This 'easy to read' book is great! It should be the bible for SME companies and entrepreneurs who want to excel in real-life business. It's full of great insights and a 'must have' for anybody who cares about practical business management.

I'm not surprised why this book have 5 stars...it deserves 10.

This book not only explains which are the key success drivers for an organization to become great, but also lets us know what to do in order to achieve results on each of these drivers. I work in the Planning division of a major insurance company...I have read lots of stuff about strategic planning, and I find the content of this book to be the one that captures the essence of successful planning.

According to the authors, any person involved in leading or transforming a business, should focus on 5 dimensions. In order to become truly successful, you should achieve a great performance on each dimension.These dimensions are:

1. Leadership Style 2. Vision, values and corporate culture 3. Strategy 4. Innovation 5. Tactical Excellence

There is a chapter for each point which are full of practical examples and stories about successes and failures.

I also recommend "Built to Last", from the same author.

I have read a number of books on strategic planning. They all generally follow a very similar approach. However, Jim Collins has done a masterful job putting the theory into a format that is easily understood and easily applied to solve real problems. I initially used the book to lead the strategic planning process for the technical support department of a major software company. The results were astounding. I have since used the book to help many other organizations and have found the book equally appropriate for each engagement. Using the concepts in this book will dramatically help your organization.

One of the most interesting aspects of this good general introduction to the brilliant work of Rene Girard is the interview with editor James G. Williams, which touches on Girard's biography and his conversion to Catholicism. The other texts included here span the entirety of his long career as literary critic, groundbreaking anthropologist, and Biblical exegete. The texts address all facets of mimetic theory, from triangular desire to scapegoating, sacrifice, Satan, and the paradoxical place of Nietzsche in the history of mimetic anthropology.

In the academic landscape of victimization theories, deconstruction and post-modernism, here arises a singular voice that cuts to an all encompassing generative theory of civilization. It is a theory that explains why we buy Nike, why we go to war, and how we achieve peace. It would be better known in academia except this poor soul has the unfortunate timing of discovering a theory that objectively validates the truth of Catholicism, when Christianity (and even worse Catholicism) is out of vogue.

His theories have been described as "among the most profound intellectual discoveries of our time" and "a comprehensive vision of the psychological, sociological, political, and religious processes of sin and redemption"

If you are a thinker interested in social critique and a theory that has the power to restore Western Civilization - buy this book.

This is a remarkably complete introduction to Rene Girard's ideas. His key theory has the clarity and simplicity of a mathematical proof--desire is not an innate drive but a behavior we learn through imitation (mimesis). When we mimic our model's desire for the same object, violence breaks out. Through ritual scapegoating, human communities manage to divert this violence by directing it at a random victim (thus hiding its real source in mimetic rivalry). According to Girard, this mechanism is at work across all times and cultures, and shapes the plot of nearly every major novel. For those with a suspicion of grand unifying theories, his idea raises many questions. Even more controversial is his belief that Christianity brings an end to myth by exposing the scapegoat's innocence. Christ doesn't die as a sacrifice to God for human sin; instead, the crucifixion reveals the fiction at the root of all sacrifice--the victim's culpability. This helps to humanize one of Christianity's more troubling doctrines, but it also asks us to believe that the authors of the New Testament understood the workings of mimetic desire 2000 years before Girard articulated the theory. Read the book and come to your own conclusions. Whatever you decide, after reading Girard you'll look at myth and religion with new eyes.

This is one of the single greatest books that I have ever had the privelage of reading. The writer describes in clear and concise terms the price of liberty, how we won it, and how we are losing it. You wont find this information in any government school or college.
Delightfully this book is an easy read. The author wrote this book with the common man in mind. Splendidly I tore through this book in no time at all without having to read a single sentence twice.
Patriots, students, and anybody dedicated to preseving liberty and economic freedom should definately read this masterpiece. Its amazing that the information in this book is surpressed from our schools. Everybody should read this book twice and buy copies for all your family and friends.

Stated Simply, this book is the single best, easily comprehendable book on Americanism.

The author doesn't woo you with complex legal citings, boggle your mind with twists in logical and fanciful leaps.

In fact this book will help you indentify what kind of American you are, what kind of American you truely want to be, and how to recognize the difference between Real-Americans and those who claim or even think that they are being patriotic, but are are undermining the country we live in, mostly through confussion and inaction.

I wish I could afford to buy a copy for every person alive, it should be required reading for all Americans.

