I received this book as a birthday present last month. To say the least, I was overwhelmed with all the artwork in this book. I love it! The artwork and production animation is breathtaking! It's a really awesome book, I'd get it if I were you! You can't go wrong with "The Art of The Lion King"!!!

This book is one of the most exquisite things to come out of The Lion King. The graphics are beautiful. Most of the pictures are ones that are used for the storyboard and layout scenes. I reccommend it to anyone who loves The Lion King, or just Disney in general. Order with confidence - the book is worth much more than its price tag. It is also much more convient than the larger, more expensive version which I believe is no longer being produced.

This book is great if you like to see all the art work that was created during the development of the movie as well as the finished scenes. They show you a lot of the concept art that was used so that you get a sense of how ideas developed and gives you a glimpse behind the scenes. The book is mostly pictures with less explanatory text than you usually see in similar books. So it's mostly a book to look at as opposed to reading. It's great if you enjoy looking at animation art.

This is a heartwarming story of the power of children to warm and open broken hearts. A good story to read to children every Christmas.

This is a beautiful story. The author did a reading/slide show of this book at our school several years ago. When the lights came on, there wasn't a dry eye among the parents (and some of the kids)in attendance. I still get choked up when I read this to my children. Its truly a beautiful story. I've bought 6 copies through the years for friends & family when they have children. A must read at Christmas time.

I still read this book to my children every year and they are 14 & 18 years old. This is a wonderful book about the meaning of Christmas, and renewal of a human spirit. A widow with a small boy asks the town woodcarver to make a duplicate of the nativity set she had lost. Her little boy wants to watch the carver at work, and as he works, the little boy describes how each piece is supposed to look. From happy sheep,and a proud cow, to the important angel, smiling baby, and loving Mary, Thomas describes each of the figures, and the woodcarver captures the qualities. I have alump in my throat by the end every time I read it. You will cherish this book, I guarantee.

Very well thought out information. I find sometimes, alternative medcial practitioners have an "axe" to grind or an anti establishment bias. I found none of that in this book. This was based on logic, studies, and experience. I have suffered from a "root canal gone bad" for over a year before I discovered this information. All the doctors and dentists just shook their collective heads while I was being poisoned by an infected root canal tooth. Even after I had it removed, the problem continued. It had tranferred to my jaw and other areas of my jaw. Without this info, I do not know where I would be at this point. I am seeking the proper care and expect a great improvement.

Drs. Kulacz and Levy paint a vivid, disheartening picture of medicine and dentistry today. They write in terms easy enough for any layperson to understand, but their technical abilities shine through. Drs. Kulacz and Levy are saving lives through the spread of information and their work. Everyone should read this book.

This book boldly explores the dangers of common dental procedures such as root canals that leave lingering infection in the jawbone and may cause a host of serious medical diseases. Clear explanation of the process as well as numerous old and new scientific references support the authors articulate description of this subject. The best book that I have read on dentistry. A must read for anyone that has had or is having dental work done!

James Earl Jones, Ossie Davis, and Ruby Dee. Three of today's most prominent actors bring vital poignancy to the unforgettable words of Lorraine Hansberry.

"A Raisin In The Sun," the first drama penned by a black woman to reach Broadway, electrified audiences when it opened in 1959. Loosely basing her play on an Illinois antisegregation case which her father won, Ms. Hansberry sets her story in south Chicago. In it, Walter Lee, a black chauffeur, dreams of improving his life. He hopes to use his father's money to open a liquor store.

However, his mother is against the liquor business, and uses the money to buy a family home. Conflicts arise when someone from this all-white neighborhood attempts to buy them out.

"To Be Young Gifted and Black," a compilation of Ms. Hansberry's writings appeared not only in book form but in 1969 was produced off-Broadway.

Also included on this keepsake audio are seven of Ms. Hansberry's speeches and interviews recorded between 1959 and 1964. It is thrilling to hear her voice.

