This book offers a refreshing look at the validity of the English monarchy through a fun, romantic story. The romance of Emmalissa and Will is a delightful undercurrent as Will tries to establish himself as the rightful heir of the throne. Their romance soon takes center stage, as often happens, in his quest for truth. If, in fact, there is any validity to this tale, it puts to question the premise on which the monarchy is founded -- lineage. At a time when the monarchy has become less popular, it would be interesting to know what the royals have to say about Harry's Son. This delightful, light story would make an interesting movie. A movie clothed in romance and intrigue that could question the roots of a nation's monarchy.

The book keeps you spellbound and not wanting to stop reading until finished. Provides enough historical facts to almost make it seem non-fiction. A very well-written and fascinating look into the English Royal Family. Very good.

I truly enjoyed reading "Harry's Son"! The author does an exceptional job of weaving historical facts and fiction to create, quite seamlessly, a really good novel. I liked the short, fast-paced chapter format, the political ideas expressed, and the very appropriate tie-in with today's monarchy. I highly recommend it!

This is a great book but don't be sucked into buying it for 150 dollers goto the UK site and get it for 8 bucks. Ships just as fast.

http://www.amazon.co.uk/exec/obidos/ASIN/0261103474/ref=sr_aps_books_1_2/026-5367973-8334817

This is one of the best biographical books I've ever read. Carpenter captures the character of some of the most interesting British writers of the WWII/post-WWII era: C.S. Lewis, Tolkien, Charles Williams. He manages to tread that careful balance between criticism and adoration. He accomplishes this, I think, out of true sympathy for each of the writers involved. He helped me understand the nature and complexity of the different relationships surrounding C.S. Lewis without resorting to vulgar fault-finding or "taking sides". At one point, Mr. Carpenter recreates an Inkling meeting. The intellectual vigor and personalities of the participants rises off the page and helps to explain why the Inklings generated (and still generate) such interest.

Several recent events have renewed an international interest in the writings of C.S. Lewis and J.R.R. Tolkein: the 50th anniversary of the publication of "The Lion, Witch and the Wardrobe" (1950), and the screenplay release of J.R.R. Tolkein's classic "The Fellowship of the Ring" on movie screens around the world in 2001.

Both of these world famous novels were first introduced "publically" at the regular gathering of a few British writers and friends, who informally called their literary club "the Inklings". Even the name "inkling" was a playful self-parody, referring both to the fact that they displayed their imaginations in ink and they often only had an "inkling" of what the other was really talking about.

Carpenter, also the authorized biographer of J.R.R. Tolkein, helps readers enter into the private lives and late-night meetings of these writers. You can smell the cigarette smoke, hear the whistling of the teapot and sense the tension of Oxford intellectuals wrestling with the outbreak of World War II. Thanks to Carpenter's careful retelling of these gatherings, you sit back in the evening, sip your tea and imagine yourself among these writers as another member of the fellowship.

For books on the fellowship of the family, look into these two titles: "The Family Cloister" and "The Christian Family Toolbox" both by David Robinson (New York: Crossroad, 2000 & 2001).

William Humphrey's second novel The Ordways (1964) is not as well known as his more celebrated first novel Home From the Hill (1958). The novel's early reception suffered from its fragmented structure, as it is separated into 4 distinct sections: In a Country Churchyard, The Stepchild, Sam Ordway's Revenge, and Family Reunion. Like Home From the Hill, the plot is intricate and convoluted. It various digressions, references to unrevealed elements and events, and frequent narrative jumps between past and present slowly reveals the story in bits and pieces.
Humphrey's writing was often compared to Faulkner, an influence Humphrey vigorously denied. Insightful comments from two reviewers are revealing: "[Humphrey's] cosmos is less awry than Faulkner's, and his syntax is far more agreeable," and "Humphrey gives us...a piece of Faulkner in which the obscurities have been clarified and the crooked made straight."
Nearly 40 years after its publication, the loose structure and the Faulknerian inheritance of The Ordways are no longer hindrances to its value. It was unjust to Humphrey that the book was viewed as a shortfall compared to his first.
The story contains two main elements. First is the retold saga of the migration of the Ordway family ancestors from Tennessee to Texas, which is recounted in the section entitled In a Country Churchyard. The saga relates the travails of Civil War soldier Thomas Ordway, his incapacitating injury, his wife Ella's determination to keep the family together, their eventful migration to Texas, and the remainder of their lives in Texas. This remembrance is told during Remembrance Day, a yearly event where families clean cemetery housing the graves of their ancestors. In a Country Churchyard is brilliant writing and story-telling, both emotional and hilarious. Much of the Ordway history is extravagant and over-the-top, yet deeply moving at the same time. Bert Almon, Humphrey's primary literary critic, points out that Humphrey's desire was to satirize a number of southern and western cultural myths: the glorification of the lost southern cause of the Civil War, excessive southern piety to family, glamorization of the Wild West and cowboys, and an obsession with the past. Despite his extra-textual satirical goal, Humphrey does not come off as nasty or sarcastic. In fact, his love and affection are clearly on display. In a Country Churchyard is fiction, writing, and story-telling at its finest.
The second main element is an account spanning nearly 30 years of the kidnapping of Sam Ordway's son Ned by a neighbor, Sam's futile attempt to track down his son and the perpetrator, and at last the reunion of father and son about 30 years after the fact. The Stepchild describes the loss of the child and the step-by-step realization that he has been kidnapped. Slow, yet dramatic, The Stepchild is more straightforward story-telling compared to In a Country Churchyard. However, the events in The Stepchild, frequently and tantalizingly foreshadowed in In a Country Churchyard, make the prologue even more masterful and gives The Stepchild an extra poignancy. Sam Ordway's Revenge is a humorous recital of Sam Ordway's ridiculous search for his son. Ludicrous events happen time and again; this section perhaps reveals Humphrey's satirical intent the most. It does not continue the same sense of drama and devotion of the previous two sections and thus I found it somewhat weaker. Family Reunion is also weak compared to the book's first two sections. It is similarly humorous, capturing the celebrations across Texas for the reunion of Sam and his son Ned. The reunion of father and son provides some relief to the reader after the central tragedy of the kidnapping, but one wonders if the book may have been more powerful had the reunion never occurred.
Mr. Humphrey's lack of literary success was a source of great disappointment to him. I am similarly at a loss why his career did not take off as did those of his less-talented contemporaries. William Humphrey died in August 1997. I hope that his extremely worthy works The Ordways, Home from the Hill, and Farther Off from Heaven will not be forgotten. Everything you could ever want of a writer is there.
Thanks to LSU Press, two of these fine books are still available. A word to the fiction connoisseur - buy them while you can.

