"Nate the Great" is, in a word, great. In Nate the Great, Marjorie W. Sharmat has created a hero for young boys. He acts very independently, walking around the neighborhood by himself, making his own pancakes, etc. but he wears his rubbers, and he *always* leaves a note for his mother. Marc Simont really comes through in his laid-back illustrations (some shaded, some in color) that reveal important points of the case, but do not force things down the readers' throats. Also, like the writer, Simont manages humor without going overboard.

As in the best children's books, the writing style is simple yet powerful, like a haiku. Although the "Nate the Great" series is written in full sentences, Sharmat has slyly created a wonderful introduction to poetry-that-doesn't-rhyme with his carefully placed line breaks and page breaks. Here is the first page of text: "My name is Nate the Great. / I am a detective. / I work alone. / Let me tell you about my last case: / I had just eaten breakfast. / It was a good breakfast."

The first book in the Nate the Great series is by far the best, because the funniest parts are in the character development that, of course, takes a back seat in later volumes. The establishing shots of and paragraphs talking about Nate, Annie, Fang, and Rosamond are absolutely hilarious. Continuity watchdogs will note Fang's slightly more menacing nature (and color change) and Annie's lost fascination for yellow in later books. Of course, kids won't notice or care.

The official reviews don't make it clear which books in the series are actually in this volume. The cover is definitely not the original cover of book 1. You might want to look into that before buying.

This series is great fun for little kids and whoever is lucky enough to be reading to them. Get all the Nate you can find!

NATE THE GREAT is the first book in a wonderful series that introduces young readers to the world of mysteries, clues, and pancakes that is Nate the Great. Shortly after a big breakfast of pancakes, Nate is contacted by his friend Annie. She has a mystery for him. The picture, painted in yellow, she did of her dog Fang is missing. She wants Nate to find the picture for her. Nate leaves a note for his mother and is in hot pursuit of the clues that will let him know where the missing picture is. During the course of his investigation, Nate meets Rosamond and her four cats-Super Hex, Big Hex, Little Hex, and Plain Hex, and Annie's little brother Harry. One of them holds the secret of where the missing picture is.

Marjorie Weinman Sharmat is the author of over twenty Nate the Great adventures, including NATE THE GREAT STALKS STUPIDWEED, NATE THE GREAT AND THE BORING BEACH BAG, NATE THE GREAT AND THE HALLOWEEN HUNT, and NATE THE GREAT AND THE MUSHY VALENTINE. She has written dozens of books for young readers. She named Nate the Great after her father. Her books have been named as Children's Choice books and Junior Literary Guild selections, and been picked as Books of the Year by the Library of Congress. Nate the Great was named after the author's father.

As in every Nate the Great book she writes, Marjorie Sharmat plays fairly with young readers (ages 4-8) regarding the mystery and the clues. Her prose is tight, clean, and concise. Reading aloud to younger readers is an absolute hoot, and if the reader can manage the tough-guy private eye voice of a Mickey Spillane novel, the effect on young readers is even more mesmerizing. The illustrations by Marc Simont-the long-time artist of the Nate the Great series-complements the story very well, lending humor, clues, and vibrant color for young eyes. NATE THE GREAT is the perfect place to join the series because this book sets up all of Nate's world, from the frantic call by friends that have lost something, to the note Nate always leaves his mom on the refrigerator explaining his whereabouts, to the regulars that make up Nate's world.

The entire Nate the Great series is recommended to younger readers and parents who love reading to their children that might have tired of (or memorized!) all of the rhyming Dr. Seuss books. This series makes a great transition to leap from to Nancy Drew or the Hardy Boys later.

This is a very cute and quirky detective story for the advanced first to third grade reader. I believe even older readers (including adults) will thoroughly enjoy this book as well.

Nate the Great is a boy detective who is on a VERY big case. He has to help his friend Annie find a lost picture. We follow Nate as he unveils clue after hilarious clue until he reaches a rather unusual conclusion. One of the funniest stories I have read. We'll be ordering the entire series.

Enjoy!

No matter how hard I search, I've yet to find the "perfect" book on herb use and herb growing. This book isn't perfect, but it does have some real strengths.

Rodale's ILLUSTRATED ENCYCLOPEDIA OF HERBS is organized in a strange way--everything, and I mean everything--falls into alphabetical order. For example, "Gardening with Herbs falls between "Foxgloves" and "Garlic" and "Growing Herbs" falls between "Grindellia" and "Hawthorn."