Regrettably this gifted playwright and author died of cancer at the young age of 34. Her pen was stilled but her words are as relevant and moving today as when they were written.

This is a wonderful collection of poetry readings by some of the best actors in the world. If you allow yourself only one tape of poetry, I would recommend this one. The rendition of Lawrence's "The Snake" is spellbining, and the reading of Macneil's "A Death in the Family" is quietlly gut-wrenching. And you will be surprised how well Bill Shatner recites about whales. Buy this tape, and you will listen to it again and again.

I read this to my daughter, Rachel, and she really enjoyed it. She smiled throughout the entire book. She loved the animal folktales about Bruh Rabbit, and Bruh Fox. She trembled with delight at the reading of the scary tales. As for her mother, my favorite was the title tale, The People Could Fly. It was magical!

I read this book as a child. The lessons that I learned from it have lasted well into my young adult, I am now 23 years old. The illustrations are first rate. This book should be a literary standard for all children books. Anyone with a child needs to have this in their children's personal library.

Fascinating folktales from an African-American perspective, this work evokes memories of the strength of a people to find magic, wonder, and spirituality in a time when oppression was the norm. Miss Hamilton, along with illustrators Leo and Diane Dillon, has produced a work of timeless importance. One of the few books that I can't keep on the shelves of my classroom, it is an essential for every teacher or person interested in exposing children to a wealth of literature.

This book gives wonderful background of the man who appears in many of the greatest movies and shows ever created. It shows how he overcame personal issues to succeed in his profession. I believe that this book is a good read for anyone wanting to see perserverance in action. Jones shows that anyone can do anything if they want it bad enough.

Not only do I know James Earl Jones as an actor (rather than darth vader) I respect him as a very unique individual, who touched some parts in my life. I was having difficulty in school: I stammered in school and was very shy. There were things in my life that I held back for a long time. Like James. I hope that his name will carry on both on stage and off. I definitely recommend this book to those who want to know the person and get to understand him that way. I know I do!

Mr. Jones and I are both part Irish, have a childhood history of stammering, went into acting which helped the speech problem and we may have other things in common. I very much enjoyed this book and I recommend it to others. Why only a "9"? In the middle of the book he states that he is a member of the NRA and just drops the subject. He must know full well that it doesn't jive with his life or his beliefs. But he just dropped it. A great idea for a second book: pick up this subject in the wake of the Murrah building blast and then look at the comparisons between the OJ trial and one of his signature roles, Othello

Peter Spier certainly deserves all the praise he has received for this lovely book. Still, I have to admit to feeling heartbroken -- even at my age -- by the pictures of the doomed animals for whom there is no space on board, watching the Ark forlornly as the waters rise around them.

Yes, that's how the story goes, but perhaps parents might want to decide in advance how to respond if their child asks anxious questions about what will happen to the animals left outside.

This book won Peter Spier the coveted Caldecott Medal for the best illustrated children's book in 1978. Most Caldecott Medal winners enhance the story with illustrations. But a few transcend the written material by becoming the story. Noah's Ark is of the latter category.

The book opens with a scene of brutal war on the left hand page. On the right hand page is the image of Noah tending to his agricultural tasks. The words at the bottom of the page say simply, " . . . But Noah found grace in the eyes of the Lord." Next, there is a translation of a Dutch poem written by Jacobus Revins that tells the briefest outline of the Noah saga. The rest of the book until the last page is wordless. The final page shows Noah after the flood tending to his agriculture with the words, " . . . and he planted a vineyard."

The illustrations provide nonverbal stories about Noah. You see the enormous task it was to build an ark, the difficulties of rounding up all the animals, the even greater challenges of taking care of them during the flood on the ark, and the process of returning to the land as the waters receded. By using only illustrations, you and your child have some latitude as to how you wish to interpret the story. You can be very literal, or you can be more poetic. A lot depends on how sensitive your child is. I can remember feeling frightened as a young child to realize that God could choose to destroy virtually all life on Earth.

