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There were very few things that I didnt find in this book...one was the procedure for determination of AM modulation index by the use of a Oscilloscope,but i dont think i can recall anything else which was missing.
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It also has insider knowledge on using various techniques used in other types of work. (e.g. in forensic animation etc..) It may not explain every detail on how to perform various tasks so it is important that you have basic understanding of the MAX interface, but it is certainly a great reference on animation, and the animation industry. It even has tools for showcasing your work and producing a demo reel.
Included are several tutorials and a CD full of example files, avi's and demo versions of some of the leading plugins.
I haven't seen Volume 1 and 2 yet...
In the last couple of years under the JFK Assassination Records Review Board Act our government has spent millions of dollars into the research of the assassination of our 35th President John Fitzgerald Kennedy. As a former Federal employee, on several occasions I have offered all of my research under the Whistleblowing Act to the Clinton administration without receiving replies. President Clinton's former Chief of Staff, Leon Panetta, in the past (1992), had supported this author's research as a former Congressman for the County of Santa Cruz. This author believes that it was certainly unethical and boardering upon fraud when President George Bush signed into law The JFK Assassination Records Review Board Act and did not disclose that he knew George de Mohrenschildt since 1942. In order to understand the conflict of interest George Bush played in the JFK assassination investigation in 1963 and in 1976, one needs to look at his entire career with the CIA and Zapata Oil industry.
TRACKING THE JFK ASSASSINATION
Santa Monica College Corsair - November 17,1997, by Donna Lynn
As the 34th anniversary of John Fitzgerald Kennedy's assassination approaches, Bruce Campbell Adamson, a self-taught genealogist, historian, author and Santa Monica College graduate says that he is close to solving "the crime of the century." When his father died in 1980, Adamson applied for a job at the Santa Monica Post Office. He says he "wanted to work outdoors" because it seemed to be a "healthy" job with few problems. "It took me five years to get hired," he says "And I retired in five years." Adamson ended up filing a federal lawsuit against the Post Office in a worker's compensation claim. He was the case in 1991 and has used the money to research the JFK assassination. "I started researching it (JFK) because I was tired of the subject, said Adamson. When I began my research Oliver Stone's movie, JFK, had just been released and I was sick and tired of all of the theories generated by the tabloid news agencies." This motivated him to write and publish The JFK Assassination Timeline Chart, and eight volumes (now ten) of Oswald's Closest Friend; The George de Mohrenschildt Story. Each bit of information led to another, and Adamson soon discovered that some of his own family members were coincidentally associated with persons connected to George de Mohrenschildt in one way or another. In the past 14 years, Adamson's research has taken him through the government and the Central Intelligence Agency...In a trail that leads from oil fields to Wall Street to the sales of helicopters used in the Vietnam War, Adamson claims that he exposes evidence that Lee Harvey Oswald did not act alone. Everything that we are today exists today because of the past, he said "If historians don't get the story right, then our lives today are based upon lies." He also link's "alleged lone assassin" Oswald to de Mohrenschildt, an aristocrat who had ties to the rich and famous. Adamson asserts that these elites may have benefited financially from JFK's death. The wealthy "were also retaliating for their political as well as other motives," said Adamson. "Wealthy individuals having prior knowledge of the plans to kill JFK could sell short on the New York Stock Exchange and buy their company back for half the price after the assassination," Adamson aid. On the day of the assassination, the stock market lost 11 billion in paper." Adamson's main theory focuses on a U.S. oil depletion allowance, which grants oilmen a 27.5 percent tax break when reinvesting in their other corporation. Adamson says that Texas oilmen plotted the assassination of JFK to gain more power, and that the Warren Commission found Oswald guilty without a fair trial. He places de Mohrenschildt with a group of friends -- one of whose grandfather's chartered the oil depletion allowance in the 1920s."... De Mohrenschildt died on March 29, 1977, of a self-inflicted gunshot wound to the head. Adamson, however, says de Mohrenschildt could have been murdered, since the CIA was on his back about his knowledge of the assassination. Adamson asserts that de Mohrenschildt, prior to his death, told a close friend that a number of oilmen, FBI and CIA agents were behind the JFK assassination. "De Mohrenschildt had complained to his friend, CIA Director George Bush in September of 1976 about being harassed," Adamson wrote. "Shortly thereafter, Bush contacted the FBI Director and it was not long after that de Mohrenschildt would find himself in Parkland Hospital receiving nine shock treatments." Were the shock treatments CIA-sponsored, Adamson asks? While Bush was CIA Director, more than 200 Top Secret documents came up missing, including the letters between de Mohrenschildt and Bush, says Adamson. Like Oswald, de Mohrenschildt went to his grave insisting that Oswald was "just a patsy," and that Oswald was not the assassin, according to Adamson. "That's a dying declaration," Adamson insists. "When someone makes a statement on their deathbed, they're likely telling the truth." Is finding the truth about JFK's murder Bruce Campbell Adamson's destiny? Is Adamson possessed by the genetics of his own distinguished American heritage, driving him to correct an error made in history? Is he driven by Hustler magazine's bounty of $1 million to whoever determines the murderer? "Circumstantial evidence does not lie," says Adamson. "And people should not be afraid to focus and speak of these associations in our society, which allows free speech, nor should they fear retaliation for alienating the rich and famous." "Adamson's fascinating bloodline hasn't gone to his head. He maintains that he's just "a simple guy. I'm nothing special," he says, but "here I am trying to solve the 'crime of the century,'" for which "there is no statute of limitations on murder."
