9-11: Emergency Relief is a benefit book that is filled with true stories from September 11th. They range from touching, to infuriating, to thought-provoking, and the list of creators reads like a who's who of Indy Comics: James Kochalka, Will Eisner, Tony Millionaire, Harvey Pekar, Tom Hart, Joyce Brabner, Ted Rall, and literally DOZENS of others. Besides being entertaining, and raising money for the Red Cross, the book fulfills another important purpose: It stands as a reminder of a day we must NEVER forget. God Bless America!

I am glad I went on impulse because both the presentation and the book throughly examines intersections of race, gender, ecconomic status while imploring all of us to work together for the proverbial betterment of human society. What it lacks for in volume it more than makes up for with substantive content and heart-wrenching insight.

Alternating between detached reporting and personal narratives, this story chronicles the best and the worst of human condition. Just because it is easy to simplify things into a 'soundbyte binary' does not mean the action effectively generates learning, indeed such labeling effectively stops the process.

Without dilluting Byrd's saga, the author also recounts her complex feelings during the investigation. Briefly living among the residents of Jasper Texas in order to complete the book, she learned good people come from all backgrounds and there was no shortage of townspeople (including the law enforcement) who roundly condemed the act.

Includes over 800 entries, illustrations, synopses of books and chapters, biographies of Joyce and his contemporaries, bibliography, a very useful index, as well as the text of Jude Woolsey's ruling to lift the ban on "Ulysses." The writing is clear, wide-ranging, and complete without bogging the reader down in minutiae. Not as thorough as the encyclopedic "Ulysses Annotated," but very useful in disentangling Joyce and his works without great effort! Written by a Professor of Theology and English at Molloy College (and vice president of the James Joyce Society), and a professor of English at Marquette University.

Elvis, the Beatles and Marilyn Monroe have received the A to Z treatment in which every aspect of their lives and works have been reordered alphabetically, so it was only a matter of time that the mania would spread to lesser figures in our popular culture, in this case Mark Twain, James Joyce and Virginia Woolf.

This series of three books, originally published by Facts On File and now updated and reprinted by Oxford University Press, combines facts culled from the writers' lives and works, shakes them up thoroughly, and recasts them into easily locatable entries. The result is an addictive pleasure, a page-turning odyessy for anyone interested in learning more about their favorite writer.

At 304 pages, the Joyce volume is the smallest of the trio, but what it lacks in size it more than makes up by offering extensive commentaries on "Ulysses" and "Finnegans Wake." Those who have tried to read these modernist (or post-modernist, the argument still rages) classics have quickly recognized the need for assistance. For "Ulysses," the Joyce volume reprints Joyce's chart that lists each chapter's time frame, location, symbols, technics, organs, art and correspondences to the original. Each chapter is given its own entry, which describes the action, Joyce's intentions, and clairifies points of Dublin's history. As one who attempted "Ulysses" solo, and suffered for his sin, I can speak with authority that this volume would have saved me a great deal of agony. I only wish they had abandoned their schema and combined the chapter descriptions into a single, lengthy appendix.

No detail is too small to escape the editors. There are also entries on Gustave Flaubert, an influence on Joyce's writing style; Throwaway, the race horse whose victory in the Ascot Gold Cup figures in "Ulysses," and the Volta Cinema, Dublin's first movie theater, which Joyce helped to open.

In short, this guide can help the Joyce reader move through the complexities of his work without feeling like you've earned a Ph.D in comparative literature while you're doing so.

As an English prof in NYC, I use this book in a Modern Lit class studying new writing published in the last decade. Not a single book is from a large commercial house - they are all from small presses.

In this era of sound bytes, 3 minute music videos, 100 minute movies and 200 page cookie-cutter novels, there's little new of any real substance coming into the culture. Thank heaven for the small presses that publish books like these. Joyce James is going to be one of the few female writers/bards/thinkers to be remembered from the late Twentieth Century American cultural wasteland.

*Carroll is presumably the undisputed inventor of the portmanteau word: a word with multiple meanings. Carroll was content to have dual meaning while Joyce packed as many meanings as possible into his words.

*Carroll also worked with successive alterations of one letter in a word: meat, meet, mate, maze, etc.. Sections of the Wake which referenced Carroll would routinely incorporate this technique.

*Alice also served as an alterego for ALP, where "Wonderlawn" = the Garden of Eden.

In short, Joyce found lots in Carroll's work which, (in the case of the portmanteau word, to his surprise), neatly "dovetallied" with his own "work in progress".

BATW is a fascinating and well-written collection of many more such analyses, (Shakespeare, Blake, Vico, etc...) and does not promote tooth decay.

For more Ellman, I highly recommend his collection of essays, "a long the river run."

There are two failings, and they are minor: (1) there are still plenty of obscure words and phrases that aren't annotated (the introduction acknowledges this) and conversely (2) there are a number of things that don't need annotations that get them (particularly galling are the annotations that simply tell you that they don't know what Joyce is talking about either).

Still, an essential reference, and pretty entertaining in its own right (like flipping through an encyclopedia or Brewer's Phrase & Fable).

Also recommended: REDEFINING THE 'SELF': SELECTED ESSAYS ON SWIFT, POE, PINTER, AND JOYCE by John Condon Murray

Introduction, prefaces and notes explain how to use this book, and how it was compiled. Each episode is preceeded by a map of where the action takes place helping the reader to visualize the movements of Bloom and Stephen. Each entry is preceeded by the Chapter Number and Line Number according to the Gabler edition of "Ulysses". In addition, a fairly comprehensive index cross-references all entries. If the reader wants to find all allusions pertaining, for example, to the Book of Luke, these can be easily found. I found this Index quite useful.

Personally, I found the following method best for using the book. First, to skim through the allusions, marking those of particular interest, and then laying the book side by side with the Novel and reading the Episode.

As for realiability, I took Gifford and Seidman up on their offered Short Title List, and was able to find almost every reference, including "Thom's Official Directory of the United Kingdom and Great Britain and Ireland for the Year 1904", and have found them to be reliable in their entries.

This Book should suffice for reading, and understanding Ulysses, though many a reader may get caught up by Joyce, as I did, so that the following may be useful: Weldon Thornton: "Allusions in Ulysses", Richard Ellman: "James Joyce", Harry Blamires: "The New Bloomsday Book", Stuart Gilbert: "James Joyce's Ulysses", and of course "The Riverside Shakespeare", "The Oddyssey", and the Bible.

Campbell spent ~4 years, if memory serves, on this book. He said he finally had to get away from the Wake because everything he read started to sound as though it was from the Wake..

Having been an avid reader of Joyce for the last 5 years, Campbell's KEY is to my mind THE definitive work on the Wake. Anyone can criticize another's work, and perhaps it is unreasonable to expect a critic to be as brilliant as the victim of his wiseacreing, but to my mind criticisms of this beautiful and inspired work are rather worthless..

The Key is always my primary reference for the Wake. "Annotations" is just a phone book of references; the Key is first-rate scholarship. Infallibility is not a requirement for brilliance, assuming there is merit to criticisms of this work.

But as Joseph Campbell would say, don't buy a book because it is said to be important; buy it because it "catches" you. Campbell's grasp of the Wake is a wonderful help to appreciating the Wake in less than a lifetime.