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-From the Alsos Digital Library for Nuclear Issues
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At 1040 large (8.5 x 11) pages it is the ultimate guide to unicode. With information on scripts and glyphs I had no idea even existed.
However if you are just getting started with Unicode I would recomend you get Unicode a Primer written by Tony Graham from M&T books. If you understand or feel you are starting to understand Unicode then The Unicode Standard Version 3.0 is the best comprehensive reference on the subject out today.
This book is essential for software engineers, at least for the next ten years or so. All programmers should understand characters, and UNICODE is the best we have for now. Even if you don't need it in your personal library, you need it in your company or school library.
The standard is flawed, as all real standards are, but it is a functioning standard, and it should be sufficient for many purposes for the near future.
The book itself is fairly well laid out, contains an introduction to character handling problems and methods for most of the major languages in use in our present world as well as tables of basic images for all code points. Be aware that these are _only_ basic images. For most internationalization purposes, be prepared for more research. (And please share your results.)
**** Finally, UNICODE is _not_ a 16 bit code. ****
(This is well explained in the book.) It just turned out that there really are over 50,000 Han characters. (Mojikyo records more than 90,000.) UNICODE can be encoded in an eight-bit or 16-bit expanding method or a 32-bit non-expanding method. The expanding methods can be _cleanly_ parsed, frontwards, backwards, and from the middle, which is a significant improvement over previous methods.
Some of the material in the book is available at the UNICODE consortium's site, but the book is easier to read anyway. One complaint I have about the included CD is that the music track gets in the way of reading the transform files on my iBook.
Central to the book, taking up the larger part of it, are the tables of the characters themselves, printed large with annotations and cross-references. If you enjoy the lure of strange symbols and curious writing systems then browsing these will occupy delightful hours.
For the Latin alphabet alone there are pages of accented letters and extended Latin alphabet characters used in particular languages or places or traditions: Pan-Turkic "oi", African clicks and other African sounds, obsolete letters from Old English and Old Norse, an "ou" digraph used only in Huron/Algonquin languages in Quebec, and many others, particularly those used for phonetic/phonemic transcriptions.
The Greek character set includes archaic letters and additional letters used in Coptic.
Character sets carried over from previous editions with additions and corrections are Cyrillic (with many national characters), Armenian, Georgian, Hebrew, Arabic (again many national and dialect characters), the most common Hindu scripts (Devanagari, Bengali, Gurmukhi, Gujarati, Oriya, Tamil, Telugu, Kannada and Malayalam), Tibetan, Thai, Lao, Hangul, Bopomofo, Japanese Katakana and Hiragana, capped by the enormous Han character set containing over 27,000 of the most commonly used ideographs in Chinese/Japanese/Korean writing. Then there are the symbols: mathematical/logical (including lots of arrows), technical, geometrical, and pictographic. You'll find astrological/zodiacal signs, chess pieces, I-Ching trigrams, Roman numerals not commonly known, and much more.
Scripts appearing for the first time this release are Syriac, Ethiopic, Unified Canadian Aboriginal Syllabics, Cherookee, Runes, Ogham, Yi, Mongolian, Sinhala, Thaana, Khmer, Myanmar, complete Braille patterns, and keyboard character sets. And yes, there are public domain/shareware fonts available on the web that support these with their new Unicode values.
There are very good (and not always brief) descriptions of the various scripts and of the special symbol sets. Rounding out the book are some involved, turgid (necessarily so) technical articles on composition, character properties, implementation guidelines, and combining characters, providing rules to use the character properties tables on the CD that accompanies the book. After all, this is the complete official, definitive Unicode standard.
Of course this version, 3.0, is already out-of-date. But updates and corrections are easily available from the official Unicode website where data for 3.1 Beta appears as I write this. My book bulges with interleaved additions and changes. And that's very good. Many standards have died or been superceded because the organizations behind them did not keep up with users' needs or the information was not easily accessible.
Caveats?
The notes on actual uses of the characters could be more extensive, particularly on Latin extended characters. More variants of some glyphs should be shown, as in previous editions, if only in the notations.
Some character names are clumsy or inaccurate (occasionly noted in the book), because of necessity to be compatible with ISO/IEC 10646 and with earlier versions of the Unicode standard. For example, many character names begin with "LEFT" rather than "OPENING" or "RIGHT" rather than "CLOSING" though the same character code is to be used for a mirrored version of the character in right-to-left scripts where "LEFT" and "RIGHT" then become incorrect. And sample this humorous quotation from page 298: "Despite its name, U+0043 SCRIPT CAPITAL LETTER P is neither script nor capital--it is uniquely the Weierstrass elliptic function derived from a calligraphic lowercase p."
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The book is a collection of adventures and I like the fact that he threw in other different stories in there including an encounter with a thief and parallel storytelling over a number of years.
I realized that it wasn't actually the adventures I enjoyed, but rather the memories and experiences he had while undertaking these adventures. Just like the cliche: "It's not about the destination, but about the journey."
The pace of the book is good and it does not get repetitive so please check this one out.
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Some people here have criticized the "machoism" in this book. Maybe I fail to understand, but if they have problems with him carrying a gun or dancing with "100 naked women", I submit that their criticisms are quibblesome. Carrying a gun may or may not be necessary, but it is beyond a minor part in the book. As for the naked women, my question is: Is it true? If so, why not write it. At heart though, these criticisms miss the greater part of the book which is the interaction between people (Jenkins w/ his fellow travelers, the travelers w/ their guide, previous explorers w/ the indigenous population). It is here where To Timbuktu shines.