...
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It's a book that reads quickly and one that is difficult to put down once you start to read it. All the events progress rapidly as history is being made in parallel.
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Sam Gribly is a boy who grows up living off the land, and Frightul is his trained peregrine falcon who will always stay close to his heart. Sam learns that it is illegal to harbor an endangered bird of prey, and Frightful is taken by two men posing as state game wardens. However, they are really bird kidmappers. Fortunately Alice, Sam's sister, soons finds and frees Fightful. But Frightful isn't prepared to be a wild bird. She has never had to feed herself, does not know how to mate, brood chicks, or migrate in the winter. Can she survive the many dangers that await her in the wild, esspecially power lines? Will she ever be reunited with Sam? If this sounds interesting to you, then read all about her exciting adventures and find out what happens in the end!
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The correspondence between Gottlieb and Toole, however, is worth the price of the book, and that's why I recommend it to friends. Mr. Gottlieb has the distinction of being the only person in publishing who was in a position to evaluate Mr. Toole's manuscript based on its merits. His sensitive yet honest appraisal of the book is, in my humble opinion, right on. "Dunces," in its published form, is a funny but highly flawed novel, certainly not worthy of the lavish praise and prizes that were bestowed upon it by those intrigued by the book's tragic circumstances.
I trust that even if other readers don't agree with Mr. Gottlieb, they'll at least see him in the light of truth rather than as the cariacture created by Mr. Toole's demented mother.
The authors are to be congratulated for doing their best with very little material. I finished the book with a better understanding New Orleans society. Alas, I wish I also had a better understanding of Mr. Toole.
So when I saw the biography of J.K. Toole, the author and suicide, in my local bookstore I had to buy it. I did not anticipate, though, being so swept up. The authors do an outstanding job compiling the minute details of Toole's too-short life, which could not have been easy since he was unknown and until well after his death. I was surprised how interested I could be in his grade school years-- although that is in large part owed to my fascination with Toole going in.
The key mystery to me has always been about Toole's relationship with Robert Gottlieb. For an unpublished novelist (indeed he had barely published anything) to gain the attention of perhaps the leading book editor of his genration is incredible. What happened? Why was it not published?
It's hard to fault Gottlieb. His letters-- reproduced over his own initial objoections-- show his committment to the book. On the other hand, his objections to the book-- that it lacked "meaning"-- were, however sincere, maddeningly unhelpful and unspecific, as he admitted.
Thelma Toole is presented as a domineering, overbearing, grandiose nutcase. But her successful effort to finally have the book published shows a great strength. It's actually inspiring.
Toole eventually killed himself after despainring of the book ever being published. This "failure" hardly explains his act-- how many failed authors go on with their lives or write a second book that is published? Suggestions are made about his homosexulaty (closeted) and his finances (bad since he had to support his parents). Neither is enough. But the events leading to the tragedy, the descent into madness, are touchingly detailed.
One mystery remains. Nevils and Hardy, also first time authors, show that Toole was an excellent student, though hardly a world-beater when he ventured beyond New Orleans. They reproduce many of his letters. While the letters are fine, there is not a single inkling of either the prose style, the imagination, or the comedy that is on every page of Toole's novel. Though we are told constantly how funny Toole was in real life, we never see it. Where did the genius in the book spring from, and why was it not eviedent in any of his other work?
A chilling thought occurred to me towards the end of the book. The authors reproduce a letter from Thelma Toole to her lawyer. Shen concludes a trademark harangue: "My nervous system is drained by this harrwoing legal matter." That's Ignatius all over.
Is it possible that Thelma had a hand in the book or was-- even weirder-- it's ghostwriter? It's a bizzare notion and I have not one shred of evidence to back it up. But throughout the biography, Thelma is portrayed as not of the sensibility to even appreciate the book or its humor. Yet she is the one person-- including J.K. Toole-- who had the strength and faith to see the project through.
In the end, I recommend "Ignatius Rising" to anyone who read "Confederacy" and loved it. As to those who read it and did not love it, they lack all sense of taste or decency. As to those who never read the novel, read it first, then read the biography of the tragic author who (probably) created it.