The illustrations are brilliant for portraying perspective. The ark is made to appear enormous. Yet there are some illustrations during the flood where the ark is clearly tiny in the context of the worldwide ocean.

There are a lot of stories within the story. For example, the sequence where the dove is released and brings back a sprig of leaves from dry land is quite interesting. Many themes are carried out in a number of ways as well, including the notion of being a loyal servant. You can have many wonderful discussions about why God directed Noah to act as he did, and what the lessons are for today.

The colors and use of pen to fill in details are quite rewarding, as are the delicate individual watercolor images within thoughtfully planned out compositions. Noah has a benign and spiritual appeal in these representations that make him seem like someone you would want to spend time with. Rather than seeing him as remote and hard to understand, your child will probably appreciate Noah as a version of a friendly, supportive grandfather. The promise for the future is wonderfully captured by a gorgeous rainbow at the end. The overall feeling of these cartoons is not unlike the work of Walt Disney's studio animators during the 1930s.

One potential way to enjoy this book even more is to write out your own version of the story, as dictated by your youngster. As she or he matures, you can write new versions that your youngster creates. He or she will probably enjoy seeing these in the future, as a wonderful momento of growing up.

Another interesting alternative is to take another well-known story, and to create a totally illustrated version with no words.

Get to the heart of any important story, in order to grasp all of its meaning.

My 4-year-old son was completely smitten with this book the first time we read it. He loved to look at all the details; the illustrations are wonderful. The book beaufully portrays God's vengeance and God's ultimate love. What struck me was the accuracy of the biblical story that so many of today's Noah's Ark books overlook or twist: - the length of time the flood waters took to receed - enough time for the animals to procreate (especially the bunnies!); - that God chose Noah, not that Noah was some sort of savior who, on his own, saved mankind; - the depravity of humanity (a city on fire); - the mess and smell of animal waste and the hard work to care for the animals - it shows Noah shoveling manure.

I strongly recommend Peter Spier's "Noah's Ark" for anyone who is interested in teaching children biblical truths so often secularized in today's world and also for the beautiful illustrations and details.

Shakespeare's play, "Othello" is usually recognized as one of his "great" tragedy's (with Hamlet, King Lear, and Macbeth). It certainly has a quite exciting plot and great poetry. If you have not yet had an oportunity to read this great work, I recomend it strongly. It is still an intelligent treatment of race, family and civic duty, and sex. It also has one of the most interesting bad guys around - Iago.

I read it in the Arden edition, edited by Honigmann. Honigmann argues that Othello has a strong claim at being Shakespeare's greatest tragedy and makes a strong case for the work. He has a good introduction that gives a quite balanced and clear overview on many topics regarding this play, from the "double" time method Shakespeare uses, overviews of the various characters, as well as a the stage history. Amazingly, he can be remarkably balanced, even when he is talking about his own views. While he is a decent writer, Shakespeare is better... In the text itself, he gives quite ample footnotes to help explain the language, why he picked particular readings, as well as where themes came from...

Like all scholarly Shakespeare editions, the notes are in danger of overloading the text. This reader, however, recognizes the distance between myself and Shakespeare and so I find it comforting to be able to look at the notes when I have questions. At times his "longer notes" were awkward, but there is no easy way to handle this amount of material.

