This commentary on The Psalms is a treasury of Puritan thoughts. I Praise the Lord that He led a man of such caliber like Spurgeon to collaborate articles on such a blessed book.

Along with Spurgeon's beautiful facility with language, this also has a surprisingly easy format to follow. One need not search in vain for the verse that he is looking for. Nor will one run out of meat if preparing for the sermon or Bible study. Spurgeon has provided the best advice from the best teachers in the best volume on the Psalms. If you are not a pastor or teacher and you are looking for devotional material, this is the cream of the crop. Because the Psalms are prayers, and Spurgeon is the master of prayer, then your soul will be stirred as he speaks of prayer. Reader be blessed.

Charles Haddon Spurgeon was England's Prince of Preachers in the nineteenth century. Today he is still one of the most well-known and loved authors in the English language - with more of his books and sermons in print (over 100 years) than any other English writer. However, I am not endorsing his works simply because of his popularity or any man's for that matter. I am recommending the works of this man because he is one who listens to God.

The Treasury of David is Spurgeon's Magnum Opus. If he had not written anything else apart from this masterful commentary on the Psalms, he would still be considered among the greatest Christian writers of all history. Students of the life of Spurgeon would know that he was not a strict academician. However, in all sense of the word, he was a man of learning who was acquainted with much of the scholarly issues of his times. Ultimately, he was a man who listen to God and labored for God's honor among men. This Treasury is the supreme monument to his 21 year labor.

In the compiling of this Treasury, Spurgeon read up hundreds of theological texts and commentaries (much of which was quoted among his own notes and comments). In the original edition, Spurgeon also included his "Notes to the Village Preacher" on every Psalm - showing that Spurgeon will always be very important to anyone who wishes to speak from the Pulpit. I believe, however, that the worth of this book is even more for the lay student (Spurgeon's heart beats for them the most throughout his life). He attempted to share with them the best scholarship of his time and to lead them beyond scholarship to the worship of David's God. Reading this volume led me into worship of the same God - and I will never recover from Him! I exult in Him!

We will see, as many other readers have seen that the greatest treasures of the ancient Israelite Kingdom was not the Temple that Solomon built, the gold and harem that the kings acquired nor even the Ark of the Covenant (that so many modern authors are speculating about) but these simple, unassuming songs that came from the worshipping heart of Israel's King David and his fellow worshippers. In this Treasury, we see a prayer for every occasion. We see the entire spectrum of the spiritual man's experience - penitence, courage, humiliation, power, confidence, exultation, doubt, weeping, laughter, awe, dread, fear and ultimately worship. Rightly did Faber exclaimed, "The Thought of Thee is almost prayer". This volume brings together the worship of David to Jehovah and Spurgeon to Jesus showing that they were both ultimately worshipping One same God. "Hear O Israel, the Lord thy God is One Lord".

The volume I'm reviewing here is an update of the original 7 volume set written in Victorian English. What we have here is the result of Roy H. Clarke's 10 year research into the life and writtings of Spurgeon. For those of you who distrust any update of a classic, rest assured that the work done here is exemplary work. Clarke has too much respect for Spurgeon to ever water down his words - every word by Spurgeon is here (only archaic words are replaced with modern English usage of the same). Clarke did not water down Spurgeon's words with the language of commerce but allowed the spaciousness, reverence and expansiveness of Spurgeon's English to be retained - and to speak afresh to us today in language that we can understand. Clarke removed most of the quotations from the other commentators in Spurgeon's original volumes and included only the most significant in this volume side-by-side with Spurgeon's own notes (something only done in this volume for the first time). Finally, the original notes of preachers are now presented in outline form according to the outlines for Spurgeon's own sermons (something that Roy Clarke himself spent his 10 years studying). Reading this volume makes me want to seek out the original 7 volume set (still in print) but I would say that even for those who have already read the original, this volume is still very valuable - for its dynamism, its freshness and as an aid by which we can listen to a man who listens to God.

It should be noted first, that the look of this book may have spawned that primary & pastel coloured graphics look that culminated in those dodgy Culture Club-esque album covers of the 80's.

This is, however, not a bad thing. Remember that Bowie himself spawned Icehouse, Bauhaus (and therfore 'the fields of the nephilm'- a gothic embarrasment from the UK that mass cringing couldn't drive away)and a whole gamut of pass the sick, or make up, bag 'artistes'.

The photos were a revelation, in terms of size and quality, when first published and it must have been obvious to Eel-Pie (Publisher owned by Pete Townsend) that sad spotty but 'different' - i.e. couldn't score chics - schoolkids like myself were going to buy two copies at a time. One for perusing and dripping saliva on and the other for the bedroom wall. Some of us particularly sad types bought three, as some pages had 'crucial' snaps on either side.

In fairness, up until then in the UK (or at least Scotland) there were about 20 unofficial Bowie books that you could buy. All of which had little of written interest and shared the same newsprint qualiy black and whites. Face it, the photos were all that really mattered. As soon as I had parted with my pocket money, the cellophane wrapping was aibourne and my mums scissors were gummed up with cellotape as I added the latest installement to the 'installation (conversation?)piece' that was my bedroom 'collage'.

Once I had bought my third copy and actually started to read the thing (only joking, I read the second one before I cut it up) I realised that this was not going to be the same old cliche ridden sychophantic drivel that I was used to swallowing so gratefully. When you are a young teenager and your mates periodically want to beat you up 'cos you listen to a poof', it can be quite comforting having some hack confirm to you in print that 'the chamelion of rock' is actually the second coming in mascarra. Like, it says so there so it must be true!

