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While the background of the 1940's made the presentation difficult for someone in their early teens in the 1960’s, the descriptions of baseball more than made up for it. Roy Tucker is the title character and an excellent pitcher. However, immediately after one of his best games, he slips and cracks his pitching elbow. This finishes him as a pitcher and the main theme becomes his quest to come back as an outfielder.
He is initially very effective and believes success is assured. However, he soon begins to struggle and doubts creep in. The description of all of this is a combination of one of the best baseball stories as well as one of triumph as a combination of talent, hard work and persistence lead to his success. I still remember the scene where his manager comes to his room and tells him the problem is that he is playing for himself and not for his team.
John Tunis is one of the best writers of sports fiction that has ever lived. He makes baseball exciting, even when all the action is taking place off the field. While our society has moved on to a point quite different from the time period of the story, baseball is still a game where strategy, preparation and dedication can triumph over athletic ability. That has not changed, and the descriptions in this book will continue to keep the attention of baseball fans for decades to come.
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Over the past few years there have been a spate of histories of the 20th century. Most of them have been written from traditional, often Eurocentric, historical perspectives that focus upon political history set in the context of socioeconomic development and ideological and military conflict. J. R. McNeill's *Something New Under the Sun* replaces the political narrative, usually found at the center of histories, with an environmental one. It invites readers to reevaluate the legacy of the 20th century.
By any measure, the 20th century is, as McNeill characterizes it, "a prodigal century." In terms of growth of population, economic development, and energy production and consumption, it is a case of 'quantity having a quality of its own.' On the one hand, it is a triumph of the human species. (McNeill suggests readers consider that over the past 4 billion years of human history, 20% of all human life-years took place in the 20th century.) On the other hand, this prodigal century - this triumph of human ingenuity - has also exacted an unprecedented environmental cost. It is this trade-off that McNeill's book explores.
McNeill's approach is interdisciplinary, and the book is divided into two sections. The first section is organized around transformations to the lithosphere, atmosphere, biosphere, and hydrosphere, and the resulting pollution and resource depletion. Each topic includes a (very) brief conceptual introduction, case studies from around the world, (black and white) photos, maps, and tables. This section also includes the best example of unintentional environmental consequences. McNeill introduces Thomas Midgely, the inventor of leaded gasoline and Freon, "[who] had more impact on the atmosphere than any other organism in earth history."
In the second section, McNeill introduces the 'engines of change" - 1) population growth, migration, and urbanization, 2) energy, technology, and economic growth, and 3) politics and environmental awareness. The pulses of 'coketowns' and 'motowns' take place amidst the tumultuous social, economic, and political events of the 20th century. Environmental awareness doesn't take root until the 70's - a critical period for women as well. (His examples of Rachel Carson and Wangari Maathai were well chosen - and gendered.) In his epilogue (So What?), McNeill's history portends an environmental crunch, a change of circumstances - a dilemma unlike the world has witnessed so far.
"With our new powers we banished some historical constraints on health and population, food production, energy use, and consumption generally. Few who know anything about life with these constraints regret their passing. But in banishing them we invited other constraints in the form of the planet's capacity to absorb wastes, by-products, and impacts of our actions. The latter constraints had pinched occasionally in the past, but only locally. By the end of the twentieth century, they seemed to restrict our options globally. Our negotiations with these constraints will shape the future as our struggles against them shaped our past." (J. R. McNeill)
*Something New Under The Sun* is written in a popular style well suited to both non-fiction readers and students. Readers of environmental historians like William Cronon, William McNeill, or Alfred Crosby will certainly find McNeill's book interesting. Personally I think that McNeill's global perspective of the 20th century will stand the test of time.
What makes this such an important book aside from its readability and penetrating analysis, is perspective. J.R. McNeill considers history without consideration of the life-support system of Earth or ecology that neglects social forces, incomplete and capable of leading to dangerous conclusions. Further, "Both history and ecology are, as fields of knowledge go, supremely integrative. They merely need to integrate with one another."
Having grown up in Pittsburgh, Pa., I can attest to the author's history of Pittsburgh and to his grasp of the complexity of problems there (for instance: Andrew Carnegie found the level of pollution intolerable, later some unions fought smoke-control). In today's world, no matter where we live or what work we do,environmental issues will arise.