Think again! Read this book and find out if you know what being an American means. Are you an American, a Pseudo-American, or a Socialist? You can only be one or the other. Want to know more about our "Founding Fathers"? What does Patriotism mean? Is the Constitution our Country? Why is this important to us in our lives today? Do we live as citizens free of tyranny? People paid to form our Country - there is no such thing as a "free Country." What form of Government do we have? What do our fellow individuals we elected to govern us today think it is? How can you tell? Want to see what it was like to live back in the 1700's in our Country and see how smart our citizens were? Would you like to see their character? Actions speak louder than words. Then choose to read this book!

For many years it has been the practice of critics and art aficionados to relegate "popular artists" the likes of Norman Rockwell and the Wyeth clan to the bin of kitsch. Time heals and alters and distance is kind as the current resurgence of appreciation of these and other artists of the land testifies. Norman Rockwell now is considered an important American artist, sensitive to basic issues of what makes America the land of the common man's dream. With this beautifully designed and written tome the same adulation should follow for the Wyeth clan. The authors (Betsy Wyeth among them) had the good idea to show the seeds of the very familiar Wyeth imagery in the work of Howard Pyle, an artist known primarily as an illustrator along the lines of over the edge fantasy adventure books. His pupil N.C. Wyeth took up the torch, primarily emulating Pyle's style but taking it to a new level. His works of isolation, thwarted desire, and simple American traditions are absorbed by his son Andrew Wyeth who won favor among collectors of realist art during the time the country was running after Modernism, Expresionism, Abstraction. And finally Jaime Wyeth, son of Andrew, has been a constant presence with his quasi-surreal take on many of the same subjects as his progenitors. The circle comes round with Pyle and Jaime Wyeth embracing the more perverse subjects - an interesting century wheel turning round and round.

The color reproductions are generous and well selected. Many of the well know Wyeth images are excluded, but in their place we are treated to images we have never seen. This is a beautiful volume and a tender one, a memento of what our childhood in the 20th Century was like before the madness currently painted hit.

The images floor me. If a picture is worth a thousand words.... then this collection speaks incalculable volumes.

For the non-art initiated, the book is a feast for the imagination as well as the eyes. I bought the book because I come from the mid-coast of Maine, like the Wyeths. But when I took the time to look at the book on a night we lost power due to a snow storm, I found the views conjured stories up in my mind to match the Wondrously Strange images. I've driven by the Wyeth Center a thousand times, but made a point to visit to see for my self. I'm also fortunate to have a copy signed by Jamie Wyeth, and hope to keep as a treasure for a long time.

This shocking book, "Farewell America", will change the way you think about America, and humanity in general. And not in a good way.
This is THE best book ever written on "The Establishment".
"The Establishment" is hard to explain, but this book does a wonderful job of doing so.
It shows how the Status Quo is protected by the Big Bankers, Big Lawyers, Big Military, Big Business, etc. And it's NOT a coincidence that The Warren Commission had men from all of these big "establishments" protecting their respective establishments.
That's why the Warren Commission lied to us. An investigation into the Conspiracy to kill Kennedy, essentially meant an investigation into the inner workings of our Government, and their many, many partners in American society, and indeed, the global society (The Establishment).
Quite simply, President John, F Kennedy, and his brother, Bobby, wanted to do things the way the Constitution says a President and his administration should be able to do things. The Constitution is irrelevant to "The Establishment". They dont care about America, and they dont care about you, or me. We are the "little people" to them. They will use, abuse, essentially manipulate us in any way that they can, to make a buck, and move up on the ladder that is the power and control structure of society. They used a 23 year old man on November 22nd,1963, and changed his life forever, and lynched him two days later. This man, who was innocent, was named Lee Harvey Oswald. "The Establishment" used him and sacrificed him, when they got what they wanted from their manipulation of him.
Anyone who threatens the money making opportunities, the image, or the "values" of these people will be killed. Prime Example, John F Kennedy.
He wanted to give more money and more power to the people. The Federal Reserve and The Military hated him for that.
President Kennedy wanted peace with the Soviets and Cuba. The CIA, The Military, The Mafia, and the Anti Castro Cuban exiles despised him for that. They wanted war, even if it meant a nuclear war.
Kennedy thought about we the people. "The Establishment" didnt like that, because we the people arent corrupt, devious degenerates who just care about making a buck. Thus, we the people, and our very constitution got in the way of "The Establishment" and their political and business opportunities.
All of this, and so much more is detailed in this book, "Farewell America".
This book wasnt actually written by a man named James Hepburn.
That's just a ghost name. This book was actually the result of two things....
1. Bobby Kennedy's private investigation into his Brother's death.
2. French Intelligence's study of the assassination.
So this book, isnt written by some author just putting forth theories, it is written by the INSIDERS, who had knowledge about how things really work, and as such, this book is essential to your understanding of why our President was killed, why we were lied to, and why "The Establishment" is the reason why this country isnt as great as it can be.
They are holding us back. They are manipulating our Constitution, they are, in short, our biggest enemy.
You may ask, "Is this book a factual representation of "The Establishment?". I can answer that question with this next comment.
The US Government tried to prevent this book from being published in America.
I believe this fact shows just how close "Farewell America" is to exposing "The Establishment" for what they are.......A giant pimple on the rear end of the United Staes of America.
Knowledge is power. Once we realize how society truly works, we will expose the hypocrites who walk among us.
Then, those of us, who stand for Truth, Justice, and doing things the True American way, with hard work, with dignity, with honor, and with a love of God and a love of country, can defeat this phantom menace to our freedom.
This book exposes the frauds, and gives we the people the power that President John F Kennedy envisioned giving us, before THEY killed him.
Please read this book. Knowledge is power.