How refreshing then, to read a book that praises and ridicules Bowie in fairly equal measure, even though it's obvious that Carr & Murray love 95% of the music they are critiquing. I didn't agree with all of their observations and conclusions, but neither I or the authors should mind about that. This was then, the first music publication that for me, made reading it feel like an adult pursuit. Just before I cut it up and used it to cover every inch of my bedroom.

Two more things, 1. If you buy a copy, you will need a bigger coffee table 2. I wish I had kept one.

The book is the size of a record album. Of all my Bowie books, it has held up the best (no pages falling out after all these years) and is as fresh, information-wise, as the day I purchased it. It contains giant size, full-color pictures of Bowie during many stages, up until about the late seventies. It comes complete with discography, and many pictures of international albums he has produced. It is THE definitive guide on Mr. Bowie.

For Westerners who've had a taste of Buddhist practice or insights, there comes a moment when we must look back on our own cultural heritage and wonder, "What the hell happened?" Why this long 2,500 year detour into dominating nature and building social empires? Why this absorbtion into disconnected individualism? Loy's book is exciting trailblazing into the emerging field of putting Buddhist concepts to work to decode history. Highly recommended. Gassho.

The message is simple, and the illustrations stunning. This is a great way to introduce children to environmental issues and concerns. I have found that this book is also hard to find. Love the art work by Roy Vickers.

I have done my doctoral dissertation in negotiation and have read hundred of books and articles in this subject. "Essential of Negotiation" is the best general book dealing with negotiation. Great coverage of the subject. No doubt it is a great investment for practitioners and academics. You will not regret!

Excellent source for both students and professionals on monitoring for amphibians.

Unlike most classic Chinese literature,the Chin P'ing Mei breaths with surprisingly real characters with timeless motives: love, hate, fear, ambition, sex... If the soap opera existed when the book was written, The Plum in the Golden Vase would have had a following equal to Dallas. Not only are the book's characters sympathetic and fully developed, one actually cares about and identifies with them. Roy's translation reads more like a modern novel than a beloved Asian classic. Unlike earlier translations which sought to spare the reader some of the randier details of upper class private life, Roy presents all the particulars in a matter-of-fact manner that even today has the power to astonish the modern reader with it's open celebration of decandance. A great deal of the intended social commentary concerning the moral and spritual corruption of the time period will be apparent only to Asian historians and scholars; however, as with all great works, it may be read and enjoyed on many levels. To non-Chinese readers, keeping track of the multitude of unfamiliar names can be a problem, but there is a complete index of names included in the book but, although irksome at times, it is possible to keep track of everyone, even the servants,in this sprawling, epic work. I can't think of a better introduction to Chinese culture and history than the Chin P'ing Mei. Here's hoping the publication of Volume Three is not long in the making.

Microcase's workbook explains, in simple terms, how political scientists use statistics and the scientific method to explain political and social phenomena. The workbook in itself is a terrific accomplishment. The hands-on exercises, however, are what really bring the concepts home to the reader/student. Using real social and political data, Microcase leads the user through real statistical explorations. It's a great tool for teaching, makes a good independent-study course, and would be an excellent way to learn a little about the "science" in poli sci on one's own.

This is an excellent reference book, scrapbook, and trivia book combined. Excellent pictures.

This is the book to read if you want to taste medieval Chinese culture: Salty love poetry, sweet wickedness, sour decadence, bitter philosophy, oily sex, all rolled up in a ginger and garlic spiced, fleshy bun. Roy lets you savor all the ingredients and, with a healthy sprinkling of notes, let's you peruse the cornucopia that inspired the recipes. Bon apetit for this first course of five.

David Tod Roy has done Chinese literature proud by producing a scrupulously exact translation of this classic in Chinese erotica. Like what a previous reviewer says, it is "clear and precise", bringing out the naturalistic details of the novel fully to the reader; yet, for all its accuracy, it reads exceptionally well. For introduction, Roy has written a well-argued essay on why Jin-Ping Mei should be read as didactic literature, not as mere erotica, as it has for centuries. Jin-Ping-Mei's checkered history in Chinese literature doesn't disguise the fact that it is a very well written (and detailed) account of the rise and fall of an extended household, made obvious by corruption and its list of licentious dealings (both in Ximen Qing and his harem).

David Tod Roy's translation of the classic 16th century Chin P'ing Mei is awesome and right on the money. The story leaps off the pages - this is how this famous vernacular Chinese novel was meant to be read! Every element of the story is clear and concise in Roy's translation, allowing the reader to enjoy the plot and the fascinating characters.

To briefly discuss the storyline, Chin P'ing Mei is a "spin off" from the classic Chinese novel Outlaws of the Marsh, and focuses on the trials and tribulations of the conniving seductress Pan Chin-lien and the new life she leads after murdering her husband. Some scholars of Chinese traditional literature will not like this allusion, but the story reads like a modern-day soap opera. The characters are lusty and scheming, and the general climate is electric. The general plot follows the intricate daily triumphs and frustrations of Hsi-Men Ching and his 'harem" of six wives and concubines (among them Pan Chin-lien). The story is rife with inter-household competition, infidelity, corruption, domestic abuse and eroticism. Characters are well developed, and the scenery is vivid. It provides a fascinating glimpse into the lives of the merchant class in 16th century China. It is easy to see how this novel has captured audiences for 400 years - and David Tod Roy's excellent translation will no doubt help it to endure for many more years to come.