This is an important book for every Texan to read because it is a family history so many of us share. William Humphries viidly follows the day-to-day life and adventures of our ancestors from the time they pull up stakes in Arksansas or Alabama to putting down roots in Texas.

If you want to see and read about Austin's history, this is the book for you. The book covers Austin's story from its inception in the late 1830s to the mid-1980s. Overall, I learned how Austin evolved into the city it now is.

Having just read Steven Saylor's "A Twist at the End" and visited the O. Henry Museum, I was most interested in Austin's history during the last two decades of the 19th century. Readers wanting to know more about other parts of the city's history will find that the text and graphical content puts each stage of Austin's development into a useful perspective.

I learned...and thoroughly enjoyed the process.

If Janet Chahrour's, "Flash! Bang! Pop! Fizz!" had been around when I was a kid in school, I'm sure my chemistry and physics grades would have been much higher. Who knows? I may have been the next Einstein!

This is a wonderful book for students to learn how to appreciate the physical sciences and have a whole lot of fun while doing so. Chahrour drew from her many years experience as a science teacher to compile 25 different activities and experiments that children can perform using everyday household items.

With amusing titles such as "Whirligig Rocketry," "Pop Can Pedestal," "Portable Alarm," "Fabulous Play Goop," and "Your Dear Friend, Egbert," children learn the basics about air pressure, density, chemical reactions, liquids, gases, gravity, motion and many other scientific concepts. In addition to clear, step-by-step instructions for each experiment, the book provides vocabulary lists and easy to understand explanations of the scientific principle under study.

The book is an easy to read large format paperback, profusely illustrated in color, and contains guidelines for parents and teachers.

Even though, I've been out of school much longer than I care to admit, I found Chahrour's book to be fascinating and fun. Although written for children from grades 5 to 9, it definitely appeals to children of all ages.

_Greek and Roman Technology: A Sourcebook_ by Humphrey, Oleson and Sherwood is a fascinating and yet accessible examination of ancient technology in all its aspects. The sourcebook format is particularly well suited to such a diverse topic, and brings the reader closer to the Greeks and Romans in letting us read their own writings about technology. The authors have amassed a spectacular collection of passages from ancient authors on all aspects of ancient technology: the rise of technology and civilization (including some mythical sources), sources of energy and basic mechanical devices, agriculture, food processing, mining, metallurgy, construction engineering, hydraulic engineering, household crafts and workshop production (metals, wood, ceramics, textiles, etc.), transport and trade, record-keeping, and military technology. The final chapter on "Attitudes towards labour, innovation, and technology" is particularly interesting in light of modern issues. The passages themselves are well translated into readable English and are prefaced by short yet very informative introductions on the subject at hand. There seem to be no missing categories I could think of. A short introduction explains the approach of the book, the sources, and contains an essay on "society and technology in antiquity." There are several thorough indices, which make it a handy reference book and source for further study. Anyone who is genuinely interested in the ancient world or the history of science and technology should enjoy this book. It is eminently dippable and can easily be read a few pages at a time. It would make a great present for a well read friend.