Originally published in Europe in 1968, this is a once-notorious, now-dated look at John Kennedy's assassination and an excoriation of the American scene in its aftermath.

Turner (Rearview Mirror, etc.) explains in his introduction that the book was first published under mysterious circumstances and was "aimed at advancing the 1968 presidential campaign of Robert F. Kennedy," but its U.S. distribution was rapidly curtailed after RFK's death. The authors ("James Hepburn" is a pseudonym)

conducted clandestine research among KGB and Interpol agents and French petroleum espionage specialists and relied on a rare, unmodified print of the famed Zapruder film. The book seethes with aggrieved passion in defending the Kennedys and their ideals, and seeks to defrock the "lone gunman" theory of JFK's assassination.

Most of the text is a damning jeremiad, portraying pre-1964 America as a vicious, discriminatory oligarchy controlled by alliances of Big Steel and Big Oil, the military and organized crime, which all had reason to fear JFK's proposed reforms.
According to "Hepburn," these interests combined with ultra-right-wing paramilitary groups like the Minutemen and Cuban exile groups to plan the assassination. Chapters discussing the assassination itself will be grimly convincing to some
readers, with excellent analyses of the Secret Service's failures and the ambiguous roles played by the CIA and FBI during this tumultuous era.

This is a pungent historical document, but its conspiracy theory is familiar by now, and its information has been surpassed by more recent studies such as Murder in Dealey Plaza, edited by James Fetzer. (Dec.)

After reading it, just relax, make up your mind, and figure out who, in the TOP american business planned the crime, and how many former US american presidentes may have been involved DIRECTLY in the cover-up (one,two, three, four...BINGO!!!).

This is the best novel of Revolutionary American history I have ever read. The story of the Clark family is incredible, especially that of two particular sons, George and William. Perhaps the main theme of this book is leadership. George Rogers Clark was a phenomenal leader. He almost single-handedly won the western frontier during the Revolution. In the end, he was ruined rather than rewarded, for his efforts. As his inner fire dies, it is momentarily rekindled by his young brother, who departs to co-lead the greatest adventure in American History. Thom's depiction of George's brutal marches on Kaskaskia and Vincennes, and the Journey of the Corps of Discovery, is a masterwork.

Although I'm not much of a history buff, I read this book at the advice of a friend. By the end of the first chapter I was hooked. Thom brings the adventures of the Clark family to life. The book is accurate from a historical perspective and leaves the reader with a new appreciation of the courage and sacrifice behind our country's westward expansion. A must read.

I have always enjoyed American history,but this novel as you read it makes it seem as if you are there with the Clarks through good and bad times both. I laughed alot and was at times to the point of almost tears throughout the book. If you are interested in American history this is a must read about the opening of the frontiers during and after the revolutionary war. You will not be disappointed.

A first rule of thumb when approaching Cabell's 18-volume opus, the Biography of Manuel; every book will be about Cabell's relationship with his wife. Cabell is obsessed with marriage, and objectifies all of his female characters to fit one of his imagined female roles; nag, whore, or unapproachable beauty. Cabell's characters always return to their nagging wives, for familiarity's sake if nothing else, with never a suggestion that it might be possible to have a long-term relationship between a man and a woman in which both are creators and in which both learn from each other.