The book is printed on semi-gloss paper so it will stand up to use and not crumble in a few years. Each entry contains line drawing illustrations and a few sections of the book are highlighted with color photos.

The plant profiles are succinct, covering topics such as 'history', 'cultivation' and 'uses.' Many entries contain material from other sources such as Maud Grieves' A MODERN HERBAL Vols. 1-2. Some information is repeated without attribution or verification. I always find "They say" and "It is thought" offputting, while I appreciate direct citations of which there are many in this book.

THE ENCYCLOPEDIA covers some topics not readily found in other books. The most useful of these is a compendium discussing the "Dangers of Herbs" (located between "Dandelion" and "Deadly Nightshade." The editors have compiled the FDA listing of "tricky" herbs (could kill or cure depending on use) from PREVENTION magazine, as well as similar ratings from James Duke's CRC HANDBOOK OF MEDICINAL HERBS, Jean Rose's HERBS AND THINGS, and Varro Tyler's THE HONEST HERBAL. You realize on reading this section that everything is relative.

The biggest problem with the misuse of herbal remedies is the misclassification of plants by the practicioner. To be an herbal healer one simply must understand botany. The second biggest problem is conflicting information about what a plant will or will not do based on singular accounts (which could be the result of a misclassification of plants or a misapplication of the plant extract). The third problem is idiosyncratic plant and human interaction. One man's poison can be another man's elixer. As with synthetic drugs, each individual has a unique chemical compostion and the herb in question may or may not be effective, or in some cases may provoke an allergy. Of course, there are some herbs that are downright deadly as every mystery reader knows.

This wouldn't be a Rodale book with out a section on "Pests" and "Pest Control" or the synergistic and conflicting effects of various plant combinations in the garden. This information and the sections on poisonous attributes make the book worth it's cost. All I can say about plant combinations can be summed up to this...plant catnip. You'll have to read the book to find out which kind.

This book has *fabulous* illustrations of the plants it details - something usually lacking from herbal books by way of plant identification. The plant descriptions and suggestions for use, as well as the old lore associated with each one are all very useful, and well formatted for easy lookup.

The only thing it doesn't have is the same thing most herbal books lack: complete and comprehensive information on the dangers of certain herbs - although I understand that the reason is that since this isn't a licensed medical text, they're not allowed to present thier information as actual medical advice, and so some of the precautions fall under that umbrella. As with any book on herbs, the reader must remember that the information, especially the warnings, are not necessarily complete.

That said - this is a really useful book with lots of great information, that you'll be glad to add to your herbal library at home.

This would have to be the most complete, easy to read book on the subject of herbs that I have come across. From propagation to cultivation through to harvesting and using, this book covers the lot in great detail. The big asset of the book is that everything is described in such a way that the beginner gardener (me) will have no trouble following. As well as the individual listing of each herb, the lists of uses for the herbs have been very helpful. Culinary gardens, formal gardens, theme gardens, medicinal gardens, herbs for fragrance, dyes, essential oils, you name it and it’s mentioned in this book.

Stone Carvers, a cultural study of the men who carved the stone embelishments and sculptures of the Washington National Cathedral, offers exceptional insight into this fascinating subculture. It builds on the film, released in 1985, which won a documentary academy award for the author, Majorie Hunt of the Smithsonian anthropology staff. The characters of these unique, talented and charming men are beautifully revealed while the photographs make clear what a monument they have created. They were trained in the classic stone carving workshops of Italy, came to this country as young men and created a world of classical beauty on buildings on the Washington Mall, and in New York as well as at the Cathedral. The last of these unique men, Vincent Palumbo, carved the wonderous Creation sculpture [by Fredrick Hart] over the central door of the cathedral, the visual image of which was used without premission for the movie Devil's Advocate [Washington Episcopal Diocese sued to block release of the movie until some images were removed]. The fact that monumental stonecarving is both a dying art and a dying subculture makes this documentary book all the more valuable and poignant. I visit with Mr. Palumbo about once a week just to hear his tales of the old days when these great men walked the roofs of the sixth largest cathedral in the world and carved their impressions in immortal stone.

A really handsome volume that wonderfully illuatrates this fine art. After visiting the National Cathedral (I was there for the dedication of the tympanum over the main door) and being captivated by the work of the carvers, this superb survey of monumental work brings it all to life again.