Othello relects the true meaning of a tragedy both in its content and its structure.Tragedy is 'a story of exceptional calamity produced by human actions, leading to the death of a man in high estate.'The downfall of Othello is caused by his own actions, rather than by his character, or rather the two work in unison to create the stage for his downfall.
This is what captured my attention when I read this play.It is very profound to realize the fact that Shakespeare uses Iago to set this stage on which Othello is a mere player.
I love the character of Iago. His total confidence, the superiority that he feels when psychoanalysing human nature, his rational thinking and intellectualism sways the reader to think: 'Wow, this is a compelling and sophisticated man we're dealing with here!'
However, my admiration of Iago does not in anyway undermine my love of Othello. His poetic and calm demeanor makes the reader feel the pity and terror for him when he falls from grace (catharsis). Yet, we are made to understand that the reason why he is made to appear a gullible and ignorant fool to some readers is that he does not have any knowledge of a delicate, domesticated life. Venetian women were foreign to him. This tragic flaw in Othello added to the circumstances used by Iago to destroy him.
The meaning, and hence the tragedy of the play is conveyed through the use of Shakespeare's language, style, literary devices and imagery. Without these dramatic effects, readers would never be able to enjoy the play as much, although the dialogue is at times difficult to decipher.
I thoroughly enjoyed Othello and it is my hope that more people find it enticing as I have. I would be delighted to contribute more of my reviews to that effect.

As a play, "Othello" encompasses many things but more than anything else it is a study of pure evil. Although Othello is an accomplished professional soldier and a hero of sorts, he is also a minority and an outcast in many ways. As a Black man and a Moor (which means he's a Moslem), Othello has at least two qualities, which make him stand out in the Elizabethan world. He is also married to a Caucasian woman named Desdemona, which creates an undercurrent of hostility as evidenced by the derogatory remark "the ram hath topped the ewe".

Othello's problems begin when he promotes one of his soldiers, Michael Cassio as his lieutenant. This arouses the jealousy and hatred of one of his other soldiers, Iago who hatches a plot to destroy Othello and Michael Cassio. When Cassio injures an opponent in a fight he is rebuked, punished, and subsequently ignored by Othello who must discipline him and teach him a lesson. Iago convinces Desdemona to intervene on Cassio's behalf and then begins to convince Othello that Desdemona is in love with Cassio.

This is actually one of the most difficult Shakespeare plays to watch because the audience sees the plot begin to unfold and is tormented by Othello's gradual decent into Iago's trap. As with other Shakespeare plays, the critical components of this one are revealed by language. When Othello is eventually convinced of Cassio's treachery, he condemns him and promotes Iago in his place. When Othello tells Iago that he has made him his lieutenant, Iago responds with the chilling line, "I am thine forever". To Othello this is a simple affirmation of loyalty, but to the audience, this phrase contains a double meaning. With these words, Iago indicates that the promotion does not provide him with sufficient satisfaction and that he will continue to torment and destroy Othello. It is his murderous intentions, not his loyal service that will be with Othello forever.

Iago's promotion provides him with closer proximity to Othello and provides him with more of his victim's trust. From here Iago is easily able to persuade Othello of Desdemona's purported infidelity. Soon Othello begins to confront Desdemona who naturally protests her innocence. In another revealing statement, Othello demands that Desdemona give him "the ocular proof". Like Iago's earlier statement, this one contains a double meaning that is not apparent to the recipient but that is very clear to the audience who understands the true origin of Othello's jealousy. Othello's jealousy is an invisible enemy and it is also based on events that never took place. How can Desdemona give Othello visual evidence of her innocence if her guilt is predicated on accusations that have no true shape or form? She can't. Othello is asking Desdemona to do the impossible, which means that her subsequent murder is only a matter of course.

I know that to a lot of young people this play must seem dreadfully boring and meaningless. One thing you can keep in mind is that the audience in Shakespeare's time did not have the benefit of cool things such as movies, and videos. The downside of this is that Shakespeare's plays are not visually stimulating to an audience accustomed to today's entertainment media. But the upside is that since Shakespeare had to tell a complex story with simple tools, he relied heavily on an imaginative use of language and symbols. Think of what it meant to an all White audience in a very prejudiced time to have a Black man at the center of a play. That character really stood out-almost like an island. He was vulnerable and exposed to attitudes that he could not perceive directly but which he must have sensed in some way.