The book Jurgen is from the same mold. Jurgen the pawnbroker moves from one of Cabell's stereotypical women to another. The book became well-known because of the godawful sex sequences, in which Cabell archly refers to Jurgen's sword, staff, or stick -- the resulting call for censorship made the book famous, but that doesn't mean it was Cabell's best. I thought The Silver Stallion and, in some respects, even The Cream of the Jest or The High Place to be better examples of Cabell's writing.

I would recommend that anyone who likes fantasy read at least one of Cabell's books, because he writes like no one else. This book had the usual Cabell wittiness and sardonic feel, so if it's the only one you can find, certainly try it.

Early in his journey, Cabell's Jurgen comes to a place known as 'The Garden Between Dawn and Sunrise.' In the garden live all the imaginary creatures that humankind has ever created: centaurs and sphinxes, fairies, valkyries, and baba-yagas. Jurgen is surprised when he sees his first-love wandering around the garden, but his guide replies "Why, all the women that man has ever loved live here...for very obvious reasons."

Moments like this, simultaneously jaded and genuine, sentimental and cynical, are the most delightful parts of 'Jurgen: A Comedy of Justice.' Nominally the story of a medieval pawnbroker's quest to find his lost wife, 'Jurgen' becomes a bildungsroman in reverse as, on the way, its hero regains his youth and visits the lands of European myth, from Camelot to Cocaigne (the land of pleasure) -- each land shows Jurgen a way of life, and he rejects each in favor of his own sardonic stoicism, for he is, after all, a "monstrously clever fellow."

That phrase describes Cabell as much as it does Jurgen: the author is remarkably erudite, and, like a doting parent hiding easter eggs, drops in-jokes through the book on subjects as far-ranging as troubadour poetry and tantric sex. Cabell corresponded with Aleister Crowley in his day, and, in ours, is an influence on Neil Gaiman ('The Sandman,' 'Neverwhere,' etc.). The book itself caused quite a splash when it became the centerpiece of one of the biggest censorship trials of the early 20th century: something to do with Jurgen's very large *ahem* sword.

Social satire and an idiosyncratic cynicism in the guise of a scholarly romance-fantasy, 'Jurgen' is what would have happened if J.R.R. Tolkien and Dorothy Parker had gotten together to write a book.

In the 1920s, James Branch Cabell (rhymes with "rabble") was considered by many to be one of the greatest American writers, based on this novel. Tastes changed with the coming of the Great Depression; worse, Cabell never again came close to writing a book of this quality, despite his many attempts. Whether or not Cabell is a great writer (and I incline to the view that writers should be judged by their best rather than their mediocre works), Jurgen is a great book, full of insight and a joy to read. The eponymous protagonist is a middle-aged pawnbroker who is given an opportunity to relive his youth. In his travels he encounters, among others, Guenevere, the Master Philologist, the Philistines, his father's Hell, and his grandmother's Heaven. In the end he has an opportunity to question Koshchei who made all things as they are. I heartily recommend this novel. Although it is in an older fantasy tradition, it is at least as readable and enjoyable as the best contemporary fantasy, and its literary quality is far greater. I have re-read it many times.

It's welcome recognition of the rich body of American noir writing that the Library of America has decided to gather these novels and include them in it's collection. This volume, along with it's companion, "Crime Novels: American Noir of the '50s", is perhaps the definitive collection of this genre. While this volume is not as strong as the second volume collecting hard boiled writing from the '50s, it more than makes up for it with the inclusion of two seminal novels from the genre: "The Postman Always Rings Twice" and "They Shoot Horses Don't They?" The themes that would be later expanded on by Jim Thompson, Charles Willeford, et al. are here: the uncertainty of reality, the indifference of fate, the allegories on the disfunction of mercantilist capitalism, the femme fatale as deus ex machina, the erosion of moral standards...themes that are that much more relevant today.

It's comforting in a way that these novels, which were considered (and still considered by some) as trash, disposable items of consumption, are collected along with the novels of Melville, James and Hawthorne...."elevated" to high brow lit.

Perhaps the original authors of these masterworks would disagree on the modern critical re-assessment, but to readers like myself, it's just confirmation of something we've known ever since we first discovered them.

The Library of America is a first-class organization. The LOA is consistently reprinting volumes of literary achievement by the most notable authors in American history. They have reprinted everything from political speeches to poetry to historical works. This volume is the first in a two volume set dedicated to American noir stories. The stories in this book were written in the 1930's and 1940's in what seems to be the golden age of the genre.