If their criticism goes deeper then I believe that they fail to understand what travel literature is all about. It is about the quest. The quest to do something you are not quite sure that you can accomplish. The quest to learn about those different than you. If this is "machoism" I hope it lives in us all. To criticize it is to deny the validity of all grasps for greater knowledge about ourself and others. Maybe these people would rather read about my travels from refrigerator to couch to restroom to bed, but I don't think that would make a very interesting travelogue and, while it may be revealing about me, I doubt that it would tell us much about the diverse peoples of the world.
Getting off my soapbox, I can sum up, in short, by saying that this book turned me into a connoisseur of travel literature and I am thankful for the experience.
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That said, I do keep reading the books, though thanks to the American library system, I have not had to shell out a dime for the privilege. Though thin on substance, the first books did have enough meat to be occasionally satisfying. That hardly seems true of the last books, which seem to have hit some sort of time dilation mode where one book can spend hundreds of pages chronicling a few dull days.
What's wrong with these books? For one, outrageous premises. Knowing the level of rabidity of American gun enthusiasts, who could imagine US citizens (militias excluded) eagerly acceding to the removal of 90% of our weaponry? We're a paranoid bunch! We spend more money on arms than the next ten countries combined, and we are still afraid of being outmatched. Yet in Left Behind, we give it all away --- to the UN, of all groups! It's not that this is an impossible scenario, but Lahaye and Jenkins don't even bother to acknowledge the problem.
And wouldn't it be interesting if L&J were more up front with which of our planet's 6 billion souls would not make the cut into the 1 billion who are saved? Why not fess up that practically all Buddhists, Hindus and Muslims would land in hell? How about having Tsion put that in his pipe and smoke it? Did the Muslim children get raptured? Do Christians who were left behind still continue to their pathetic church attendance, not realizing that they are the "wrong" kind of Christians? And how about the wholesale, unimaginative ripoff of the Bible, as when Tsion has a dream that is taken straight out of Revelation 12? Couldn't the mark of the Beast have been something more original than the tired, old computer implanted scenario? And how about a little work convincing the reader that implanting the mark in hand or forehead wouldn't be a colossal tip-off, even to the biblically illiterate?
This entire series is bloated, lazy and offensive. I have been skimming along, hoping for imaginative treatment of the Apocalypse. Yet now that I am 8 books into the series, I'm afraid that even skipping the dreary parts is becoming an exercise in futility. It's really a feat to make the end of the world seem so tedious.
By the way, it's awful to see the supposedly Christian heroes of this series act in such an ungospel manner. Except for the imbecilic Hattie Durham, there is barely a whit of caring for the throngs of the damned. Steele realizes that Carpathia is about to vaporize a whole city, and all he worries about is that his own family makes it out. Steele nurses vengeance against the Antichrist without even an editorial tsk-tsk from the authors. I guess "turn the other cheek" went out the window after the Rapture.
Hint to L&J: read a little less of Revelation and a lot more of the Gospels!
In "The Mark", LaHaye and Jenkins continue their unique view of the prophesied end-times. Having been assassinated in book six, and indwelled by the devil in book seven, antichrist Nicolae Carpathia counterfeits the resurrection when he rises from the dead after three days. The world stands in awe and begins to worship Carpathia as a god, giving birth to a new religion known as "Carpathianism"! Followers of Nicolae must be branded with a loyalty mark on their right hand or forehead, and those who refuse it are put to death. "The Mark" is one of the more gripping and edge-of-your-seat thrillers in the series. It will cause you to empathize with the characters, questioning whether you would accept the mark given similar circumstances.
I can't wait to find out what happens next. I look forward to reading books eight through twelve, and I encourage other Left Behind fans to pick up "Conquest of Paradise: An End-Times Nano-Thriller" as additional reading. That book got me interested in this series, and what a great book! What "Left Behind" lacks in realism, "Conquest of Paradise" adds in abundance. The prose is much more advanced and the international politics are identical to the current world scene and the war on terror. Peppered with biblical verses, "Conquest of Paradise" will turn even the most hardened skeptics into believers, or at least it will make them think twice. It's one lovers of end-times fiction shouldn't miss.
Book nine, "Desecration" continues the adventures of the Tribulation Force, and deals with the antichrist's desecration of the Jewish Temple long ago foretold by Jesus and the Old and New Testament prophets. Can't wait to read the rest!
This is the diet book that the USA has been waiting for but too few persons seem to know about it -- yet. It is scientifically accurate and the conclusions of the authors are sound. It is proof that eating for improved health and fitness need not be boring. Indeed, the day after I received the book, I prepared the mango/black bean salad to rave reviews and no leftovers.
The message is not new: We need to increase the fruits, veggies, and whole grain foods in our diet, and to decrease red meats, sodium, and sweets. Although the target audience is those with hypertension, nearly everyone can benefit from accepting the book's challenge to try the DASH diet for two weeks -- and for a lifetime. The fact that the authors go beyond the science and present imaginative, delicious recipes and menus is a definite strength of the book.
A salute to the authors for this timely book!