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you don't take the risk of going to the boards inadequately prepared or with older information.
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A violent storm erupts in the night and doers of dark deeds are afoot.
The story holds one's attention, with scandals, interlocking clues, and bodies piling up like cordwood. No surprise ending, though. Police procedure and forensic evidence lead doggedly to the truth.
There is quite a cast of characters in the book , and James develops many of them well enough for us to get a sense of them as people. Not least among them is Emma Lavenham, a young Cambridge scholar who is at the college to teach a seminar on metaphysical poets. Of course we all know that Dalgleish is a poet. By book's end, we see that Dalgleish's solitary personal life is about to change.
Although her writing is somewhat melodramatic, P.D. James knows how to tell a ripping good story.
Mystery purists will complain that the book reveals the villain too early. Actually, there's a benefit, because it allows the book to take on the dramatic qualitites of a fine novel, as well as a mystery.
I delayed reading this book because the title didn't really grab me. I don't know much about the Church of England, and felt that I would soon be lost. Actually, although I probably didn't grasp all of the details, the religious context did not cause me to lose the thread either. Although set at a theological college, the story deals more broadly with issues throughout society.
The book opens with a fascinating literary device. A college staff member, Margaret Munroe, has found the body of a young student (ordinand) at the college buried under a pile of sand from a collapsed cliff. To ease her distress, she has been asked to write an account of the experience. Her exposition develops her character as well as the background of the book's story. This section serves like one of a pair of bookends to be matched at the end by a letter from the villain explaining the events described in the book. From these two examples, you can see the care with which Baroness James has developed her characters and story. You will feel that you know and understand quite a lot about over a dozen characters, and most of them you will find interesting and attractive to know more about. In most cases, some of the story will develop through their thoughts so that you can get inside of their reality.
The book has much more action than the typical P.D. James mystery, and thus makes it more modern in that sense. On the other hand, she pays close attention to the classic elements of mysery by making it clear that the events are tied to someone in residence. You will be reminded of And Then There Were None in many ways, although I found this novel much better done than that Dame Agatha Christie classic.
Adam Dalgliesh had visited the college, St. Anselm's, when he was young, and has a reunion with the former head of the college, Father Martin. That connection brings Adam Dalgliesh inside the story more than usual, which is all to the good. He is involved in an unlikely way. The dead ordinand, Ronald Treeves, was the adopted son of Sir Alred Treeves, a wealthy munitions industrialist. Sir Alred wants to know more about the circumstances, and asks Scotland Yard to send Dalgliesh, the Yard's most famous commander, to check it out. Dalgliesh has planned to take some personal time to visit the area and agrees. Through a series of unusual circumstances, the later investigations become his officially as well.
The plot is delightful in that Baroness James continually gives the reader hints before the investigation turns them up. Yet, the plot remains obscure enough that although we know about more crimes and complications than Scotland Yard does, we still don't know who did what until she chooses to raise the curtain for us. It's a nifty bit of slight of hand, while making the reader feel welcome.
Dalgliesh's connection to poetry is nicely placed into the story in a way that will delight long-term fans of this element of his character.
After you finish reading this story, you should think about how actions you have taken or could take in the future could have unintended, negative consequences. How can you avoid those potential consequences? How can you help others prepare for them? Those issues are at the core of the moral of this story, and are good food for thought for us all.
Take a bow, Baroness James. You deserve it!
There is romantic, even incestuous, human fraility in this four part novel. There are jealousy, animosity, cross purposes, greed, deceit, anger, depression and revenge at work. Each character is skillfully drawn, especially those that are linked with Dalgleish's past and present, and the setting exacts added suspense to a seemingly pastoral setting.
The decline of the Arbuthnot estate's endowed theological seminary is central to the plot. One can guess that each character is linked to that demise in some fashion. And just as in a good Agatha Christie novel, the characters are tied to one another openly and in disguise, and await the skillful unraveling of the poetic and sensitive intellect of Dalgleish and his cohorts Kate, Piers, and Robbins.