The first story is from James Cain, and it's a whiz-bang of a tale. I had heard of "The Postman Always Rings Twice" before, mainly in reference to the two film versions of the story. This is one dark read. Adultery and murder never seem to mix, and it sure doesn't here, either. Told in first person narration, a drifter gets himself mixed up with a washed up beauty queen who is tired of her Greek husband. The result is classic noir: a conspiracy to murder the poor schmuck and run off together. As usual, the murder brings about tragic consequences. This story has more twists and turns than you can imagine. The ending is especially atmospheric. This is certainly one of the best stories in the book. I always like to see a story where the blackmailer gets a good beating.

Horace McCoy's "They Shoot Horses, Don't They?" is next in line. This is another great tale that was made into a film in the 1960's starring Hanoi Jane Fonda and Gig Young. The movie is soul shattering, with depictions of dehumanization in the neighborhood of "Schindler's List." The story is not quite as good, but it still packs a heck of a punch. The story is set in Depression-era America and depicts the horrors of a dance marathon. These marathons were apparently quite popular during the 1930's, until they were ultimately outlawed. Contestants were required to dance for hundreds of hours with only ten minute breaks every two hours. The couple that lasted the longest won a thousand or so dollars. The public would come and pay admission to watch this sorry spectacle. It's like poking sticks at animals in a cage. This story is loaded with dark depression and sexual innuendo. The conclusion is suitably depressing to merit a noir award.

"Thieves Like Us" was pretty substandard when compared to the other stories in this book. This one really didn't seem to have those noir elements that I like so much. Actually, it's more of a Bonnie and Clyde type story. A penitentiary break leads to a crime spree across Texas. Banks are robbed and cops are killed while the gang lives on the lam. A relationship between Bowie, the main character, and a girl named Keechie really doesn't add much interest to the story. There is some good dialogue and a bit of desolate atmosphere, but not enough to lift this to the level of noir. I don't know why this story is included here. Try and guess how the story ends (the clue is "Bonnie and Clyde"). I hope that Edward Anderson's other stories are better.

Kenneth Fearing's "The Big Clock" is excellent, and brings the level of the book back up to where it should be. Set in a magazine publishing house, this tale is sleek and smart. The story is told in first person narration, but Fearing shifts the narration to various characters in the story. These constantly changing viewpoints turn the story into a roller coaster ride of epic proportions. An editor at the company makes the mistake of sleeping with the boss's woman. When this lady turns up dead at the hands of same boss, all heck breaks loose. This story is riveting and has a great ending that is all suspense. A must read.

William Lindsay Gresham wrote "Nightmare Alley" after some discussions he had with some carnival workers. This story is the longest one in the book and is a decent addition to the volume. Full of unpleasant images of murder, swindle, cynicism and downright perversion, you won't be disappointed when this one comes to an end. A scheming magician decides to take his con to the big time by posing as a Spiritualist minister, and as usual, the end result is tragedy all around. This story is downright depressing, and if you don't feel sorry for Gyp, you have got a problem. I didn't really care too much for the (...) addition of the black Communist towards the end of the book. Gresham had a flirtation with the Redski movement, so this apparent insertion makes some sense in that context. It goes nowhere in the story, however. There are some other holes in the plot but overall this is an entertaining story.

The final tale comes from the sumptuous pen of Cornell Woolrich. "I Married a Dead Man" becomes instantly familiar within a few pages, mostly due to the numerous films that have copped the plot. The writing here is far superior to any of the other stories in the book. I'd say it's far superior to most writing in general. The metaphors are extraordinary. Look for the description of Bill lighting his cigarette in the doorway. Wow! The story centers on a case of mistaken identity with a strong dose of blackmail thrown in for good measure. Of course, there's also a murder. This story is outstanding.

Overall, if you are just starting to read noir, start with these two volumes. It is good to see some of the best noir has to offer, and you will find some of it in these pages. The book clocks in at 990 pages, but it reads really fast. There is also a nice summary concerning the careers of each author at the back of the book. Recommended.

I was surprised at how modern the themes and writing of this compendium were. I read "Thieves Like Us" just when the Texas 7 episode was happening and was amazed at how little the views of crime and punishment, justice and desperation have changed since that writing, especially in Texas where the story takes place.

"They Shoot Horses..." was my favorite of the bunch for it's depiction of deperate people doing desperate things to survive in the form of a Dance Marathon. But are they doing this out of deperation (even the winner of the prize money, after months of physical torment , will end up having made less than a dollar a day)? Or becuase there is nothing else to do? What is futile and what is meaningfull, the story seems to be asking.

