"Eight American Poets," edited by Joel Conarroe, is a fine anthology. The introduction notes that this book was "designed as a companion volume to 'Six American Poets,'" also edited by Conarroe. "Eight" follows the same plan as "Six": rather than anthologize a huge company of poets who are represented by only a few pieces each, each of Conarroe's books focuses on a relatively small group of poets, each of whom is represented by a substantial selection. Conarroe's approach allows the reader to get a fuller feel of each poet in the anthology format.

The poets of "Eight" are Theodore Roethke, Elizabeth Bishop, Robert Lowell, John Berryman, Anne Sexton, Sylvia Plath, Allen Ginsburg, and James Merrill. Each poet's work is prefaced by a substantial individual introduction.

There are many masterpieces in this book. Curiously, I found the most compelling poems to be those that focus on nature: Roethke's "The Meadow Mouse," Bishop's "The Fish," Plath's "Mushrooms," and Merrill's "The Octopus." Poems like these combine skillfully used language with keen insight, and reveal these poets to be true heirs of Walt Whitman and Emily Dickinson (two of the featured artists in "Six American Poets").

Overall, I felt that "Eight" was not as strong as its sister volume, "Six." Although there are many poetic masterpieces in "Eight," there is also much material which, in my opinion, hasn't aged well. The so-called "confessional poetry" of some of these writers strikes me as overwrought. Some of the longer poems failed to resonate with me. I was particularly disappointed by Berryman's "Homage to Mistress Bradstreet," especially since I am an admirer of Anne Bradtreet's own work. Admittedly, this criticism may merely reflect my own personal tastes, but I submit it for the reader's consideration.

The fact that so many of these poets either wrote about each other, or pop up in the editor's introductions to each others' work, sometimes gives the book as a whole a creepy, incestuous feel. And the fact that so many of these poets committed suicide, had long-term mental health problems, and/or suffered from addictions further gives the book as a whole a rather morbid feel. On second thought, maybe this group of eight is a bit problematic!

Still, editor Conarroe has assembled an impressive anthology that I would recommend for students and teachers, as well as to a general readership. Although a mixed bag, "Eight American Poets" contains some truly enduring work by an octet whose legacy is secure.

.........the best known and loved poetry of eight well-known twentieth century American poets. Includes well known poems such as Bishop's "The Fish", Roethke's "My Papa's Waltz", Berryman's "Dream Songs", Merrill's "Lost in Translation", Sexton's "Ringing the Bells", and many others.

Like Conarroe's "Six American Poets", the anthology introduces us to each poet with a short biography that is presented before the poet's work. We learn about their lives and come to understand some of the primary forces that have shaped their poetry. I have found that this greatly enriches the experience of reading poetry because I better see the struggles that lead to each individual creation. After each collection, Conarroe offers a list of books and anthologies where each poet has been published so that we, should we wish, can come to know the work of a given poet much better.

This anthology is a wonderful starting place for someone who, like me, desires an introduction to some of the greatest American poetry ever produced. Personally, I feel, after reading this anthology that I have come to truly appreciate the work of Elizabeth Bishop and Theodore Roethke, in particular. I had never known their work well, but suddenly each jumped off the page at me, Bishop for her wonderfully vivid descriptions and Roethke for his intensely moving subjects. Plath and Sexton also really spoke to me, their work so reflecting their lives. Overall, this anthology is superbly worthwhile reading!

Ah, a fine comparison and contrast in studies on the eight best American confessional poets ever. Kudos to the editor on a fine choice of poems, and candid biographies on each poet. Sylvia Plath, Anne Sexton, Allen Ginsberg, John Berryman, Theodore Roethke, Elizabeth Bishop and the other guy, here's to you.

Knowing that this book was written by Theodore Roosevelt makes it an important book regardless of the actual text. TR's influence on the strategic importance of seapower can be traced back to his feelings as a young author. The book itself was tedious and not very inspiring. It's interesting to glimpse the feelings of the young, strong, post-Civil War American writing the book. As far as a history of the War of 1812, you can do much better elsewhere.

In a time when patriotism is passe, reading this book can redden the stuff in any American's veins. Our Navy's often-victorious battles against a superb and numerically superior foe ranks with the Athenian victory at Marathon in the annals of honor. Roosevelt was a natural storyteller and a first-rate scholar. Like JFK two generations later ("Why England Slept") this work was the product of a young twentysomething Harvard grad (JFK was actually a senior) that commanded serious attention nationally, and presaged a later rise to the summit of public life. Roosevelt's research is exhaustive, but not tedious, thanks to a vigorous prose style that carries the reader through a mass of detail without losing sail. The digression on which nationalities make the best seafarers would no doubt be considered un-PC today, but, as a general characterization of national characteristics, they arguably hold true. The author's final chapter, on the Battle of New Orleans, forshadows future policy, in that his criticism of the unreliability of the militia were embodied in the reforms that fully Federalized the National Guard, as the Dick Act of 1903. (Doubtless, his Spanish-American War experiences contributed to his desire to supplant the 1793 Militia Act, as well.) This book rests on my shelf, next to Mahan's "The Influence of Sea Power Upon History," and O'Brien's Aubrey-Maturin novels - as is fitting for an historical work written in the spirit of high adventure and studded with minute detail. -Lloyd A. Conway

This very well-written account, surprising from a youth of only 23, gives balanced portrayals of most of the major sea battles between the fledgling American navy, and the Lord of the Seas, Great Britain. In it, Roosevelt backs up his praise of American maritime ingenuity and the seaworthiness and discipline of its sailors with proofs, citations and cautious but sound reasoning. In each, diagrams of the engagements are provided, as well as other documented statistics, without overloading the reader with details, yet there are plenty of those. Roosevelt describes the handling of each ship and the actions of its captains with minute detail, without being, to the layman, purely technical. Although Roosevelt beats the patriotic drum, he also swings a corrective switch, against our commanders and our partisan historians, when their actions are faulty and objectionable -- a fact which underscores his fairmindedness and the authenticity of his rendering.