This book by elucidating the processes and trends that underly today's world, gives us a foundation on which to base our opinions and choices, working toward the day when we , in the author's words, "Make our own luck, rather than trusting to luck..."
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It's not "the best book I've ever read," nor is it the SPECWAR primer that Rogue Warrior is. But for some unadulterated macho fun, Green Team (like the others in the series) can't be beat.
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highly recommended for any human being.
Worthy of special mention is Wotyla's metaphysical analysis of "love". This is a deep look into the nature of true love, how the sexual urge is the starting point, a good thing that encourages us to look deeper and to love the person as a whole. When this urge is abused by treating the person as a mere sex object, the fruits of the sexual urge are squandered. When used properly, the sexual urge is fuel to deepen our interests in another, to develop a friendship, goodwill, and if there is reciprocity from the other person, the highest stage is attained - betrothed love - the lifelong comittment of marriage.
This is a book that is sorely needed by our society today. There is much here - Wojtyla's thought is rich and deep. You will not get the grasp of his point with one reading, rather it will take multiple readings of this book for its flavor to sink in. Personally I have read this book three times and can testify how it has enriched my life. I think it will do the same for you.
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This book may not be for those who enjoy traditional comedy, but it's certainly worth a read if you're looking for something new. The complete randomness and, well, weirdness of Lennon's style (and, perhaps, mind) are very intriguing, whether you find it funny or not.
The introduction by Yoko Ono is also worth a look at (it's a little suprising, but oddly thought-provoking).
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I happend to notice the title of this book at a donated book sale at our local library.... I picked it and others up and proceeded to add it to the pile of books I would some day scan. On a long business flight I started to read this book.
I could not stop. As the authors laid out their ideas I covered the pages with notes.
Finaly a logical explanation of why change, even obviously necessary change, fails. Even more the begining of a method on how to make it work.
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Anthology covers every (well, probably almost every) aspect of the Beatles' life and musical career. It starts as four seperate stories as every band member describes his childhood, then melds into the story of the band. All the interviews from the wonderful Anthology TV series are in the book, but so are many more. There are far more details - especially about the music itself, which was neglected in the series. While in the series some albums were hardly mentioned, in the book the Beatles refer to almost every song, telling a thing or two about its background. Also, more touchy subjects which were avoided in the series appear here - such as, the (phony) death of Paul McCartney, the (real) death of Stuart Sutcliffe, the unfortunate Hell's Angels incident and the terrible case of Charles Manson and his connection to the White Album. The photographs and documents shown in the book are facsinating as well.
And no, it's NOT too long. The only problem with the book is its weight, which makes it quite uncomfortable to read. Anthology is a superb book, which reminded me why I used to love the Beatles so much and got me to hear all their albums again - twice.
Anthology covers every (well, probably almost every) aspect of the Beatles' life and musical career. It starts as four seperate stories as every band member describes his childhood, then melds into the story of the band. All the interviews from the wonderful Anthology TV series are in the book, but so are many more. There are far more details - especially about the music itself, which was neglected in the series. While in the series some albums were hardly mentioned, in the book the Beatles refer to almost every song, telling a thing or two about its background. Also, more touchy subjects which were avoided in the series appear here - such as, the (phony) death of Paul McCartney, the (real) death of Stuart Sutcliffe, the unfortunate Hell's Angels incident and the terrible case of Charles Manson and his connection to the White Album. The photographs and documents shown in the book are facsinating as well.
And no, it's NOT too long. The only problem with the book is its weight, which makes it quite uncomfortable to read. Anthology is a superb book, which reminded me why I used to love the Beatles so much and got me to hear all their albums again - twice.
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I hesitate, in fact, to refer to them as characters because they seem so utterly real and so human. It had me in awe of the research that Maxim must have done and wondering how he got his sources to talk to him. It made me wonder how Maxim knows Bannerman and his people so well. Especially Carla and Elizabeth Stride and my personal favorite, John Waldo. So, you know what I think? I think they are real. And I think that Maxim must be one of them.
As with other Bannerman novels, GHOSTS is impossible to lay aside until the highly emotional final chapter and epilogue leaves you wishfully hoping Bannerman's Prophecy is already on its way to the publisher.
A recommendation for Hollywood: Beat a path to John Maxim's door for the Bannerman movie rights!