I would be wary of recommending this book to anyone who is depressed or who is grieving a great personal loss because of the dark and despondent storyline. But there are few things that I enjoy as much as a well-written story - phrases and images so real and truthful that you have to stop and reread them several times.

The book was so good that I am now amazed that I hadn't heard of it before, and nobody I've spoken to has heard of it either.

I hope this book will become more widely read because it would surely become a classic.

Humphrey tells the story of a man dealing with the tragedies that have disassembled his life. Part of what makes the story so touching is that the man and the tragedies are not so extreme as to be unbelievable; a universally feared scenario that is all the more feared because it is possible.

Humphrey's writing is so precise and evocative that this book will thoroughly engage you and remain in your thoughts long after you've finished reading it.

william joyce's illustrations make this one of my very favorite books: it is the book i always give as a baby shower gift. ANYONE can give "goodnight moon" but this book is special. the first 5 or 6 times i read it to my son i cried at the last line. i like how the FATHER is the one who comforts the boy (on the last page) and it is the mother who looks on lovingly. simply a wonderful, cozy book, if ever there was one.

When one takes the initial steps of such an exotic trip as the middle east, a guide is needed to educate yourself on everything. Even the experienced traveler will find their trips to Europe did little to prepare them for the Middle East. This is why this guide does so much for the independant, and is so invaluable. Lonely planet has a history of helping people travel on a meagre budget, however gives a warm and caring introduction as to why indulging yourself occasionaly in the more expensive treasures can make your vaction. The authors expell the myths of all around violence in the region and firmly warns you where not to go. The religion and customs sections are so informative that I found myself prepared for the basics of Islamic life and ready to learn more. This book inspired me to take the unbeaten path and to still take in the wonderful tourist draws. Ive browsed through the two other major guides on the middle east, they dont compare to the thorough down to earth writing that Lonely Planet produces. Occasionaly, there could be more entries on Long Distance Travel (getting there and away) and there could have been more mention of the smaller budget tours that are offered in the region, however I still contend that this is the best pick for Middle East travel guides for all traveler of all Budgets.

Written by Shakespeare for Queen Elizabeth I amidst a time of Irish rebellion, Henry V more than adequately serves its intended purpose of galvanizing nationalistic fervor. It proved itself to be an unwavering and unfaltering impetus of patriotism in Shakespeare's day, during WWII, and still today it continues to resonate and reverberate this provocatively telling tale of the most gloriously revered monarch in English history.

Henry V's stirring orations prior to the victorious battles of Harfleur("Once more unto the breach") and Agincourt("We few, we happy few, we band of brothers") astonish and inspire me every time I read them. Simply amazing. Having read Henry IV Parts I&II beforehand, I was surprised Shakespeare failed to live up to his word in the Epilogue of Part II in which he promised to "continue the story, with Sir John in it." The continuing follies of the conniving Bardolph, Nym, & Pistol and their ignominious thieving prove to be somewhat of a depricating underplot which nevertheless proves to act as a succinct metaphor for King Harry's "taking" of France.

Powerful and vibrant, the character of Henry V evokes passion and unadulterated admiration through his incredible valor & strength of conviction in a time of utter despondency. It is this conviction and passion which transcends time, and moreover, the very pages that Shakespeare's words are written upon. I find it impossible to overstate the absolute and impregnable puissance of Henry V, a play which I undoubtedly rate as the obligatory cream of the crop of Shakespeare's Histories. I recommend reading Henry IV I&II prior to Henry V as well as viewing Kenneth Branagh's masterpiece film subsequent to reading the equally moving work.

I looked long and hard (and asked many a scholar) for the "perfect" Shakespeare publication that I might purchase to study "King Henry V" (for a experiential education requirement, I had undertaken the translation of Henry V into American Sign Language). The Arden Shakespeare came highly recommended by everyone, and has lived up entirely to all its rave reviews.

I will never buy Shakespeare from another publisher. While these books may be slightly more expensive than a "mass market" edition, I believe that if you are going to take the time to read and understand Shakespeare, it is well worth the extra dollar or two. The Introduction, the images, and plethora of footnotes are irreplaceable and nearly neccessary for a full understanding of the play (for those of us who are not scholars already). The photocopy of the original Quatro text in the appendix is also very interesting.

All in all, well worth it! I recommend that you buy ALL of Shakespeare's work from Arden's critical editions.

On D-Day British officers read Henry's famous words to their men as they approached the beach. When Churchill needed material for his famous "Few" speech, his thoughts turned to the pages of Henry V. From "once more into the breach" to "we happy few, we band of brothers" this play resonates with Shakespeare's paen to England's warrior king. Oh, you'll be a bit confused at the start if you haven't read Henry IV parts 1 and 2, but this is primarily the story of Henry V's victory at Agincourt. Whether the play glorifies war or just Henry you will have to decide. There is much food for thought here for the perceptive reader. But then Shakespeare is always provocative.