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Of particular interest to me were two chapters: one on the relevance of CHARLIE'S ANGELS (the in-depth discussion by Whitney Womack of how the signified transcended Aaron Spelling's supericial signs is a revelation that takes all the fluff out of a Farrah Fawcett haircut) and the other on changing female images on American soap operas (the depth with which female characters were written, moving from the home and bedroom to the office and boardroom, gives contemporary soap watchers a very good idea why daytime (and for that matter, nighttime) soap operas have declined both in number and viewers; Thomas Petitjean, who wrote this chapter, has a good handle on why the 1970s were indeed the golden years of the American soap opera).
This book is not simply for scholars or readers of feminist studies; it's written with style and verve that make it interesting reading for the non-scholar who simply loved the 1970s or grew up in the period and wants to see just how popular culture shaped the new millenium.
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