The Moon Maid: Complete And Restored is a classic pulp-magazine saga of the late Edgar Rice Burroughs' science fiction adventure hero Julian the 5th whose destiny is to be reincarnated again and again, until he can lead mankind's fight for freedom against vicious alien oppressors from the moon. An engaging science fiction odyssey by the celebrated creator of Tarzan, The Moon Maid includes countless passages, sentences, and words originally removed from the magazine edition and/or added later by the author. Enhanced with an brief but informative introduction by Terry Bison, this superbly presented Bison Press edition of The Moon Maid is a "must-read" and "must-have" for the legions of Edgar Rice Burroughs fans everywhere!

"Pellucidar" is the second volume in the Pellucidar series by Edgar Rice Burroughs, and find our hero David Innes and his scientist friend Abner Perry returning to the inner world. At the end of "At the Earth's Core" the duo had returned to the surface only to discover that Hooja the Sly One has substituted a Mahar, one of the rhamphorhynchus-like sentient reptiles that tyrannized Pellucidar, for Dian the Beautiful, the woman Innes loves. So the plan is to get back down there, rescue Dian, and if time allows end the exploitation of the primitive humans by the evil Mahars. The good news is that Innes returns to the inner world, but the bad news is that he ends up in a different part of Pellucidar where he has no friends and new enemies. This 1923 novel is stanrd ERB adventure, where the hero is separated by circumstances and bad guys from the woman he lives (in fact, it is very reminiscent of "The Gods of Mars," the second John Carter novel). But this is still before ERB was in his potboiler stage where the main game was turning out as many Tarzan novels as possible. What makes Pellucidar a bit different from the rest of the Burroughs fantasy adventures is the unique geography of the inner world and the prominence of smart guy scientist Abner as a supporting character (i.e., the brains of the outfit). If at all possible you want to pick up a copy of "Pellucidar" that has the original illustrations by Illustrated by J. Allen St. John, who remains by favorite ERB artist. The Pellucidar series consists of six stories, including a Tarzan crossover, and continues in "Tanar of Pellucidar," but these first two novels stand alone as

Pellucidar continues the tale of David, the lovable protagonist from At The Earth's Core. It tells the story of his return trip to the fabled subterrainian stone-age land known as Pellucidar. Here he must locate old friends, reunite with his lost loved one, and face his all-but-forgotton foes.

Burroughs' writing is simply fabulous, and even makes the characters seem all the more realistic, though many of them are not even human, but sentient creatures who can exist only in the minds of great writers like Burroughs, and in the land known as Pellucidar.

In the incredible world inside the Earth David Innes discovers a new frontier for Mankind. He strove to carve a civilization out of its Stone Age perils. But the kidnapping of the beautiful cave-woman-empress, Dian, made him drop his fight for advancement and enter into a still greater battle against all the primitive monsters of Pellucidar!

1st rate book!

Although far less plausible and possessing characters of much less depth than Jules Verne's Journey to the Center of the Earth, Burrough's At the Earth's Core, despite some embarrassingly preposterous elements, is an entertaining read due to its well-rendered, imaginative fantasy setting and fast-paced swashbuckling adventure. The story is never dull, and the hideous and hypnotic bat-winged Mayars make for memorable villains. The depiction of a human sacrifice to these monsters halfway through the novel is particularly unforgettable. There is also a multifarious array of attacking prehistoric monsters, without the claustrophobic feel of the 1970's film.

Also recommended is Basil Copper's treatment of the descent-into-the-earth theme in his creepy novel The Great White Space, now unfortunately out of print.

For Edgar Rice Burroughs, life was relatively simple. Men fell into one of three categories: muscular heroes, ordinary types, and evil, greasy villains. Women existed primarily to act as universal lighting rods that attracted either the first or third category. Regardless of the universe that ERB wrote of, these constants held with predictable regularity. With the publication of AT THE EARTH'S CORE, he began yet another series that put the hero at odds with nature, evil doers, and beautiful, virtuous women. David Innes, the handsome hero, drills down to the center of the earth in a manner that brings to mind Jules Verne's tale, both of which posit a habitable, temperate core that supports a variety of lush, prehistoric life. Despite knowing that the earth's core was held to be molten, ERB did not hesitate to bend science for the sake of a good tale. ATEC possesses both the plusses of ERB at his best and the negatives at his worst. Like Tarzan, Innes is a likable, manly sort who feels at home regardless of whether home is a jungle or a tea room. The logic of how ERB gets his hero placed in an exotic locale is irrelevant and often purely unscientific. For his Martian (Barsoom) series, he merely had his hero, John Carter, gaze at the Red Planet to effect his transport there. For his inner world series (Pellucidar), Innes used a drill machine, a device that at least tries to be scientific. Once there, Innes has the necessary adventures with beasts, villains, and beautiful women, in this case Dian the Beautiful. The workings of the plot about how he finds her, loses her, and then finds her again are almost not to the point. Where ERB excels in his ability to place the reader, who is usually a 15 year old boy, in a realm that allows imagination to run riot. Events flow so smoothly that the youthful reader will probably overlook the negatives of ERB's prose style. In the world of ERB's muscular heroes, both hero and villain speak in the artificial, courtly dialogue that rings true only to the ears of the young. Coincidence runs rife to the point of ridicule. Beautiful women are haughty at first, but lusty later, and then only to the clean-limbed hero. His plots are often mirror images of one another. You can substitute the center of the earth for Mars, Venus, Africa, or wherever, and hero, villain, and lovely lady are interchangeable. Yet, despite all this, AT THE EARTH'S CORE is the kind of read that ought to be part of any kid's early mental universe. Reading Burroughs as a thirty year old requires a strong ability to suspend one's disbelief, but once having done so, the ride is usually worth the effort.

