's shorter fiction was recently published by Victor Gollancz under the title "Time And The Gods" (Fantasy Masterworks Series). As far as I know, this has not been published in the US, but you should be able to get it from Amazon.co.uk. Buy it immediately; these stories will probably be out of print again very soon.
His career includes stints as the president of the continental congress, member of the Massachusetts legislature and governor of the newly independent state of MA. His roles in the revolution and the adoption of the constitution are central: as president of congress, his is initially the only signature on the Declaration of Independence; he coordinates and equips the continental army, including large expenditures out of his own pocket; he turns the tide in Massachusetts in favor of ratification.
So the biography is interesting because the man is interesting, even pivotal. It's also well-written, in the sense of being easy to read.
But the book's also a little spiteful. Anyone who clashes with Hancock, ever, comes in for a little sting from the biographer's pen. Sam Adams, in particular, is described as a bloodthirsty, erratic and backstabbing radical, who undercuts and betrays Hancock at every turn. Even George Washington is painted as behaving irrationally, in contrast with Hancock's genteel polish, in respect of some offers of hospitality that Hancock extends to the general, and Unger seems incapable of mentioning John Adams without calling him "fat little John Adams".
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One of the aspects that I think needed more developing was the characters At first I was a bit disappointed because, unlike all of the other Mark Twain books I have read, this one had very little character description. There is not much that you know about the two characters and you don't feel connected to them. There was nothing that you could relate to with Canty and Tudor and while reading the book the only image that you had of them was a very vague image. This was why it is pretty hard to get caught up in this book. I believed Mark Twain left a lot about the characters so that he could focus and develop more on the plot and adventure of the story than who they characters actually were.
In the book, Tudor is constantly being kidnapped by the pauper's father (John Canty) , who believes that Tudor is his son , and in return Tudor is always running away. After a while of this wild goose chase between Canty and Tudor it gets repetitive and tiresome to the reader. In this book Mark Twain focuses more on the situations of Tudor then those of Canty. He also wrote more about Tudor then Canty. I found the situations with Canty in the princes place were much more interesting and humorous then the situation of Tudor. I would have enjoyed this book more I think if there had been more scenarios and stories about Canty
This book is recommended for all ages yet I found parts of it hard and difficult to understand. The language that all the people in the book speak is old English. There are chapters in the book that is just conversation. I found this incredibly hard to understand by reading it through just once. The only reason that I understood the conversations is because I am familiar with the old English writing style (Shakespearean style) and have had past experience reading books in this style. To someone who would read this type of book for the first time, I think that they would hardly understand any of the conversations between people. Yet the author Mark Twain wrote this book in a great way. This is why it appealed to lots of audiences. For example, Mark Twain's description of the palace are not like usual boring ones, his descriptions are fun to read and you can almost exactly picture things that he is describing. Also his wording makes it easy to keep reading and reading as if each sentence flows perfectly to the next.
The book also had many strengths, in contrast to what I thought would happen, this book did not become predictable. Every chapter has a new twist or turn. The story was also very humorous. It was very amusing and hilarious what Canty did in the prince's position. For example at his first dinner he begins drinking the rose water, which is intended for washing his hands. He also says that all the ways of royalty are strange and annoying referring to when the official "food taster", tastes his food before he eats it and the long, grueling task of putting on clothes which involves a long chain of people who pass an article of clothing down one by one.
I would recommend this book mainly to people in high school or older. In my opinion it is too childish for an adult reader, and I think many adults would get bored. The adults that would enjoy this I think would be those who are "young at heart", and enjoy fictional fairytale like stories. The humor, marvel, and intrigue that this book contains is for a younger audience. Also the difficulty of the language in the book is too hard for children to understand (below 7th grade). I believe that if this book were to be rewritten in modern English it would be a perfect story for a child at any age.
The book describes the boys' adventures throughout the experience of living each other's lives. As the Prince of Wales lives as the pauper, he is introduced to and learns about many different people such as the Canty family, Miles Hendon, a troop of Vagabonds, Hugo, the peasants, the hermit, and others. And as Tom Canty acts as the Prince of Wales, he experiences living the higher life of royalty, being treated with respect and given so many opportunities and choices.
Through having the plot be that the characters switch places, the book is more exciting because the reader could act in the character's place and experience the lifestyles and adventures involved with each person's life. Other than being able to understand better each person's lifestyle with the type of writing, using dialogue in Old English adds a stronger effect to bringing everything back in time to understand the setting. Although at times, the Old English could get confusing.
Overall, I thought that this book was interesting because it explains the lifestyles of different people in London around the 1500's in a way that is fun and easy to understand. Although at times, I did feel as if it carried on too much about things that were insignificant. Other than that, the book was good and I would recommend that it be read, if you are interested in adventure.
Other adventure books written by Mark Twain, such as The Adventures of Huckleberry Finn and The Adventures of Tom Sawyer, were also interesting, but I enjoyed reading The Prince and the Pauper more because it contained more excitement for me.
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Chris Bennett
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