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Hopefully he will come up with a sequel so that we can find out what happens to all the characters we've come to know and care about.
Highly recommended for adults and kids alike.
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The key thing to remember when you get to the next pair of stories is that Stan Lee is no longer writing the book and therefore killing off Peter's girl friend was not his idea: (4) "Amazing Spider-Man" #112, "The Night Gwen Stacy Died," Story by Gerry Conway, Art by Gil Kane and John Romita, Sr.; and (5) "Amazing Spider-Man" #113 "The Goblin's Last Round," Story by Gerry Conway, Art by Gil Kane and John Romita, Sr. Of course, the title of that first issue does not appear until the final page, since it obviously gives the game away, but just as clearly that is not a problem for this trade paperback collection. I think Conway did away with Gwen because Peter was getting pretty close to actually being happy and Spider-Man needed to get back to the oppressive sense of guilt that drives him because of the death of a loved one. Now, in addition to Uncle Ben, there is Gwen (Spider-Man was much more responsible for Gwen's death than that of Captain Stacy). Little would we know that the end of this story, where Mary Jane Watson stays with Peter to comfort him after Gwen's death, that this would end up being the start of something special.
Also included in this collection is "The Kiss," by John Marc DeMatteis and John Romita, Sr., which is reprinted from "Webspinners: Tales of Spider-Man #1," which serves as a poignant epilogue to the main events. This 112-page edition has a new cover by new painted cover by John Van Fleet. I would not exactly say that the deaths of Gwen Stacy and the Green Goblin were "great" Spider-Man stories, but they were certainly important and constituted an impressive one-two punch for consecutive issues. The historical importance would apply to the Lee stories as well. Unfortunately, these events eventually led to introducing the horrible idea of clones into the story line, both for the late lamented Gwen and Peter himself. More often than not, the dead should stay dead, even in the world of comic books.
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To date, the richest and most informative book on the Technique. Jones reviews the history of the Technique, summarizes Alexander's books, gives an account of his own experiences as student, trainee and teacher, and gives a short presentation of the contents of his 31 published experimental papers. Some beginners may find this book a little rich for their blood, but this is the one to take to that desert island; the superb bibliography alone is worth the price of the book. Required reading for serious students and teachers.
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The book's greatest strength, however, is its readability. Whereas Royden gives no hint as to how much work is needed between steps, Jones highlights important steps in proofs, not just the important proofs. It is this motivated style that makes his book useful.
Jones is so careful in his construction of the theory that differentiation does not appear until Chapter 15, and specific results for R^1 come only in Chapter 16. But the wait is worth it.
While Jones has written a great introduction, the book cannot be used for more advanced courses. As the title suggests, the discussion is restricted to Euclidean spaces. In addition, his direct jump to measure on R^n and the use of "special rectangles" therein make the development incongruous with other books. But what is sacrificed in depth is made up for in breadth, with Jones hinting at how the theory is used in other branches of math. There's even an entire chapter devoted to the Gamma function!
As a student, I have found Jones's book more instructive on basic theory than Royden, Rudin, and Wheeden & Zygmund. I highly recommend it as a first-semester introduction to Lebesgue theory or as a source of clean, fundamental presentations of proofs.
I especially recommend this book to anyone who lacks formal training in mathematics or wishes to develop mathematical technique in the areas of real and functional analysis.
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Armed with the method, Knight proceeds to tackle several important problems in economics, especially dealing with the theoretical construct of "perfect competition." By always keeping his head firmly within the empirically real, Knight is able to bring a great deal of sound judgment to a number of issues. Knight had a keen sense of human nature and how human beings behave in the real world of fact. He knew that most economists had made men out to be far more rational than they really were. Businesses, he argued, did not merely seek to meet the needs of the consumers; no, they sought to create new needs through innovation, advertising, and even a sort of manipulative hypnotism. In this, Knight argued, we find both progress and abuse, civilization and fraud. Knight also brings a good deal of sense to the problem of interest, demonstrating the psychological inadequacy of all time-preference theories of interest. But Knight's most important contribution consists in his analysis of the difference between risk and uncertainty. Risk, Knight argues, is a measurable probability that something could happen, like the probability that an individual will be struck by lightening or hit by a car. Uncertainty is a kind of immeasurable risk--e.g., predicting short term flucations in exchange rates. Knight's analysis is crucial to understanding economic reality. Knight's distinction between risk and uncertainty, for instance, explains why the rise of derivative securities in financial markets is so dangerous. Derivatives attempt to insure uncertainty, which is immeasurable, as if it were risk (which is measurable).
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Having grown up a teetotaler, I never considered wine for pleasure or health. Now that I enjoy wine for pleasure, it is great news to see all of the health benefits. This book tells about many of those benefits and their sources. Of course, there are the warning about abuse and how those types of concerns have kept wine from being "promotoed" in the U.S. That is unfortunate.
If you want to have an idea of how to have fun and live longer having fun, start with this book. More research comes out all the time, but this book is an excellent primer so that you really know what you are talking about.
In this collection of cartoons, you'll see characters like Oboe, Claymore, Eugene, Gloria, Alice, Apoplexy, Margo, Bill, and Tuber living real-life situations while trying to teach a lesson about Christianity. Oboe Jones isn't preachy when it tries to teach the reader lessons on life and the afterlife- it does it in a witty and hilarious way. Frank makes references to Snoopy and Calvin and Hobbes in this book! Also, the "difference" between Christian rock and secular rock is satirized! Some of the cartoons deal with humility, obedience, and accountability, and Frank isn't afraid to tackle more sensitive issues like abortion, pornography, and AIDS (he no longer works for Cornerstone magazine).