...so one day independently wealthy David Ennis is confronted by his scientist buddy Abner Peery who has just invented a vehicle that essentially drills through the earth. (If the reader is into descriptives it looks like the device Dr Evil of Austin Powers fame has devised to take over the world.) They decide, "Well, let's try it out." and the reader is then treated to a journey to middle earth which is similar to Jules Verne's, but not as serious. I would say that Burroughs brings us satire similar to Voltaire's "Candide" or Swift's "Gulliver's Travel". The inner world, Pellicidar, is one where if you are not careful, you can be awake for days because the sun never sets or rises--that sun being the molten earth core rather than the sun we all know of. In Pellucidar, the various dragons, apes, and reptiles and mutations of such, are heads of gangs, tribes and kingdoms in the middle earth. And the royalty has beautiful sorcery princesses like Dian the Beautiful, who David falls for and who leads him into an innerworld adventure taking the reader to an unforgettable serial-pulp style reading enjoyment. If you dig Robert E. Howard or Jules Verne or Rice Burroughs' Tarzan series you will definitely love this. My opinion is that this is one of those series that could stand some revamping and the reader will feel that this is somewhat dated but, I feel that it is still well-worth the investment of time and $.

It may not be Edgar Rice Burroughs at his best but, The Land that Time Forgot is great adventure. This book contains the three Caspak novels; The Land that Time Forgot, the People that Time Forgot, and Out of Times Abyss. Three stories that chronicle the adventures of three different men on the Antarctic sub continent of Caspak; a volcanic depression that supports a diverse and dangerous prehistoric eco-system. Bowen Tyler, the hero of the first story, leads a disabled German U-boat and English survivors into the isle of Caspak where they need to fight for survival and try to find a way to back home. In the second story would-be rescuer Tom Billings crash lands in Caspak and meets the prehistoric woman Ajor. Together they fight their way back the Ajor's home territory. The final Story, and perhaps the best is about English lieutenant Bradley and his capture by the highly evolved Weiroo men. His story shows the best of Burrough's rolling adventure style complete with unbelievable coincidences and narrow escapes only to be caught again to prolong the story. So suspend your disbelief and plunge into the world of 1914, fighting the Kiaser's men, Dinosaurs, and strange cavemen. The back drop and story line more than make up for the dated romantic ideas. Not as tight and focused as Tarzan, but where else does one get submaries and dinosuars?

It is hard to know exactly how to review this trilogy by Edgar Rice Burroughs. I remember being given the first book, The Land That Time Forgot, by my father and devouring it, followed quickly by the next two volumes. My tastes were not sophisticated but my eagerness was in the extreme and these three books took me away to a place of dinosaurs, evil Germans, stalwart heroes, beguiling animal-skinned beauties and a mystery that defied evolution (or, more precisely, any known logic or science). I was truly in the land before time: childhood. Imagine my joy on discovering all three very short books wrapped in a modern new package that I could feel confident reading on a commute to work without undue embarassment. These books are still fast paced and have a truly pulpy, nostalgic feel to them. They can grow repetitious read all at once and perhaps the border between pulpy and musty is a fine one. They are more adventure and action stories than tales of the imagination (although the third installment does conjure quite a number of interesting images). The writing is simple and the dialogue is ludicrous. But the whole experience is still a delight as I was transported back and for that I am thankful for this wonderful new edition.

While Burroughs was denigrated as being a "pulp" novelist for most of his literary career, he was clearly a better writer than the vast majority of genre writers who publish today, and he was also a better story teller than most. The complaint of a reviewer that Burroughs was an obsessive racist would be hilarious if it weren't so ignorantly misguided. Similarly the complaint that Burroughs had no ear for dialogue is drenched in ignorance. The dialogue of early 20th century America is not the dialogue of late 20th century England, a fact that should not need explaining, but unfortunately explication is needed for those who who lack the most rudimentary of analytical faculties. I find Hemingway to have a tin ear for dialogue because the people I grew up with didn't speak like Hemingway characters at all, but I don't criticize Hemingway for that and suspect that he accurately recorded the cadence of his fellows. Burroughs had a good feel for the common man of the early 20th century, which is one reason his books still sell.

The Land That Time Forgot is a great adventure by a very good fantasy writer. Check it out while it's still in print.