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There are wonderful notes on nearly all the verses of the New Testament, giving the interpretation of the Orthodox Church on the Holy Scriptures. It also includes a lectionary, chapters on "How to Read the Bible," and "Introducing the Orthodox Church," and wonderful articles are interspersed throughout the Bible on such topics as "Confession," "The Four 'Orders' in Church Government," and "The Transfiguration." The pages are also graced by the presence of beautiful icons.
I do have a few minor problems with this Bible. Some is left to be desired in the Book of Psalms, largely because the Septuagint, the Old Testament of the Orthodox Church, was not used. (Of course, this is about to be resolved because the same group of people is currently working on the Old Testament Orthodox Study Bible using the entire Septuagint text.) It was also disappointing to see that in the Morning and Evening prayers in the back, there is no mention of the Virgin Mary. However, the notes and articles throughout the Study Bible clearly explain the emphasis which is put on the Virgin Mary in the Orthodox Church.
I would highly recommend owning this Study Bible, and I don't feel that it deserves a lot of the harsh criticism it has gotten. They did an excellent job!
It is filled with iconograpgy throughout and the end of the book has special sections in regards to Orthodox views, prayers, and doctrines. It is done in an easy fomat to spark one for further study and research.
This study Bible should be in any serious Bible students libarary regardless of religion. The views of the East have been often neglected by the West and the East has a rich tradition the West can learn and enjoy.
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Barry and Campion Neubarger are mega rich snobs who live on the Hamptons and are used to getting their way. When Peter Mullen is killed at their house at a party, Jack Mullen tries to get to the bottom of the death, which is first ruled a suicide. The story is predictible in that the Neubaurs use their money and power to intimadate witnesses and buy justice.
The story is a fast read and entertaining and the plot is somewhat predictable. I greeted each new plot twist with a "that makes sense" acceptance. Even the "stunning" trial at the end is rather lame.
The characters seem to be cardboard cutouts with Patterson throwing in details (like Pauline's tattoo of the Chrysler building on her arm) to add a personal touch. Maybe I'm wrong, but Patterson wasted a good opportunity that could have added a lot to the plot and characters of the story.
At the beginning, Jack is dating Neubauer's daughter Dana. Patterson has Jack, who is the narrator, in glowing terms and you really feel that Jack and Dana have something and their relationship could possibly last. Then when Jack's brother is found dead, Dana is their to console Jack a few times then basically she just disappears. Dana appears a few more times and Patterson hits that Dana was being forced to leave Jack because of her father, but Patterson never explores this possibility. Patterson also hints at Dana being abused and being part of the problems that killed Peter. But again he never finishes these thoughts. I don't know if it was missed because of the 2 authors or what, but as with most of Patterson's recent novels, he goes easy on the details.
Beach House would have been better if Dana and Jack had stayed together while at the same time Jack tried to prove Dana's family was involved with Peter's death. This would have added depth to Jack. Instead we are left with the rich versus poor conflict to hang our hat on.
All the above details about Dana are not spoilers because Patterson drops Dana early in the book as a character after making the reader care about her early on. I hoped she would be mentioned again and her role clarified but it never was.
So, Beach House is a good book that could have been better. It seems like that's the case with most of Patterson's efforts lately.
Patterson's rapid-fire prose and lightning quick 2 to 3 page chapters are present, which makes the story pass quickly. The main character, Jack, is an admirable protagonist who draws the reader's affection. The surrounding cast helping Jack to find justice for his murdered brother may remind some of the Women's Murder Club of 1st to Die and 2nd Chance. Perhaps the best character is Macklin, Jack's aging but still fiesty grandfather who weighs in with his strong opinions on just about everything.
Basically, this book is typical Patterson. Those looking for a deeply involved plot or courtroom scenes that rival those of Lescroart or early Grisham will surely leave negative reviews here. However, those looking for an entertaining story to pass a day at the beach or by the pool will get their money's worth. The book is even called 'The Beach House' - an apt title for the perfect summer read.
The formula of this book is no different than any other by this author or any in the genre. Someone's murdered, someone's going to investigate it, the person investigating it is going to have an edgy flirtation with the person who comes along to help with the investigation (usually a cop or PI) and using creative and completely illegal means, the original crime will be solved.
In this case, the victim is the brother of the main character, the "bad guy" is richer than words can describe, the love interest a female PI, and, as always, the police are inept and can't see a crime where one exists.
It's all about as formulaic as most of the reviews (seriously - how many book endings have literally "shocked" you?) but it's what Patterson does best. I've found these are great books to read on flights and while waiting in airports - great way to capture your attention, kill a few hours of time, and enjoy a storyteller's ability to draw you into their world where good eventually wins.
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(This is a very useful term from narrative theory. When the characters in the movie "Pleasantville" get sucked into the television and start living the lives of '50s sit-com characters -- that's metalepsis. They've left one narrative level and entered another.)
Malina shows that these writers have been playing sophisticated versions of this game for years. Metalepsis gives their novels uncanny power to invade a reader's life, and it raises wild questions about the political potential of fiction -- and the nature of reality itself.
Coolness, in short.