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Lacking the sensationalism that has been a recent hallmark of some Catholic history, this work combines substantial original research in Catholic and State archives in the Vatican City, Italy, Britain and the United States with an exhaustive analysis of printed primary and secondary sources in an array of languages.
Having also pursued researches in the Vatican's Secret Archive I can testify that this must have been no easy task.
What emerges is a portrait of Pope Benedict XV balancing delicate issues between the Allied and Central Powers in the face of continued difficulties with the Italian state, but also a compassionate man who cared greatly for those around him, and for the sufferings of war.
Adopting a broadly chronological approach, Pope Benedict XV's origins, ascent to the papacy, role in the war and relations with Italy, humanitarian relief, peace diplomacy and post-war relations with Italy and the rest of the world are all covered seemlessly.
A seminal work which points the way ahead for church history and will surely prove the inspiration for further work on Pope Benedict XV and the role of the Papacy in the Twentieth Century, this book also deserves to be read by anyone with an interest in World War I, humanitarian aid, diplomatic and Italian history.
More uncommonly, this work is written in a clear style. John Pollard continues to hold the reader's attention and employs a light touch to explain the many curiosities of a pre-Vatican II pontificate.
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First, the Divine Comedy Itself. I first read the Inferno as an Undergrad in general ed. I just loved this story as challenging as it was to read. Curiosity got to me, and I bought this edition (the same as I had read for the Inferno). The book got much more challenging to read as it progresses, perhaps because the imagery is much more abstract, but it also gets more fantastic all the way through. The Paradiso definitely fits its purpose as a climax. The whole of The Divine Comedy is a good story of the spiritual journey of one man through "the afterlife" so to speak. I love the interaction the book takes of Dante's interaction with history and religion, biblical and mythical. It is an interesting perspective that shows the genious of Dante the author.
As for this particular edition. I could not tell you it is the best as I have never read others. I've heard this is one of the few that has tried to make the translation stay true to the original Latin poetic form Dante used. I also think it is wonderful, and from my point essential, that this edition comes with extensive notes that help explain in layman's terms what is going on in the story Canto by Canto as well as line by line explanations of the different references made to historical people, places, and events as well as literary references.
In sum, all I can say is that "The Divine Comedy" is worth a read especially if you are up to the challenge. I am not a literary expert; I work in engineering, but I find this the most fascinating literature I've ever read. Most of all, it is inpirational, the quest of one man to find his true love, facing Hell and more...
I particularly enjoyed reading about the many colorful people he encounters on his journey. It is interesting to see the people he puts in hell, purgatory, and paradise and to hear their stories. Many are famous historical figures. His comedy has many examples of allegory, prophecy and even theology. He tackles issues such as the Atonement, divine justice, and free will. The story includes many references to both classical pagan stories (e.g. Greek mythology) and Christian writings (e.g. Thomas Aquinas). The only downside (in my opinion anyway) is that Dante devotes too much time to philosophical discussions relating to Aristotle, who was popular with nearly every prominent medieval thinker. These discussions slow the pace of the poem at times.
This particular edition contains all three parts of the comedy and is unabridged. The low price is a plus too. It is in prose, although the language is pretty stilted. It uses "thees" an "thous," for example. This is not necessarily bad because it makes the story quite dignified, but some of the sentences can be very difficult to understand. Here is an example: "Thy kindliness not only succoreth whoso requesteth, but doth oftentimes freely forerun request." Fortunately, there are long introductions that summarize each chapter (canto) and numerous endnotes, which explain in detail the people, places, things, and ideas of Dante's work. Overall, I highly recommend the Divine Comedy to every reader, especially for those interested in medieval literature. Still, you may want to find another edition.
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In his novel Dark Eagle, John Ensor Harr has taken a person known by name only to most of us and made him a real person. Now we know why he did what he did. Of course, I can't go into details as it would spoil the fun for everyone else. And trust me on this one, it is fun. Suffice it to say, if you have ever wondered just what did this guy do to deserve such a bad name, you really want to read this book. It is a great read; Hollywood should be scrambling for this one. Rich with visual imagery, from the dust on a man's uniform to crumbs on a banquet plate, you really feel as if you were there. Not only are we introduced to the main character, but a whole support cast that make this story a tapestry of period elegance, as well as intrigue. Fans of history, drama, war and mystery will all enjoy this book. I highly recommend it.
This means, mostly, that his comments on meaning and media are striking. It also means (unfortunately) that he provides little in the way of concrete or rigorous argumentation. Thankfully, this is not a problem if we consider the book a collection of inter-related aphorisms. In any case, Baudrillard "the poet" instead of Baudrillard "the theorist" allows us to conceptualize the expanding domain of media technologies in a different way. Whether there actually -is- anything to his claims will have to be shown by someone else.
Since this book has had something of an influence on art criticism, I recommend it (albeit, with strong reservations about its basic claims)to anyone interested in cultural theory, the arts or any sort of contemporary "critical theory".
This collection of essays are brilliant in that Baudrillard knows how to probe beneath the surface of art,of culture, like Madonna, Michael Jackson or current Hollywood, and the politics of Europe,of the demise of communism. He does it within a formant structure,with many levels of meaning spewed out in all directions. He is a virtuoso in that respect.
What structures material reality? what directs it is not probed however with any degree of conviction and I think that is where his focus should be.You needn't be a Marxist to harbor these convictions simply ahumanist concerned with the direction of the world.
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I think the rule has relevance even to a modern, non-monastic Christian life, by offering a model of rhythm and simplicity. In this time of shaken confidence, the twelve steps of humility is a refreshing thought. The rule presents a challenge to the modern to "Renounce yourself in order to follow Christ".
It is, however, helpful to have a guidebook such as Chittister's or de Wall's, in order to understand how the Rule is applied, and what wisdome people have found in it who have actually lived under its strictures for years and even decades. That will help the reader understand what value there is in the Rule.
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A couple years ago, John McQuiston apparently set out on a search for spiritual principles by which to live in everyday life. He found the Rule of Benedict, and recognizing it's inherent wisdom despite the limitations of its original assumed context. He "translated" the Rule, changing Christian symbols to more universal images, changing allusions to monastic asceticisms to analogous practices possible in the modern secular world. The result is an extremely accessible text that transmits (I think) the core values of St. Benedict's message, values that lead us from a self-centeredness & entrapment in the contingencies of daily life to expansion, clarity, and connection with meaning & Mystery.
The book is small --- each "chapter" really only takes a minute or two to read, so I have been finding it very helpful as a reflection before meditating, before going to bed, etc. I have also been find that these tiny sections reveal more and more upon rereading. I love this book because, on the one hand, it's not "more to read" in the sense of some onerous task, and yet each small investment of time pays richly in inspiring themes on which to reflect for days. It is idea for any busy person in the modern world seeking a life of greater depth and meaning.