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The book is a little long for the younger set-- my four-year-old can barely sit through it unless I read it fast, hence the one objection I have about pronouncing "Cinder Edna".
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One can only hint at the humour in this book.
For instance, in his chapter on pseudonyms, he discusses the reasons why Eric Blair decided to adopt the pseudonym "George Orwell", noting rather snidely in a footnote: "A cynic might add that 'Blair' is an unlikely name for a socialist."
Or when discussing the merits of the last words of James Joyce in his famous short story, "The Dead," Jackson comments: "Lovely prose, Jimmy, simply lovely; not a dry eye in the parlour the last time I read it out to the servants."
Or his chapter on marginalia, which is about those awful scribblings on books made by readers. Jackson adds his own marginalia to his work - the underlining of the word 'penis', with the comment "smut!"; or the bracketing of a paragraph with "come, now....", "typical", "Has this man never heard of Derrida?" and my favourite, "bamba, BAMBA!" Just the right touch of pomposity.
His chapter on indexes is classic. He quotes from Joe Queenan's book, If You're Talking to Me, Your Career Must be in Trouble:
Tesh, John
Likened to Adolf Hitler, 78
Obliviousness of, 76
Questionable goatee of, 78
This is funny, but at the same time it makes you realise how important indexes really are - and how much fun they can be. I have Queenan's book, but never even bothered to look at the index.
Sometimes, however, Jackson's trickery falls flat, like his chapter "Follies", which is devoted to literary experimentation. The beginning of each paragraph in this piece corresponds to a letter of the alphabet. I was only vaguely curious to see how one could begin a sentence with X and Z. For me, the form under which this particular essay was written detracted from what Jackson was saying (Actually, I felt that way about the chapter on marginalia a bit. The marginalia was so prominent - like all good marginalia! - that it was hard to concentrate on the actual text). Neither was his discussion on literary experimentation particularly interesting, and George Perec's famous book, written without the letter "e", is given more thought by Jackson's colleague, Gilbert Adair.
Still, overall, great...
From introductions to prefaces, from pseudonyms to heteronyms, the author embellishes the book with the history that makes them what they are and uses many examples to illustrate his ideas. He describes the origins and uses of blurbs, dedications, epigraphs, and footnotes (which borrows heavily from Anthony Grafton's The Footnote: A Curious History).
Jackson looks at marginalia and stage directions, lectures and last words as used in books. Finally, he addresses the back matter of books: appendixes, bibliographies, and indexes.
This is excellent reading for the historically inclined and for bibliophiles.
From the very first page, starting with writing the notes about the author, Jackson is displaying wit. He ends the notes on himself with the following statements: "He divides his time inefficiently. All of the above is perfectly true, but has been massaged a bit to make him seem more interesting."
He ends the final chapter, on indexes, with this statement: "Kind reader, now proceed to the index- prepared, as is often the case, not by the bumbling writer but by another writer- and regard it with renewed affection and respect."
Jackson explains in the introduction that he is not an academic and does not have to concern himself with tenure. Therefore, he can do it like he wants to do it. Kudos for that.
As for the actual dispersal of information, this is a book of technique to be reckoned with! It's there. He not only explains how to compose the various components, he gives several examples. He cites his sources and uses excerpts and quotations to thoroughly explain the subject. His instruction is easy to comprehend and relate to.
My favorite portions of this book were the chapters; or "maggots," as the author labels them; on pseudonyms and heteronyms. I had no idea what a heteronym was. It turns out that "pseudonym" refers to a writer that is writing as himself but publishing his work under a different name. "Heteronym" refers to when a writer is writing "outside his personality;" creating an entirely different personality and reflecting that personality throughout his works.
If you have ever been stumped about penning your author's blurb, reach for this book. Jackson breaks these into two categories: boring conventional and interesting nonconventional. He encourages breaking out of the bragging mold and opting for a short, off-the-wall statement. He gives many examples and cites the pros and cons of each.
This book provides a wonderful look into the components of a book. It is instructive, informative, and downright hilarious. After reading this volume, you will never view the classics and their authors in the same light!
Reprinted from Gotta Write Network Online
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To be fair, the book does have a disclaimer in the beging which states that it's for more advanced users. So if you aren't very very familiar with struts don't start with this book. Once you get past the struts nightmare the rest of the book is pretty good. I wouldn't say the explinations aren't very good but the ideas they present are very usefull.
To be fair, the book does have a disclaimer in the beging which states that it's for more advanced users. So if you aren't very very familiar with struts don't start with this book. Once you get past the struts nightmare the rest of the book is pretty good. I wouldn't say the explinations aren't very good but the ideas they present are very usefull.
But all the chapters are good even though it was written by different authors.
The section on refactoring in the beginning set the tone of the book. Good authors. Would recommend this book to anyone working with jsps. Very easy language to understand too. The reason I gave it a 4 is 'coz I understood it more only after I began working with jsps for a while.
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The biggest drawback is that the current addition is going on 5 years since the last edition. Many new routes have been added & changes have been made to the protection on many routes. Hopefull the authors will create a new edition soon. Until then, there is nothing better (at least that I've seen..)
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