I first owned this volume of poetry in 1978. That book simply fell apart after more than 20 years of reading and handling (sometimes roughly by my children). I replace this book with a new one just last year.
The old favorites are all here; Fireflies in the Garden, The Road Not Taken, Fire and Ice, Stopping by Woods on a Snowy Evening, and a hundred more. In my opinion this is the definitive volume on Frost.
I have always been awed by the number of poems Frost wrote about the stars. A Star on a Stoneboat, The Star Spitter, Stars, Canis Major and many others. Truly Robert Frost is the astronomers poet.
Also in this volume is perhaps my favorite Frost poem, Brown's Descent.
If you love reading Frost on a crispy fall evening, then you'll love reading him when the crickets chirp. You'll need to own this book.

Robert Frost was and is America's greatest poet. Excepting, perhaps, W. B. Yeats, he may be the greatest poet to write English in the twentieth century. (To me, it's a toss-up.) To read this volume systematically or desultorily is to become convinced of that. But Frost is, above all, accessible, so the casual reader may not appreciate the difficulty of what he does. Like much of the greatest art his looks easy, even inevitable.

All of Frost's poems are here, plus his two dramatic Masques. When this book first appeared (in 1969) it caused a furor: the editor, it was angrily asserted, presumed too much. He dared to clarify - inserting a hyphen here, excising a comma there. That furor has since died down, as people realize that he did not do away with the sacred texts (any emendation was noted), but simply performed his job as editor. He regularized spelling and the use of single and double quotes (though not Capitalization, which can legitimately be thought of as integral to the poet's expression (think of e.e. cummings!)), and corrected other obvious errors. The notes give the published variants for each poem, so if you wish you may make your own call on some of these finicky issues.

I cannot emphasize enough: BUY THE HARDCOVER! After all, you will be reading this book for the rest of your life. It is a beautifully-built volume, of an easy size and heft for use, with understated appealing typefaces and an exemplary design. Put out by Frost's long-time publisher, this is one of the few essential books of American literature.

"It is absurd to think that the only way to tell if a poem is lasting is to wait and see if it lasts, The reader of good poem can tell the moment it strikes him that he has taken an immortal wound-that he will never get over it...The proof of a poem is not that we have never forgotten it, but we knew at sight we would never forget it."

Robert Frost

I have to admit it! When I first met Robert Frost's poetry in Freshman English class I took an immortal wound-that I will never get over it. Perhaps the then recent memory of the white haired poet who inaugurated Camelot that cold, January day conditioned me to receive the wound. Maybe Fr. Sheridan's teaching opened these poems for me. Most of all, I think that it is the words themselves which have made the poetry of Robert Frost such an important part of my life for almost 35 years.

This complete collection complemented the high school text book to which I had so often referred over the years. Here is the source of lines which I have often quoted. Many family vacations have begun with: "I have promises to keep, and miles to go before I sleep" (Stopping by Woods on a Snowy Evening).

When my son tries to silence his sister's singing he is reminded that "Of course there must be something wrong In wanting to silence any song" (A Minor Bird).

Here we find philosophical reflections. "Good walls make good neighbors" counters "Something there is that doesn't like a wall" (Mending Wall).

Here "The Death of a Hired Man" challenges us to reflect upon how we value and treat others while "Christmas Trees" reminds us that not all things have prices. Here we are invited to follow the road of the poet who wrote "I took the one less traveled by, And that has made all the difference" (The Road Not Taken).

I have writen just a sampling of the treasures to be found in this collection, but I have written enough. It is now time to indulge again with words I have never forgotten. "I shan't be gone long-You come too." (The Pasture).

An oral history devoted to lesbian sexuality, and a what, how, when and why look at every aspect of lesbian sex. This work features in-depth interviews with a broad range of women who reveal the intimate details of their sex lives, and what sex means in their lives as lesbians. From a 79-year-old's torrid affair with a woman half her age to an 18-year-old who took her girlfriend to the senior prom, from butch and femme to S&M, from sex toys to long-term relationships, this book tells the truth about lesbian sex in the 1990s.