Shakespeare set this play in two locations, Italy and Cypress. To an Elizabethan audience, Italy represented an exotic place that was the crossroads of many different civilizations. It was the one place where a Black man could conceivably hold a position of authority. Remember that Othello is a mercenary leader. He doesn't command a standing army and doesn't belong to any country. He is referred to as "the Moor" which means he could be from any part of the Arab world from Southern Spain to Indonesia. He has no institutional or national identity but is almost referred to as a phenomenon. (For all the criticism he has received in this department, Shakespeare was extrordinarlily attuned to racism and in this sense he was well ahead of his time.) Othello's subsequent commission as the Military Governor of Cypress dispatches him to an even more remote and isolated location. The man who stands out like an island is sent to an island. His exposure and vulnerability are doubled just as a jealous and murderous psychopath decides to destroy him.

Iago is probably the only one of Shakespeare's villains who is evil in a clinical sense rather than a human one. In Kind Lear, Edmund the bastard hatches a murderous plot out of jealousy that is similar to Iago's. But unlike Iago, he expresses remorse and attempts some form of restitution at the end of the play. In the Histories, characters like Richard III behave in a murderous fashion, but within the extreme, political environment in which they operate, we can understand their motives even if we don't agree with them. Iago, however, is a different animal. His motives are understandable up to the point in which he destroys Michael Cassio but then they spin off into an inexplicable orbit of their own. Some have suggested that Iago is sexually attracted to Othello, which (if its true) adds another meaning to the phrase "I am thine forever". But even if we buy the argument that Iago is a murderous homosexual, this still doesn't explain why he must destroy Othello. Oscar Wilde once wrote very beautifully of the destructive impact a person can willfully or unwittingly have on a lover ("for each man kills the things he loves") but this is not born out in the play. Instead, Shakespeare introduces us to a new literary character-a person motivated by inexplicable evil that is an entity in itself. One of the great ironies of this play is that Othello is a character of tragically visible proportions while Iago is one with lethally invisible ones.

More like an easygoing conversation with an old friend than a traditional autobiography, "They Can't Hide Us Anymore" brings Richie Havens close to the reader. One can almost feel the deep resonating timbre that suffuses his music as Havens shares vivid memories of his adolescence in a boisterous but bucolic Brooklyn before ethnicity mattered; early adulthood in the Village when it was THE place to be and his globetrotting journey since those days.

Like his singing, some tales seem cyclic with hints of what is to come, only to be reprised on a later page. Others slowly reveal his many and varied interests beyond the stage - the visual arts, his profound belief in the power of children, and his commitment to safeguard this planet and its inhabitants. Havens' skill as a storyteller serves him well in this thoroughly enjoyable book. Whether a fan from years back or someone just discovering the wandering troubadour, this book will help you know and possibly even understand the man behind the music. Buy it, put on one of his CDs and read. It will be, as Havens is known to say, "Far out!"

This book reveals the inner thoughts of Richie Haven's genius. The stories behind his story, with credits to those individuals who helped shape the true music of the 60's and 70's, are wonderful. One finds that the kindness expressed in Richie Haven's music and wishes for a better world, are those which really exist in his mind and spirit. This is a great book for anyone who grew-up in the 60's, as well as for others who love contemporary folk music and/or Richie Havens...S. Winters

You don't have to read this book to know the author; you only have to hear him perform. But to read his "work in progress" one can only further appreciate his love for people and music. Unlike many autobiographies that seem to be written to promote the author or to set the record straight, this one simply and sincerely reveals the heart and mind of the author as he explores his passion for music. With a childlike innocence, Richie finds goodness in all he touches and everyone he meets; he accepts any setbacks as a part of growth and education and without preaching reminds us how important it is to take time to appreciate our world and our neighbors. At times, it's not clear when a certain event is taking place and one might wish for even more details of Richie's experiences during the "Village Years", but the areas that deal in greater depth are those that are important to Richie and his life. Keep the words and music coming for another thirty years, Richie.