Such a pleasure to relax into a well-written tome! James makes Dalgleish a friend of the reader, a character come to life, someone we know and willingly follow into a mystery that needs solving.
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In reading the book I think a little bit of a democratic bias comes out, just a little, but enough to notice. I also thought it interesting that they had far more details of the Gore group then the Bush camp, it follows the perception that the Post is somewhat liberal in its views. The book is an overview that came out almost 10 minutes after Gore hung up the phone on the second concession call so there are a few more details out now that they did not get in the book. Overall it is a good effort and a readable book, but not the end all be all on the subject.
Conversely, though, Deadlock was a well-written book. Two passages are worth noting. The first is about the book itself. About one-third of the way into the first chapter the book says: "These are the ... decisions, alliances, power plays, snap judgments and personality flaws revealed when a flukishly close election is played out for staggering high stakes. Both sides were nimble and brilliant and occasionally shady; both sides were also capable of miscalculations, divisions and blame. The best and worst of politics were on displayed in those 36 days, and both sides trafficked in each. This is how it happened." Although the Post endorsed Al Gore (no surprise) they tried to be equal in their appraisal of how the two campaigns sought resolution in their favor.
As for the two sides' strategy one only has to look within the first three pages of Chapter 2 where the Post records that the Democrats enlisted the services of three authors who wrote "The Recount Primer". The book reads: "Anyone who read and heeded the booklet could predict how the two sides would play America's closest president election -- at least in the broad outlines. Gore would gamble; Bush would stall. Gore would preach a doctrine of uncounted ballots; Bush would extol the dependability of machines. Gore needed more: more counting, more examination, more weighing and pondering of more ballots. Bush needed it over while he was still ahead." The only trouble for the Gore forces with this gospel was that the Republicans knew the same gospel. The book attempted to show how the two sides played out the roles assigned them.
For a behind the scenes objective look at the two sides, I think the Post did a very decent job. This could have been a... job on the Republicans and conservatives, but generally it was not (though I expected it). It could have been a... job on the Democrats and liberals, but it was not (nor did I expect it). I am not accustomed to this degree of fairness from the liberal Washington Post nor do I expect to see it very often in the future.
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Anyone who reads Burke's prose should be impressed by his unusual gift for verbal description. His ability to paint word pictures of places, characters, moods, and feelings is exquisite, and for this reason alone a reader might plow through the entire story. However, the plot construction of *The Neon Rain* is so anemic that I would not be surprised if many of those who read this New Orleans-based story simply refuse to go on to the subsequent stories set in New Iberia. This is a shame, since most of these later works are excellent mysteries in which the stories are far more complex and engrossing.
In this novel, and to some extent in all of them, Burke employs a formulaic approach in which his protagonist veers from crisis to self-inflicted crisis (in pursuit of righteousness and justice, of course), with the narrative invariably punctuated both by breathtaking descriptions of places and people (and also meals), and periodic episodes involving bloody mayhem. After a while it gets pretty predictable; in his later works, however, Burke develops story lines that are sufficiently interesting that he can make the formula work, at least most of the time.
It should be noted also that Burke demonstrates throughout his *corpus* an admirable sympathy with the downtrodden and disadvantaged both in America and abroad, along with a sneering dislike of the rich and powerful. This political aspect of his writing is certainly unusual within the detective genre, and for me, at least, is highly refreshing.
So, should people seeking a great detective novel read pick up *The Neon Rain*? Yes, but ONLY if they resolve beforehand to view it as a kind of "prequel" to the higher quality Robicheaux novels that follow.
Neon Rain is not the best book of the series. In my opinion the best are In the Electric Mist with Confederate Dead and Dixie City Jam. If you are like me you are thinking of reading this book after you have read some of the later novels. I started at Dixie City Jam and worked my way back. So I agree that in the scheme of things Neon Rain is not the best in the series, but it is a great start to a great thing.
To read about David as a cop in New Orleand working with Clete. To see how it all began.
So in short, this is a great series. I recommend reading some of the later books and going back to this one.
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