really good next time make an x rated cover more people will go for it

In reading this anthology, I realized why I tend to stay away from short stories: even good authors may be unable to create a worthwhile story in relatively few pages. There is definitely a talent and also a honed skill needed to accomplish character development and sufficient plot in the space allotted. I initially picked up this book because the title led me to believe that the stories might be fun, funny, amusing...which they are not in any way -- rather the stories are all quite serious and not what I expected (as others have noted the blurbs on the back cover are untrue.) In one story a woman wants to have sex with a male slut she somehow learned about because she thinks she is dying -- how is that naughty? In another, a woman trying to divorce her scary husband has not-very-exciting sex with a stranger in a bar and we then follow them as they try to extricate her from her marriage. The last story about the woman who has sex for the first time with a man who yelled at her for "encouraging" a near rape while sunbathing fully clothed left me cold. Susan Johnson is the first author in the book and recognizing her name and her usually good stories led me to expect a lot more than is delivered here. I usually enjoy her work, but in this case I actively hated the story almost by the 10th page. Johnson takes what I consider her worst characteristic -- a tendency to be a little too anatomically descriptive -- and makes it into the entire story. This piece consists of a couple engaging in constant unemotional sex without any foreplay, which is not of interest, I would think, to most readers in this genre. More importantly, the sex scenes are BORING! Then she throws in some military/political hooha just to give it some kind of plot. The story would have been much more interesting had it acutally followed the plot listed on the back cover in which debutantes make the bet, rather than bored society matrons in Vienna. Save your money and buy a good Susan Johnson book, rather than this anthology.

Although short stories aren't always the truest introduction to an author, I've read enough Susan Johnson to realize that I'm not going to read her anymore. She is the best-known author in this anthology, but her story is the worst. As another reviewer has already pointed out, the book blurb regarding her story is totally deceptive. Her characters are shallow, their relationship unfathomable, and the language used in the sex scenes is jarring, considering the time setting of this story.

The story by Leandra Logan, seemed as though there was too much story trying to be crammed into too few pages, so the story felt choppy to me. The initial sex scene set up as a one-night-stand didn't seem true to the female lead. There were some interesting secondary characters, but the story form is just too short to allow adequate development of that many characters.

I felt that the stories by Adrianne Lee and Anne Marie Winston were the best of the bunch. The characters were better developed, the sexual tension better maintained, and storyline flowed better. I would recommend the book for the sake of these authors. I don't know if they have written anything else, but I'm certainly going to find out.

I wanted this book for the story by one of my favorite authors,Susan Johnson, but to my delight I found "Winner Take All" by Adrianne Lee. This story really drew me into the characters. I found Mitch to be a totally believable hero. He struggles to prove an important point to his business partner (along with winning a bet!) and in doing so, matures as a "whole" man rather than a male lead by his "other parts". He finds himself confronted with a special woman who truly touches his heart...but she wants to touch so much more! Talk about FUN conflict! I was so impressed by Ms. Lee's characters I've decided to add her works to my "To Be Read" pile.

I enjoy learning about 1850s California, so I quickly bought this book. My excitement turned to dismay when I was 40 pages in and the auther was still talking about herself. I thought this book was supposed to be about the Gold Rush.

I only made it about 150 pages before I bestowed upon this book a rare honor, one that I have only bestowed upon two other books in my life: I threw it away. I refuse to allow any other human being to be subjected to its unfocused, egotistic narrative.

Avoid this book and (unless you're interested in personal accounts of lesbian difficulties) everything else written by Susan Lee Johnson.

While some of the topics Johnson brings up such as the mixing of cultures that takes place during this time, she lacks the organizational skills and talent as a writer to make the book compelling. Her work is all over the place and it's hard to follow especially when trying to use it as the basis of a research paper (which is what I had to do for a upper division history class of mine).

I always thought reading a book about Gold Rush-era California would be interesting, but Susan Lee Johnson has been able to make it seem not very compelling.

This is a "People's History" sort of book, a tale of the minor characters in history, in particular the miners and their society. In such a book, there are oppressors (often white males) and oppressed (usually women and non-whites). Johnson supports this thesis with numerous tales of robbery and murder, which may all be true, but also reflect a political agenda that she is trying to promote. This removes any real objectivity from her book.

The main problem with this book, however, is it is not very well-organized. Johnson has filled the book with some good (and some not-so-good) anecdotes, but there is not all that much joining these stories together. The result is a sometimes informative but usually rambling work. In the end, I felt like I hadn't learned very much about this era other than a few tales that needed a better context.