Kahn's words in this book are very wise.

For just one example: The reason a city might deserve to exist is not due to packing a lot of warm squirming bodies into a small cubic footage, but rather to be a place where persons can explore things that interest them beyond the requirements of reproduction of individual and species life which determines peasant (and other non-urban) life.

A city is a place where a young person, as they walk through it, observing various master craftspersons at work, may find something they *want* to do for their whole life (not just something they *have* to do to earn a "living").

This is remarkable stuff, especially when we compare it with the ethical vapidity of postmodernism. Read this book and then see how the "world" you live in and the architects who designed it shapes up. Do you live in spaces which nurture creative human association? Or do you live and work in "decorated sheds" that put sugar coating on places that make you and your loved ones be banal?

If you're someone who's interested in architecture,but don't seem to get the hang of it, the word of Louis I. Kahn might help. I was a sopmore when I read the book , classes were a bit blur to me,it was like seeing an image but not sure of what you were looking at. But this book put things in a way that incouraged me as a student , to see the many concepts from life that concerned an architect, and how an an archetect was more of a artist of living, a thinker than just a constrution manager.

This book lead you into the complex world of Louis I. Kahn, letting you understand his personal way to intend history of architecture as a contemporary world of "figures", or "ideas" that the architect's mind can renew and tranform in completely new projects. Kahn will conduce you trhough the ancient ruins to discover their actual life in today architecture.

Louis I Kahn is and has been thought of as one of the greatest Architects of his time, and an exemplary thinker. This book is excellent for a student who wishes to seek beyond the asthetics of architecture and begin to touch on the philosophies of this way of life we call architecture, and see it how it can lend itself to the "institutions of man"

i want some more pictures about his designs if u can plz help me thank u

Klaus-Peter Gast's book provides a geometric analysis of Louis Kahn's buildings, as well as an in-depth analysis of Lou's personal way of building with deep respect for the great architectural periods of the past.The author's geometric drawings/diagrams & text - coupled with brilliant photographs and Lou's drawings - take Louis Kahn's buildings/structures beyond simple tracing and observation:this important book takes us on a fascinating journey through Louis I. Kahn's intelligible and organic geometrical equilibrium, to the structurally ordered whole and the powerful & enigmatic monumentality of Lou's masterpieces.A serious and carefully crafted publication that requires commitment and visual attention.A truly monumental book!

Incredible photographs of vernacular Mediterranean architecture by world renowned architect, Myron Goldfinger. Visually stunning and wonderfully inspiring! A classic for every student of modern architecture.

In one book, you can see through Kahn's famous works, like Salk Institute of Biography Reaserch and Yale Center for British Art. Nice photos and descriptions. This book can be the beginning step for approaching Kahn's philosophy of architecture. He say, "Existence will determines the every nature of things". He used the simple forms to establish a fine-art-class architecture style. Kahn's works could be said as "Simple in FORM, but not simple in MIND."

A beautiful book...It's filled with so much information about Kahn's major projects. Interesting, well-written text and dozens of sketches and model photos accompany each major project. I'd never heard of Grant Mudford, but his big, color photos are beautiful. There's a list of all of Kahn's projects and buildings from the 1920s until his death in 1974, and a section of Kahn's travel sketches and artwork. The pages are large, the print quality is impressive, and the impeccable graphic design, by Massimo Vignelli with Abigail Sturges, suits Kahn's style perfectly. And it's a good buy, too.

So I'm looking through this book of photographs of unbuilt projects, and gradually I realize. . . I'm looking at photo. . . . graphs of. . . unbuilt projects. They're great-looking photos, too. There's a building at the Salk Institute in La Jolla which I know isn't there, and another Jewish memorial NYC which I don't think exists, and they look great.

What Kent Larson has done is a simple, powerful, cool idea that took a lot of time, energy, MIT architectural thinking, and SGI computing power to accomplish. Larson first pieced together a reasonable paper version of each structure, then assembled a 3-D virtual model of that structure, then had to choose the best virtual camera angles under the best false sunlight for the best portraits. Larson went as far as using high-resolution photographs of existing Kahn walls to skin these virtual surfaces, and added a patina of wear and tear, just to make it more convincing.

So Larson's work is the result of a lot of a helluva lot of choices. It helped the interpretation that Kahn preferred a limited palette of building materials - like concrete - which helped Larson orchestrate this score. It didn't help Larson that Kahn was known for his close attention to lighting effects. All that lighting took the most sophisticated possible CAD/CAM rendering on SGI hardware.

But the payoff is - shocking. You get bright sunlight, soft counter-reflections, complex reflections in glass (the glass-block Jewish memorial is the showboat piece in that respect). You have to see them to know how much you want to believe them, if that makes any sense. To know how much you'd like to visit these six new Kahn buildings that will never exist. In a weird way, this project advances Kahn's career and reputation, not only from beyond the grave, but lapsing over into architectural cyberspace.

Larson has not only demonstrated superb skill in computer rendering but also a much deeper understanding of Kahn's architecture. Reviews by Scully demonstrate the histrorical development of Kahns work & Mitchell has done a fine job of giving the analysis. This book will help in establishing some standard for presenting unbuilt works of architecture in the future.

Format of the book is good in its simplicity although some reference to drawings would have made it a more comprehensive study. Great book ... a collecter's item for all "Kahnian's" across the world.

This is not just another architecture book. It is also a beautiful photography book. It is astounding that these luminous images are of spaces that were never built!