"Nightmare Alley" brought the Tyrone Power movie back home, only the ending seems more poignant. The author organzies each chapter along the 22 minor arcana of the Tarot, a device used by later authors like Robert Anton Wilson and Umberto Eco.

"The big clock", filmed at least twice with variations on themes, uses a unique writing style of shifting narratives from the main characters' points of view and has an awfully modern motive for the murder (probably a little too modern for that period).

"The Postman.." and "I Married a Dead Man" story were also very dood. The Noir theme of "Crime Does Not Pay" runs through most of theses stories, but when you read them, you realize that it's not as simple as that. In the end, who really wins and loses and does it matter?

I don't think one can do better for reading the greats of American Literature than through the Library of America seri

"Newsboys'" boasts a page-turning plot as well as the wonderful ability to make you think about important life questions. I read the entire novel during one ten-hour stretch of business travel ... and it made what could have been a grueling day of planes and airports a day of pure joy. The plot kept me entertained, but the philosophical elements kept me both hooked on the book and repeatedly pondering my own life and choices. "Newsboys'" may not be in the same literary league as E.L. Doctorow's "Ragtime," but it's much better than the current crop of historical novels typified by "Carter Beats the Devil" -- a lot of research in search of a purpose. I finished the book feeling enriched, invigorated and determined to do better at all things. Any work of art that leaves you feeling like that is a great and rare gift.

Boorstin has a unique voice and take on the period and an interesting speculation on what I understand to be a missing period in the life of William James. This book gives a vivid and entertaining picture of life in New York a hundred years ago. Recommend.

Started reading this on the book counter at the local B&N and couldn't put it down. Fascinating premise and wonderfully vivid excursion into turn-of-the century New York. Stylish, well-researched and entertaining.

This book is, quite simply, a fabulous trilogy of novels. It deals, of course, with the two-year voyage of HMS Bounty from England to Tahiti, the captaincy of Captain William Bligh, the mutiny against him, and the aftermath. This is an unforgettable story, beautifully told, well-written, and fast-paced.

I have read reviews here and there that claim this book is written at a "young adult" level. Not so. This is a complex story that only seems to be easily told because the author has mastered the ability to write with utter clarity, and without sacrificing style. As one who reads all day for a living (attorney) I have learned to appreciate authors who can write well. Nordhoff does this--the reader never loses the storyline because it is well told. The novels proceed with the precision of a laser beam but with a poetic, wistful, thoughtful tone that is a delight to read. This book has class.

The story of the trip to Tahiti and the mutiny which takes place early on the return voyage are wonderfully told. The ONLY possible criticism is that this story is not terribly true to the facts of the actual mutiny. The protagonist, Roger Byam, is an imaginary person. By the way, this novel is the source for the first of the Mutiny on the Bounty movies starring Charles Laughton.

The other two novels in the trilogy deal with the voyage by Captain Bligh and those of the crew who remained loyal to him, and the aftermath of the mutiny when the mutineers settle on Pitcairn Island. Both stories are first-rate.

Persons interested in a somewhat more accurate depiction of what happened on the Bounty voyage, as well as a ripping good movie, will want to see "The Bounty" starring Mel Gibson (Fletcher Christian) and Anthony Hopkins (Captain Bligh).

The Bounty Trilogy is a book anyone who enjoys adventure will want to read and own.

I read these stories while at sea on a British research vessel. If you've ever been to sea, or have ever wanted to, you'll probably enjoy reading this trilogy. Nordhoff and Hall write in plain, unelaborate English, so the phrasing never gets in the way, and you can concentrate on all the colorful characters and incredible events. The first two (and half of the third) books are written in first person, putting you right into the action and events, making you think about what you would do in the situations as they arise.

This trilogy has it all: adventure, drama, comedy, history, life at sea, love and loss. It's hard to believe this all really happened. I've given this book to two of my friends already, and they both liked it. You'll probably like it, too.

I give my highest praise to these books. They are far better than current "adventure" stories because of the struggles they had to endure. I found all three books in the trilogy to be excellent (Mutiny on the Bounty, Men Against the Sea, and Pitcairns Island). My favorite one was Pitcairns Island. In all the books I have ever read, this is the first book that ever actually sent a chill up my spine. I won't give the story away, but you will not believe what happens in that book. It's absolutely thrilling and fascinating!