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I don't know where you might dig up this gold mine nowadays, but it WILL be worth the search. (Most University libraries seem to have an old worn-out copy, actually.)
Check it out.
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This is the type of book that raises a large number of questions about our society. On one level it treats the issue of man vs. machine as the inmates square off with the emotionless staff at the asylum. On another it will cause you to question who really is insane and are those people insane because they are truly mentally challenged or do they simply see the world differently than the majority? Kesey shows how even the insane remain human and desire freedom and emotion and thus follows the tale.
While very different in approach, this novel shares some central themes with the modern "Life of Pi". This connection is revealed in perhaps one of the most thought provoking statements of the novel "It's the truth even if it didn't happen"
I would recommend this book to all who can stand a serious, thoughtprovoking read.
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Note: don't be put off by the beginning, it takes a little while for the book to pick up, but once it does, the first 60 pages or so enhance the intensity of the rest of the book.
One of those books that changes lives. I first read it at age 17, re-read it countless times during my 20s, and recently read it again at age 47.
It's frightening, and often disheartening, to go back to favorites as you grow older. Books that seemed dazzling to the teenage perspective seldom retain their charm to the older reader. Happily, I found Sometimes ... just as remarkable, just as thought-provoking, just as entertaining as I did 30 years ago.
The descriptions of the Oregon woods, the conflict of brother vs. brother and individualist vs. group are laser bright and beautiful. I envy you if this is the first time you'll read this book. It is Hank's bell.
The first sentence grabs you, and the characters in the book won't let loose of you. I grew up in the Pacific Northwest, and Kesey makes you taste and feel the land, the mist and the people.
Be forewarned, in the first half of a sentence you'll be inside one character's head, and in the last half of the sentence you'll be inside a different character's head, and the transition is invisible. It drives some readers crazy until they get used to it.
Pay careful attention, at the very end of the book, to the description of the woman and the little boy in the photograph. Kesey has planted innumerable subtle treasures in this book, but the woman and boy in the photo are my favorite.
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I had to read _One Flew Over the Cuckoo's Nest_ for my Literature and Film class, and I don't think I've ever enjoyed a book "for school" as much as I enjoyed this one. I'd never seen the film before I read it, and not knowing the plot presented in the movie was definitely worth it.
If you've seen the movie (and even if you haven't), read the book for Dale Harding. Those who've seen the film will remember him as.. a rather dislikable character at odds with McMurphy throughout. He was done a -great- disservice in the film, and was by far my favorite character - I read it mostly to experience scenes with him.
Ken Kesey's prose is quirky and elegant - with such descriptions of physical idiosyncracies that I've never seen so accurately written - such as the way he describes Harding as trapping his pretty hands between his knees and folding his thin shoulders about his chest like green wings. It's difficult to understand at times, since the narrator, Chief Bromden, is also a mental patient on the ward and sees things differently than a sane person would - but anything he says that's hard to grasp at the beginning slowly becomes clear as the narrative goes on.
_One Flew Over the Cuckoo's Nest_ is made brilliant by a number of things: the beauty and eccentricity of the prose, the development of character, the layers of plot and subtext, and the subtle messages, meanings, and morals scattered throughout the pages in such a way that you learn them but don't realize they're there. I highly recommend this book - it's one that will stay with you again and again, and is warranted a second and third time reading.
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The author takes us on a spirited, insightful sojourn through the backalleys of America's true icons and offers up zillions of interesting sidetracks along the way.
He doesn't mince too many words when disclosing the nitty gritty opinions that each of the protagonists has of one another - this makes for a more interesting read than many works which simply glorify all their subjects.
Additionally, somehow the author has an uncanny finger on the pulse of what we really want to hear about on the way, such as the piece on James Dean - his significance and his death. The section on Hunter S. Thompson is a riot!!!
This is a nice addition to your psychedelic editions.
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The exceptionally good design anticipates hypertext in a way which few printed books have done (the collaborations of McCluhan and Fiore being other notable examples). With color photographs, film stills, and other enhanced imagery, the book is a visual feast with many whimsical touches, including a black-and-white flipbook movie of a dancing Cassady in the right margin. It is less an inquiry than a celebration. As one character proclaims of Cassady: "He was joyous. He could take social and emotional and cosmic changes just like he could take ninety-degree corners...on four wheels or two. My god, didn't you ever read On the Road? He was a living legend!"
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