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One evening, a middle-aged man gets a phone call from a hospital saying that his sister has dies in childbirth, the child had been arranged for adoption but the adoptive family cannot take the child (a baby girl) until the following day. The man agrees to take the child for the night and during the course of the night (sleepless for the man) he proceeds to write non-stop to the child, weaving the stories of the family from whom she comes. As she sleeps and occasionally wakes and cries - lying on a blue bedspread, the stories he scribbles out furiously fall into patterns by person: mother, father, sister, and brother. And they are not particularly lovely tales - in fact, they are full of the painful things that families sometimes do to one another under the guise of "love".
It can be tiring, sometimes, to read book after book in which families and supposed loved ones abuse others, usually the women, of the household. Although I realize that this is the way of the world - there is a certain exhaustion that comes from reading book in which you spend emotional time wishing that people wouldn't be so damn mean to other people - including their own children. Unlike some other reviewers, I did not find much redemption in the characters, only pain, and a good deal of sadness.
i have to admit that i have been a huge fan of raj kamal jha from my school days when i used to eagerly await his sunday column that would appear every second week. i would get up gleefully every sunday morning looking forward to jha's beuatifully written columns. while clearly the blue bedspread does not have the same kind of vivid magic about them, the stunning control over a twisted narrative speaks volumes for his talent.
the blue bedspread is a touching tale about how sometimes the unthinkable happens to be the solution and the solution is clearly unspeakable. as enormously satisfying as the solution can be, it brings about dark tidings, the guilt associated with which is purged by the recounting of the blue bedspread tales to the day old baby by our protagonist, whose name does not matter in a city of twelve million, whose looks does not matter except that the stomach droops over the belt of his trousers.
depressing, disgusting and yet delightful. raj kamal jha is a true magician with words and images.